Packed with impressive drum fills that intensify the song, DRMAGDN’s “Something” (ft. Michelle Ray), pays stylish homage to the original Beatles version.
With “House For Kings,” Sam Feldt and Tones And I reveal their magical touch, blending a tasty dance rhythm with shimmers of pop.
Not quite hip-hop, not quite pop, “Ninja Sword” offers a synthesis of stylistic flavours, resulting in a rococo electro-pop fusion.
Almost doom-like, International Furlough’s single “Blind in One Eye” pulsates with wicked, black kinesis, evoking primal expressions of foreboding gravity.
Akin to an articulate cry of utter desolation, Damien Musto's “Cry For Help” renders inner emotional anguish into expressive verses.
Elegiac yet peppered with tinges of hopefulness, Ships Have Sailed's “Silence” projects the mysterious energy and serenity of being enveloped in stillness.
Swelling with threads of melancholy darkness, Trailer Swift’s “Cross My Heart” (Mint 400 Records) delivers dense harmonics and a feeling of introspective isolation.
Highlighted by the easygoing, appealing voice of Geoff Gibbons, “Feet Out the Window” delivers gorgeous washes of alt-country.
Wonderfully wrought, with “Scandal Monger,” Loryn Taggart uses her redolent voice as a tool to reveal artful duplicity.
Sighing with soft, floating filaments, Island Moons’ “Slumber Sail” offers serene layers of music coated in enchanting textures.
The split, taken as a whole, projects a future nostalgia vibe, unapologetic about the exploratory emotions expressed therein.
With its throwback rhythmic pulse and warm vocals, Night Hymns’ “Blue Bottle” exudes delicious tangs of shimmering retro textures.
As a whole, “Bogus Operandi” is wild and untamed. With explosive riffs and efficient hooks, Swedish garage-rockers The Hives dish raw energy from start to finish.
Spiritbox have unveiled their newest single, “The Void” (Pale Chord Records, Rise Records), wherein they seamlessly mix electronic elements into the overall soundscape, creating an exciting...
Revealing refractions of sadness and appreciation, the sonic geometry of Pamela Laws' “Marina” (Big Crowd Music) infuses listeners with the tender compassion of love and loss.