With its shadowy inner complexity and spellbinding metrical flow, “The Divide” simmers with granular layers and cryptic textures.
Grace Kay and Kirsten Izer reveal “WHY AM I LIKE THIS,” a candid, sharp-edged pop track that turns anxious self-reflection into something wry, cathartic, and unexpectedly...
Highlighted by their art-rock funk rhythms and ingenious textures, NOVABLOOD offers a quirky, compelling song on “I Used To Live In A House.”
Los Angeles-based music collective The Vincenzos release their brand-new single/music video, “Lay Down,” a song pleading with a lover to lower their defenses and let love...
With “Fast Forward,” The R.E.S.E.A.R.C.H. delivers a next-gen art rock song that carries listeners into a bewitching sonic mosaic.
Alyson Faith’s new song, “Let’s Find Out,” exudes contagious tangs of indie-rock, along with a satisfying and attractive melodic flow.
Provocative without being radically offensive, “Solid Ground” pierces to the crux of the matter: since you’re in the middle of it, decide.
With “The Hammer,” Dash Hammerstein reveals he’s learning to paint on a larger canvas, one that’s appealingly original.
Spacious and a bit hypnotic, “Nyc 1970s Cinema” is at once sensitively reflective, while remaining totally chill.
With “CLARIDAD,” the talented Venno crafts a song heavy with drama, allowing listeners to participate in his profound feelings.
On “Opening,” Zain Effendi captures the splendid feeling of life’s potential, taking listeners on an odyssey through a musical wonderland.
On “Photograph,” Monotronic dives deep into dark colors of fluctuating synths, probing the hypnotic allure of superficiality.
“Om Tare Tuttare Ture Soha,” the new mantra track from meditation guide and artist Rina Rain, invokes protection from both inner and outer fears, as well...
On “You Don’t Wanna Know,” Aranda’s blend of hard rock and big-tent touches of alt-metal results in an irresistible power ballad.
“Come Home to Me,” Stephen Thomas’ debut in the country music scene, is a heartfelt homecoming anthem for love, loss, and longing.
Surprisingly catchy and vibrant with pop energy, Shekinah Grace Moyes’ “CHRISTMAS NATION OF JOY” offers a superbly likable holiday song.
“Tulsa” reveals the soul of oozing blues, at once labyrinthine, sidling, coasting, and deliciously treacly.
Shimmering with luscious, poignant layers, with “The Ghosts of Christmas Past,” Judy Whitmore captures Christmas in a song.
“Lighthouse” is like a gentle assurance, a hand on one’s shoulder, reminding that despite all of life’s chaos and unpredictability, a few songs still have the...
Drawing on a deep cache of emotion, Larry Beckett unveils a moving, poignant performance of the desperation of love.
Replete with oodles of charm and hints of retro flavors, with “Where I’m Running,” Leo Sawikin releases perhaps his best song ever.
With “Dangerous Love,” James Laurent pushes the thrill and/or misery quotient of the danger zone of love into the red.
Marinated in charming, quixotic sensations, with “I Want It All,” Skip Ewing offers a breathtakingly beautiful country song.
