Before setting off on a solo career in 1996, Robert Allen, aka DownTown Mystic, paid his dues as a…
Lana Del Rey has released the superb single “The Grants” (Interscope, Polydor), which takes listeners to church with little more than a piano and subdued choir.
Akin to an emotive ballad, GNS & V-Sensei ‘s “LOVE A LIE” reveals a troubling sense of love’s impending futility, as well as its undeniable attraction.
Social: There’s an inarticulate sadness hovering over Centershift’s “Fade Away” (Auspicious Recordings), conveying a profound array of emotions, including regret and the ache of unease.
Simultaneously elegant and heavy with gloominess, with “Parasite,” Cosmopolis evokes an aching exegesis of brooding compulsion.
Drenched in lustrous guitars, Blueburst’s “Vanish” is at once dizzying and dynamic, with Craig Douglas Miller’s vocals adding stylish, euphoric touches.
With enchanting glassy synths over a driving breakbeat, “Swim Back” is potentially one of the more uplifting-sounding tracks in Daughter’s repertoire.
Manchester Orchestra’s newest single, “Capital Karma,” is a tender ballad which successfully displays many of the band’s strengths, using a minimal yet impactful arraignment.
The beauty and the pain that shares the space of aja monet’s new track, “The Devil You Know,” and its accompanying short film is nothing short of breathtaking.
Kid Prexy has it going on! Surging with hefty guitars forming a contagious wall of sound, “In My Head” vibrates with heady pop-punk momentum.
Glossy and yet delicately translucent, Future Someone’s “I Hope You Find Whatever You Are Looking For” evokes humankind’s collective search for fulfillment.
Juxtaposed against the visceral aggression of the images, Red Bird Rising’s “My Revolution” (ft. Taras Kuznetsov) channels the emotional cost of war on individuals and society.
Beautifully fashioned, Reginiano’s “Time to Let Go” offers a musical avenue to break away from routine worries and pass into an aura of tranquillity.