At once almost whimsical yet ominously assertive, Sluka’s “Sunset Screamer” fuses elements of prog-rock and avant-pop into a gem of a song.
Revolving around a forceful 4/4 beat, “Tonight” creates a foundation that lets Kevin Sihwan apply galvanizing melodic complexities.
Simultaneously cathartic and tranquil, with “Judgement City,” Diana Zaheer subdues the turbulence of deep thoughts and emotions.
Fusing pop-rock and synthwave, with “Turning Back To You,” Perfect Female Type provides an exhilarating and refreshing listen.
Discovering new depths in electronic music, Pepper Gomez’s “Stop Me Now” delivers an expansive, supple, and seductive opus of three distinct flavors.
Ben Sefton recently released “Dark Dreams,” a dark, sensual, retro-flavoured folk/pop song about the ripple effects of dreams.
On “SIX SHOTS 2023,” drenched in emotional sensitivity, DMGD embraces the deep feelings of life, releasing them through the sensualism of R&B.
With delicious hints of outré flair, on “Man On A Mission,” MkX takes listeners on a sonic journey where they can immerse themselves.
Every once in a while, a song comes along that sums up the grandeur of love. Marius Billgobenson’s “A Little Bit of Honey” is one of...
With its softly sentimental, reflective mood, Circuit Faker’s “Saturn” is at once spare and sumptuous, forging a mellow, delicious familiarity.
Like a serpentine tendril from a Venus flytrap, Sock Drawer’s “Make Your Mind Up” wraps itself around listeners and pulls them in.
“Side Quest Song” is a grand example of the colourful, cozy, and whimsical universe that Madilyn Mei shapes with her charismatic compositions.
At once avant-garde and déjà vu-like, The Earthly Frames’ “Cicatrise Dud” is sharp in the center with outer waves of phantasmagoric margins.
Despite the woeful subject matter, with “The Mill River Flood,” Dave Christman delivers an imaginative meditation on calamity.
Carter Fox’s “Sit Back and Lift” fashions a floating dreamscape, opening a door into a hypnagogic world of halcyon serenity and equanimity.
