Akin to an emotive ballad, GNS & V-Sensei 's “LOVE A LIE” reveals a troubling sense of love’s impending futility, as well as its undeniable attraction.
Social: There’s an inarticulate sadness hovering over Centershift's “Fade Away” (Auspicious Recordings), conveying a profound array of emotions, including regret and the ache of unease.
Simultaneously elegant and heavy with gloominess, with “Parasite,” Cosmopolis evokes an aching exegesis of brooding compulsion.
Drenched in lustrous guitars, Blueburst’s “Vanish” is at once dizzying and dynamic, with Craig Douglas Miller’s vocals adding stylish, euphoric touches.
With enchanting glassy synths over a driving breakbeat, “Swim Back” is potentially one of the more uplifting-sounding tracks in Daughter’s repertoire.
Manchester Orchestra’s newest single, “Capital Karma,” is a tender ballad which successfully displays many of the band’s strengths, using a minimal yet impactful arraignment.
The beauty and the pain that shares the space of aja monet’s new track, “The Devil You Know,” and its accompanying short film is nothing short...
Kid Prexy has it going on! Surging with hefty guitars forming a contagious wall of sound, “In My Head” vibrates with heady pop-punk momentum.
Glossy and yet delicately translucent, Future Someone’s “I Hope You Find Whatever You Are Looking For” evokes humankind’s collective search for fulfillment.
Juxtaposed against the visceral aggression of the images, Red Bird Rising's “My Revolution” (ft. Taras Kuznetsov) channels the emotional cost of war on individuals and society.
Beautifully fashioned, Reginiano’s “Time to Let Go” offers a musical avenue to break away from routine worries and pass into an aura of tranquillity.
Tragically scented, Graham and The Band Upstairs’ “Home To You” slides on gentle leitmotifs as the lyrics tell a tale of secret heartache and emotional separation.
Glossy and pulsating with fresh, vivacious energy, DJ Patsan’s “Come This Way” effervesces with stylish surfaces of satisfying minimalism.
Buzzing with thick layers of growling guitars topped by Sam Stranges’ sculpting vocals, Lipstereo's “Little Spacehips” (Pop Preservation Society) pulses with contagious momentum.
Bright and breezy, full of infectious country-pop energy, “small towns” announces the arrival of Michael Eddy with panache.