Denim, leather, plenty of fitting tributes to Lemmy and a career-spanning set from NWOBHM legends Saxon. The Motorhead frontman would have been proud looking down tonight.
Why mix with a winning formula especially when it comes to Southern rock? Read our review of the new album from The Kentucky Headhunters here…
Irish rockers The Answer try something a little different on their new album Solas. Read our review to see if they’ve pulled it off…
The Quireboys return with their ninth album proving they haven’t lost any of that raw passion as they’ve aged. Read our review here…
Although it doesn’t always hit the mark, for a debut album, Murder And The Motive is an assured, confident album. Read out review here…
Originally intended for release in 2014, former AC/DC drummer Phil Rudd’s, first solo album is finally seeing the light of day. See what we make of it in our review inside…
Old-school rock meets new school on the new album from a band who, in one form or another, have been around since 1969. See what our thoughts are on Southern Native here…
The riff starts, the synths come in, the guitars soar, the auto-tuned vocal refrain sails Daft Punk-like over the mix – this version is harder, faster and ‘groovier’ than the original.
While we’re not averse to trying something a bit more out there, sometimes, as is the case with this album, bands need to focus on just rocking.
Bands like Rival Sons are ensuring the classic rock sound is still relevant in the 21st century. Read our thoughts on their latest offering here…
Space rock may be an acquired taste but, listening to Monolith of Phobos, it’s hard to dispute that the pairing of Claypool and Lennon is an inspired one. Read our review here…
Bordering on uncontrolled mayhem at times, read our thoughts on Raptor’s Breath, the debut from Swedish band Snake Tongue…
“Revolution” is arguably one of the better Beatles songs and The Compulsions more than do it justice.