Wow! Kimberly Morgan York has it going on. ‘Keep on Goin’’ (Team Clermont) offers slow, meandering, melancholic songs, as well as buoyant, compelling songs.
Creator/director Jon Lambert delivers ‘Between Exultation and Aggression’ (Noise Dosage Media), a bare-bones extreme music documentary that tackles the subject matter with no bullshit and even...
Heather Krut stopped by The Fillmore in Silver Spring, MD, to witness Alexisonfire and The Fall of Troy do what they do best: perform to the...
Read our (positive) thoughts on WAKE's latest cinematic slab of gut-wrenching black metal/grindcore, ‘Thought Form Descent.’
Bananarama's ‘Masquerade’ is a fun record, brimming with energy and vitality. It’s a welcome album for the top-down road trips and beach parties in which we’ve...
At once profoundly personal and intimate, Late July’s new single “Sober” shivers with pathos, hints of nostalgia, keen hope, and unbridled desire.
Out supporting their new album ‘Lucifer on the Sofa,’ Spoon hit London Music Hall along with openers, New York five-piece Bodega. Mike Bax captured the gig.
Dead Tired's ‘Satan Will Follow You Home’ (New Damage Records) is a snarling, tightly coiled experiment that flaps from the rafters even while it hisses from...
After a 4-year hiatus from the road, Roger Waters’ “This Is Not A Drill” 2022 North American tour finally landed in Toronto at Scotiabank Arena on...
’80s pop icons Duran Duran treated fans to a dazzling night of pop perfection at The Piece Hall in Halifax. Check out Graham Finney's photos from...
Naysayers peppered Machine Gun Kelly with mountains of negative energy when he announced he was abandoning his original genre as a rapper and coming out making...
Shot through with a myriad of scintillating points of luminescence travelling on cashmere soundscapes, ‘Everything Must Change’ is marvellously exquisite.
Nathan Katsiaficas caught Australian psychedelic rock/neo-soul artist Tash Sultana at Portland, Maine’s venerable State Theatre before a sold-out crowd of diehard fans.
Vomit Forth's album ‘Seething Malevolence’ (Century Media) shows itself to be one whose rotting heart belongs utterly in the classic days of the ’90s US death...
Greg Puciato's ‘Mirrorcell’ (Federal Prisoner) is liquid mercury, shifting and morphing to reflect the facets of an artist who has challenged themselves to achieve a singular...