Wretched Tongues' debut, 'Alone In Death', takes deathcore fans down a darker, more violent path. Read our review here.
There’s an aura of sonic elegance to Crash Taylor’s compositions. Subtle yet alluring, the songs on ‘Retired Outlaw’ (Fanatic Records) evoke easy-going emotional effects.
There’s an enticing interior spark to Ari Pappalardo’s music; residual energy that lures listeners in by means of emotional authenticity.
In preparation for Carpenter Brut’s latest record, ‘Leather Terror,’ we have only one piece of advice: prepare a palm-sized, flat area of flesh to be assaulted,...
On their new EP ‘Let The World Burn,’ Vio-Lence delivers the goods, dishing out the most precise slicing and dicing of “kill your grandma” music you’ve heard...
‘Fehunðyrdauðr,’ the sophomore full-length from Chilean black metal act Gryftigaen, is a strong demonstration of artistic growth and maturity.
The spirit of one-man-metal lives on in the form of ‘Tomb Emanations,’ the latest release from prolific Portuguese artist Black Cilice.
Old Castles deliver ‘Sarcophagical Lament of the Past’ via Inferna Profundus Records; raw black metal the way it should be – straight out of the early ’90s.
If you weren’t previously convinced that Ghost is a band of biblical proportions, ‘Impera’ (Loma Vista Recordings) will change your mind.
Ho99o9’s new album ‘Skin’ is the sound of anger and frustration in 2022. A musical journey that will have every nerve standing on end.
Vampirism, pretentiousness and grim black metal. Vampirska's Apparitions Frozen in Chimera Twilight is a glorious combination of all three.
Do Boston hardcore crew Vein.FM meet the expectations on “The World Is Going To Ruin You”? Check out our thoughts here...
Bloodywood made their presence known in 2018, but in 2022 they cemented themselves as one of a select number of bands that possess a glorious début recording.
Legendary death metal vocalist George ‘Corpsegrinder’ Fisher puts out his first solo effort. Bring on the bloodshed!
Suspend your assumptions, mute your preconceptions, and dive right into a tranquil, finger-snapping journey through Birmingham’s late-’60s jazz scene.