Across the EP, Jaxyn Lethe’s vocal performance displays the evolving scope of her singing, stretching from silky smooth to airy contemplation.
Canadian electro-pop duo Choirz kicks off 2024 with the release of their sophomore EP, ‘Ecdysis,’ and a new music video for the EP’s feature track “Grinding...
If you live in Tokyo, chances are you’ve heard of rising artist STEREO DIVE FOUNDATION, who is now bringing the same acclaim and fame to North...
Sampha shares a new music video for “Can’t Go Back” and announces he’ll return to perform in London and North America in 2024.
Canadian electro-pop duo Choirz have released their new music video for “Never Enough,” the first single from their upcoming new EP.
Passionate and haunting, as it progresses, “Hell” delivers the feeling of slowly descending into the black abyss of incipient irrationality.
Molly Warburton releases her life-affirming new single, “Gold,” detailing her decision to wholly commit to her music career.
Indie electro-pop musician IORA has released “Nylon,” followed by a trail of live shows to support the launch of this upbeat, compelling new single.
Kid Francescoli finally unveils details on his forthcoming LP, ‘Sunset Blue’ (due September 22), and shares a third track off the record, “Run, Run.”
Not quite hip-hop, not quite pop, “Ninja Sword” offers a synthesis of stylistic flavours, resulting in a rococo electro-pop fusion.
September 22 will see the release of Kylie’s brand-new studio album, ‘Tension,’ a record of euphoric, empowered dance floor bangers and sultry pop cuts.
‘Slow Violence,’ the new double album by Occurrence, is an expansive statement about vulnerability and decay, about the things that terrify us and liberate us.
“Tiger Girl,” the new track from Montreal singer-songwriter TEROUZ, drips with voluptuous sonic leitmotifs, as well as sashaying gloss, inducing cool, feline opulence. Talking about the...
Spaces of Disappearance, the solo electro-pop project of Elaine Davis, is releasing their new EP Virtue on November 4th.
’80s synthpop, saxophone solos, high energy, and emotion: The Midnight hit Tulsa's legendary Cain’s Ballroom with Nightly. Coverage by Patrick Quiring.