Greg Puciato's ‘Mirrorcell’ (Federal Prisoner) is liquid mercury, shifting and morphing to reflect the facets of an artist who has challenged themselves to achieve a singular...
Bottom line: the strength of Alexandra Spieth's new horror-comedy ‘STAG’ is its seamless ability to integrate the conversational, natural dialogue steeped in antagonism and unclear motives.
Nashville artist Andrew Adkins delivers his new solo recording, ‘Rattlesnake Motions,’ a riveting listen with a fresh take on a genre that’s seen far too little...
‘Get Fucked by Fabulous’ (Supermegabot Records) is a love letter to a band that itself wrote its entire, short discography as a love letter to an...
Norwegian death-pop punks Blood Command return with ‘Praise Armageddonism,’ an album full of tracks that sink their claws in with absolutely no intention of letting go.
‘Planet Zero’ (Atlantic Records), simply put, is a banger of a record and demonstrates that Shinedown are still well in their prime!
Nick Gennusa just caught Action Bronson headlining the SummerStage at Queens, New York’s Flushing Meadows–Corona Park with the energy of a game seven with home field...
Wow! ‘Bliss & Grief’ (Wagram Music) is a grand EP; beautifully stylish and oh-so beguiling, Yorina’s yummy voice puts listeners under a marvellous spell.
Irish quartet Conjurer has become one of the bright hopes for British metal. Read our thoughts on their new album ‘Páthos’ here.
Raw and surging with delicious, ragged dynamics, Dog in a Man Suit's EP ‘Trapped!’ vibrates on the palpable muck of gritty guitars, evocative lyricism, and passionate...
London alt-rock duo Wax on Water combine their two EPs into one eclectic, ambitious package. Read our thoughts on ‘The Drip’ here.
Noel Gallagher brings a hit-packed set to an enthusiastic sold-out crowd at Piece Hall in Halifax. Check out the photos here.
The self-titled debut from Final Light should really be celebrated for reminding us all of the importance of music, art and creativity in addressing the many...
Danny Boyle's TV series ‘Pistol’ manages to exhibit the sort of ferociousness of the period, the band, and the kind of aesthetics that made punk such...
Australian death metal trio Werewolves are back with ‘From the Cave to the Grave,’ thirty more minutes of unrelenting, bile-drenched hate.