Enigmatic and at times darkly poignant, Lamedd's EP ‘Permit’ vibrates with complex, emerging sonic milieus, offering an alternative paradigm of reality.
Washington-based psychedelic prog-rock band What Strange Beasts releases their album, Starlight’s Castaways, a lengthy body of music encompassing 26 tracks. According to drummer/vocalist Jonathan Maxwell, “We...
Replete with unexpectedly superb vocal harmonies, as well as pungent pop-punk oomph, Get Out’s ‘The Violation of Terms and Conditions’ is splendid.
Hilning's latest album ‘Råtijinn’ (Suicide Records), conjures up as much shamanistic fervour as it does berserker rage: all in all, an excellent offering and an artist...
Imaginative and stylistically wide-ranging, ‘The Lyre’ (Mint 400 Records) reveals the emotional vulnerability and sprawling song structures of Dana Why.
Newport Electric swings for the stars with album number three. Comprised of nine original tracks and a Beatles cover, ‘Discord And Harmony’ delivers a proficient collection...
‘Dead Reckoning’ sees Kate Fenner employing her superb voice like a sculptor’s tool, shaping beguiling tones into haunting art.
On Dark Funeral's ‘We Are The Apocalypse’ (Century Media), it is, sadly, only Grá frontman Heljarmadr's contribution that feels like authentic black metal fury.
Three-piece Tampa-based punk rock brigade Boney Fiend is ready to release their new studio set, ‘13 Beers.’ Read our review, and get an exclusive song sampling...
Soaked in retro prog rock savours, Souls Extolled's ‘MMXXII’ (Zach Black Music) evolves from more mainstream songs initially to raw, murkier tracks as the album develops.
Awash in an exploration of darkness and the beauty of the disappearing moment, Manuela Iwansson's ‘Dark Tracks’ (Lack of Sleep Records) is an excellent album.
At once brooding and portentous, Auto Chlor's ‘Crystal Math’ doesn’t appeal to everyone yet conveys entirely new sonic vistas for speculation.
Debbie Gibson’s ‘Winterlicious,’ out now on StarGirl Records, is a true (out of the) blue Yuletide treasure. God bless us, everyone!
The conceptual terrain of Buttermilk Brine, the new album from Farrow and the Peach Leaves, comes from the band’s inimitable home base – Nevada City, California...
Full of whimsical savours and indulgent, velvety vocals, ‘Wabi-Sabi’ offers glossy harmonics and sumptuous, tantalizing soundscapes.