Will Rainier’s ‘Wobble in the Moon’ is a visceral, affecting album full of deliciously unctuous washes of pedal steel and soft, welcome melodies.
‘At Arm’s Length’ features Michael Pasuit, Ben Ross, Katie Cooney, and Lukas Hirsch, who present a unique sound together as Le Big Zero.
At times gracefully melodic, at other times thrumming with exhilarating immensity, The Shamanic’s ‘Traces and Spaces, Vol. 1’ pulsates with giddy sonic pleasures.
‘Yay For Effort’ (30 Peak) is arguably Greg Hoy’s finest work in a career that spans decades because of its depth of mood and vulnerability.
Enclosed in cashmere surfaces and the melodious vocals of Andrew Smith, ‘The Garden’ projects appealing compassion and enchantment.
Sans a subpar track, along with its affinity for threads of concerto surfaces, KTHRTK’s ‘Dreams Are The Only Safe Place To Hide’ is excellent.
With one foot in the psychedelia of the ’60s and the other foot in the grunged-out ’90s, Helen Kelter Skelter delivers treacly imminence.
Underscored by the luscious propulsive sense called swing, with ‘High Charisma,’ The Extensions offer an album full of delectable groove.
‘The Plague Inside Your Head’ successfully conjures up a cohesive offering of uplifting summer vibes. As far as the new generation of emo bands goes, Mighty...
Permeated with suffusions of pensive hues, yet never falling into the abyss of melancholy, K.ZIA’s 'Kintsugi Heart' offers lush, silky soundscapes.
The quality is high throughout Sleep Token's newest album ‘Take Me Back to Eden’ (Spinefarm Records), and, as it concludes, one is left contemplating everything and...
Taking herself out of her stylistic comfort zone with ‘Always You,’ Lyia Meta conveys the feeling and beguiling mystery of love.
Lacking contemporary equivalence and a most decorative bit of work, ‘Transformia’ offers a glimpse into the virtuosity of Raven Artson.
With ‘Disposable Everything’ (Hopeless Records), AJJ are arguably at the peak of their craft. The band successfully displays their full range while still remaining as quirky...
Skin On Flesh’s new EP ‘Terrible and Sad’ is monstrously good, surging with visceral energy, hammering percussion, and the compelling voice of Laura Jiménez Alvarez.