Philly hardcore crew Jesus Piece returns with their hotly-anticipated new album ‘...So Unknown.’ Read our thoughts on the disc here...
Fox Apts.’ sound is difficult to describe because of its latent stormy surfaces, summoning up elemental spirits and their causes.
Brimming with heady indie-rock momentum and bright, wild energy, 87 and the Toys’s 'The Smile Room' delivers unbridled sonic swagger.
Lana Del Rey has a way of creating controversy and sparking debate through her use of controversial lyrics and actions and ‘Did You Know That There’s...
Vaguely reminiscent of Ennio Morricone tinted with punk-lite aromas, Erik & The Worldly Savages’ ‘FUTURE THUNDER VOID’ displays a contagious, reckless dynamism.
Set apart by the perfectly flawed authenticity of the voices of Mike Stinson and Johnny Irion, Working My Way Down is first-rate.
If you’re yet to discover Ne Obliviscaris, jump in here and become enamoured. If you’re already a fan – sit back and enjoy the very pinnacle...
The revival of a more rock-oriented expression of goth is well overdue in a post-darkwave era; and Die Oberherren may just be an essential aspect of...
Puscifer's 'Existential Reckoning: Re-Wired (Alchemy Recordings, BMG) is definitely one of the better remix albums of recent years. The additional effort pays off in a more...
Highlighted by the irresistibly alluring, hypnotic voice of Josephine Olivia, VOSH's ‘Vessel’ (Trash Casual Records) is harmonically complex and oh-so-severely superior.
Too vibrant to be termed ambient music, ‘Always Becoming’ fuses hints of folk-pop and dream-pop elements into imaginative sonic creations.
Singularly imaginative, 1st Base Runner’s (aka Tim Husmann) ‘Night Stalker’ hums with a sense of mounting unease on immersive synths, creating spectral, electro-organic soundscapes.
With ‘Amphibious’ (Tritone Records), Paul Jacks delivers pure-pleasure, warm veneers of silky pop melodies, along with rich, smooth vocals.
Imagine Leonard Cohen fronting The Bangles or The Cranberries with a scoop dollop of alt-country; the result is Seneko’s ‘The Girls from Cedarhurst.’
As a whole, Steakhouse’s ‘Amer Rouge’ is beguiling, with noteworthy songs adorning it with a unique amalgam of engaging surfaces.