Graphic Nature vocalist Harvey Freeman explores his mental state on new album ‘Who Are You When No One Is Watching?’
Review of Marenghi Beat's sophomore album ‘Hot Salad’: a blend of ’90s nostalgia, modern blues, and electronic flair from the London duo.
Simultaneously minimalist and maximalist, ROBY’s album ‘through the mud’ is dynamically atmospheric and remarkably coherent.
Innovative and suffused with wonderfully fuzzy layers, the songs on Tide Bends’ ‘Say Yeah’ are deliciously arranged and deftly performed.
On his debut album, Nick Taylor’s voice makes ‘Not Alone’ special – delightful phrasing, resonant tones, and a sense of balladry.
There’s a luscious moody, interdimensional sensation to Silent Mass’ new album ‘The Great Chaos,’ eliciting an eerie, alluring attraction.
Like a magnificent time machine, on ‘Some Sweet Dream,’ Stevie Cornell returns to the soothing, retro landscapes of sumptuous music.
Fastball’s new album ‘Sonic Ranch’ fuses layers of introspection with astute lyrics and catchy grooves displaying their pop-rock songcraft.
At times swashbuckling, at other times tenderly quixotic, ‘Ride Or Die’ showcases the appealing, self-assured vocals of James Robert Webb.
On the one hand, Montresor’s ‘Autopoiesis’ reflects a certain type of harmonic chaos. On the other, it’s tight and exquisitely delightful.
Beautifully arranged and performed yet wrought with aching portent, Eric Anders & Mark O’Bitz’s ‘Contrapasso’ offers a chilling prophetic prognosis.
Progressive glam rock outfit Ruby Topaz, the project of Mark Bram, recently dropped an anniversary album, Mark Bram / Ruby Topaz Again 23rd Anniversary Remaster, which...
Suffused with unique jazz variations, ‘Embrace Form’ exhibits bold gestures, at once glossy and often unforgettable.
With ‘Ontogenesis,’ like a prophet of old, NTHNL delivers a mystical album drenched in sublime complexity and soothing soundscapes.
Because of its effortless yet vibrant feel and Meli Levi’s telling voice, ‘All Things May Be’ is charming in its own right.