At once velvety and inquisitive, Aaron James's new album ‘Nobody Really Makes Love Anymore’ (Unapologetic ) conveys the vast, inescapable imminence of love.
Suffused by Christina Ward’s luscious, ethereal voice, ‘Calendar’ (Mint 400 Records) captures the pungency of journeying through the longitudes of life.
Suffused with both soft and ardent vocals and hefty, rolling rhythms, ‘BEFORE THE ALBUM’ (604 Records) allows Mauvey to strut his talent.
Steeped in washes of blues rock, ‘Superman’ delivers a tour de force of passionate emotions originating in the affluent voice of Sara Niemietz.
More traditional than modern, there’s a charming allure, a cultured feel, to the songs on MOMO.’s ‘I Was Told to Be Quiet.’ Vinyl out now via...
Self-describing his style as “a transparent conversation with himself,” with “Agua,” Selassie delivers casual flamboyance pregnant with thick, sonic symbolism.
The Refusers guitarist/vocalist Michael Belkin chats about their new single “Eat the Bugs” and its animated video, the band’s distaste for digital emulations, and not giving...
Vaguely reminiscent of Post Malone, only more viscous and condensed, GEISTHA’s “ROCKST4RS” forges a muscular, mesmerizing soundscape.
Pervaded by a subtle sadness, Matthew Squires & the Learning Disorders' EP ‘The Electric River’ conveys the essential human condition of needing to find and the...
Blue of Colors (aka Steve Soboslai) chats with us about the person behind the music, his obsession with potato chips, songwriting, and new single “Strange Place.”
With its kaleidoscopic layers and its underlying pastoral feel, Markus Nikolaus' (Lea Porcelain) “Bicycle Day” is both hypnotic and subtly compelling.
Imaginative and potent, “Have You Ever?” by Urban Heat feat. Party Nails seethes with primitive energy, mystery, and the haunting muscle of Jonathan Horstmann’s voice.
Buffed to a burnished disco sheen, “Helium” features the luxurious, upmarket voice of Butter TM over Perttu’s posh, mesmerizing melody.
Offering a pacific soundscape and graceful, soothing vocals, Morabeza Tobacco's single “Teacher’s in the Mood” (Roxy Music / Playground Music) sculpts a deliciously plush sonic vista.
“Almost” (The Heavy Group/Snafu Records) is a grand, gilded song sung by an eighteen-year-old artist named Véyah, who is on the verge of prominence.