Washington-based psychedelic prog-rock band What Strange Beasts releases their album, Starlight’s Castaways, a lengthy body of music encompassing 26 tracks. According to drummer/vocalist Jonathan Maxwell, “We...
“Kaos” (Top Notch Belgium/Universal Music) delivers susceptibility, fervour, and emotional urgency, all conveyed by the crème de la crème voice of Coely.
Riding a low-slung pushing beat, The Magician and The Aston Shuffle's single, “Differences” (Potion Records/Sony Music), blends modern dance savours with touches of yummy vintage aspects.
Clear-cut and down-to-earth, KILLCODE’s “Let’s Get Back to Rock n Roll” (Mother West) delivers powerful surfaces of raw, elementary rock and roll.
Overflowing with infectious rhythmic beats, polychromatic surfaces, and stylish pop savors, joan’s “nervous” evokes the sensation of a first crush.
Replete with unexpectedly superb vocal harmonies, as well as pungent pop-punk oomph, Get Out’s ‘The Violation of Terms and Conditions’ is splendid.
Heaving with potent melodic magnetism and wicked sonic depth, The Hunger's “Tears To Cry” (Wake Up! Music Rocks) throbs with a sense of dark, weighty imminence.
Completely alluring and vibrant, with “Fading Moon,” Alma Mater delivers tantalizing, gorgeously wrought music.
“Tiger Girl,” the new track from Montreal singer-songwriter TEROUZ, drips with voluptuous sonic leitmotifs, as well as sashaying gloss, inducing cool, feline opulence. Talking about the...
New York-based avant-garde electronic music artist Chris Ianuzzi recently released the music video for “Lonesome Highway Superstar,” a track from his latest album, Maze. The video,...
Imaginative and stylistically wide-ranging, ‘The Lyre’ (Mint 400 Records) reveals the emotional vulnerability and sprawling song structures of Dana Why.
Chronicling the humdrum landscape of working a monotonous job, Yawn Mower's “Elevation” (Mint 400 Records) hoists itself up on contagious layers of indie-rock.
Merging dense, primeval sensuality and nuanced, evocative vocals, Skycabin's “Insidia” conveys the feeling of being subsumed into spellbinding darkness.
Highlighted by the swanky tones of Cate Downey, Sam Feldt's “Enough To Drink” (Sony Music) delivers graceful, glamorous sonic flavours.
‘Dead Reckoning’ sees Kate Fenner employing her superb voice like a sculptor’s tool, shaping beguiling tones into haunting art.