With “OH NAH OH NAH,” 93FEETOFSMOKE hits the bullseye, delivering delicious ebbing and rising vocals and galvanizing energy.
Wholly different from his previous offerings, ‘Azúl Arriba, Blue Below’ displays Juan Tigre’s manifold ability to create plush ambient soundscapes.
With “Weather the Storm,” Grey Fields delivers a captivating, hypnotic, and haunting audio-visual experience.
Essentially an exploration of life, on ‘Salt and Tar,’ Joey Harkum reveals the little things that give living meaning.
Deliciously innovative and full of biting lyrics, “Mess Boy” demonstrates the singular creative gifts of Elliot Lee.
Shushed and dark, full of residual energy, ‘Teen Tapes’ simmers and boils on the pressure of Lucy Kruger’s bewitching voice and her nonpareil songwriting.
There’s an aura of sonic elegance to Crash Taylor’s compositions. Subtle yet alluring, the songs on ‘Retired Outlaw’ (Fanatic Records) evoke easy-going emotional effects.
Although the contrast between the two new songs is marked, both display the plush new wave-flavoured dream-pop and creamy redolence of Glassio’s vocals.
There’s an enticing interior spark to Ari Pappalardo’s music; residual energy that lures listeners in by means of emotional authenticity.
Jeff Hulett releases his double A-Side 7-Inch, “Sun Recordings,’ via Small Batch Records and both tracks are excellent, brimming with misty layers of instruments materializing into beautifully integrated leitmotifs.
Based just outside Austin, Texas, alternative artist 1st Base Runner, aka Tim Husmann, released the music video, “Near Me,” not…
With definite punk influences, as well as touches of prog-rock, on ‘Homeless Theatre’ (Stinger Explosives) DigDog rolls out creative songs approaching the edge of unprecedented.
What do we think of Whoop’s new album ‘Whoop!’ (Porcelain Records)? Well, the music is good, raw, and not burdened by excessive sponges of sound. Yet the icing on the cake is Fal’s yummy voice; simultaneously seductive, sneering, and charismatic.