Alive with thick, muscular blues-rock surfaces, Honey Pot’s “Saints and Sinners” succeeds because of Jessica Rendon’s bravura vocal performance.
Ranging from country to folk to Latin aromas to mysterious rock, Ajay Mathur’s ‘Blow My Cover’ reveals an unpretentious intimacy.
Here are four bands that caught our attention: the heavy metal music of The Frostbite Orckings, Tulsa’s Manta Rays, See Jazz, and Rid Of Me.
Echoing the sensations of real life, “None of You” exposes the depleted sense of self following the failure of a relationship.
Lustrously misty yet alive with rib-cage-shuddering basslines, ‘The House of Love’ offers gliding, gossamer filaments, and rich, glossy vocals.
Enveloped in an eerie, dark aura, “Everything the Darkness Eats” is taut with ebbing and rising foreboding energy.
Passionate and haunting, as it progresses, “Hell” delivers the feeling of slowly descending into the black abyss of incipient irrationality.
Merging folk with tinctures of pop, “Let You Go” highlights the sensitive voice of Kelly-Ann as she reflects on the hurt of letting go.
Coated in glistening guitar surfaces that give the songs a bewitching translucence, Blueburst’s ‘Significance’ evokes an irresistible sonic splendor.
Brimming with lyrics that hit like a sucker punch, “Scraps (Cleland)” showcases the impudent vocals of deegie and the oomph of pop-punk.
Bordering on the mystical, enveloped in intricate, plush layers of sound, Seth Glier's “Mammoth” ushers in the feeling of reaching for the stars.
Frank Clare speaks with V13 about his creative process, why he makes music, and the ‘room’ inherent in his debut album, ‘Admiratio Magna.’
Unrelenting, raw, and demonically powerful, Timothy Eerie’s “Toad Venom” delivers the feeling of sliding down the rabbit hole with Alice.
Now Hear This! This week we offer up new music from four under-the-radar artists: Izzy Heltai, Meredith Lane, Irish producer Uwm., and Montreal’s Malade.
On her latest single/music video, “Stoplights,” singer-songwriter and producer Mia McIntosh swaps the luminous, piano-laced surfaces of her previous song, “Who Are You,” for delicate hues...