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The Dreaming – “Alone” (Single) [Song Review]

“Alone,” the first single from The Dreaming’s forthcoming disc, Rise Again, much like old Stabbing Westward material, has a driving electro-groove vibe going on that is infectious-as-hell and immediately gets under your skin.

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For those not familiar with The Dreaming, the group was created by former Stabbing Westward front man Christopher Hall and drummer Johnny Haro. “Alone,” the first single from The Dreaming’s forthcoming disc, Rise Again, much like old Stabbing Westward material, has a driving electro/groove vibe that is infectious-as-hell and immediately gets under your skin.

Those familiar with Hall’s work will immediately take notice of his vocals; vocals which do a great job in rounding out this song and affording the track a nice melodic touch. Notably, “Alone” seems heavier than anything off the band’s 2011 release, Puppet, and again, is more in line with something from a Stabbing Westward record.

I think fans of Hall’s work are going to truly dig this new song. I sure did, and am now eagerly anticipating the forthcoming full-length release set to drop in February.

Track Listing:

01. Alone
02. Alone (Reamped Mix)

Run Time: 10:07
Release Date: November 11, 2014

Check out the song “Alone”

Music

Tinashe Enthralls the Crowd at The Royale in Boston on a Cold February Night [Photos]

R&B/pop singer and dancer Tinashe lit up the stage on Monday, February 12th, at The Royale in Boston, and fans gushed about the show.

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Tinashe on Feb 12, 2024, photo by Kaitlin Prince
Tinashe on Feb 12, 2024, photo by Kaitlin Prince

Tinashe lit up the stage on Monday, February 12th, at The Royale in Boston. The R&B/pop singer and dancer started the show with her hit song “Treason.” Which is the opening song off her new album BB/ANG3L and also the name of her tour.

BB/ANG3L is Tinashe’s sixth studio album and her third album since 2019 when she went independent. One thing that makes Tinashe so unique and different from other artists is the way she blends R&B and pop songs. She’s not worried about sticking to one genre and is not afraid to experiment with different styles and types of music, combining them to make truly unique songs.

Despite it being a cold Monday night in Boston, the crowd was queued up and ready for Tinashe, with eager fans in a line wrapped around the outside of the venue.  Once inside, it was packed with people and when the Tinashe countdown came on the screen you could hear the excitement building.

Performing with four extremely talented male dancers and a crazy electronic lighting setup, Tinashe came out with some serious heat and kept the Boston crowd hooked from her very first note. She jumped between performing new songs off of her BB/ANG3L album and old hits, such as fan favorite “2On,” the first single that brought Tinashe into the spotlight back in 2014. Tinashe and her background dancers shined with fun and creative choreography, which was one of the highlights of the show, in my opinion. The energy they all brought to the stage was palpable and was perfect for the club setting of The Royale.

In total, Tinashe performed 28 songs and was on stage for a little under an hour and a half. She had a few short monologues, but for the most part, she went right from one song to the next. She even performed a few mashups of her songs, such as one that combined her new song, “Gravity,” and an older song, “Superlove.” She finished her performance with her song, “Needs,” the most popular song off of BB/ANG3L, and this had everyone in the crowd bumping and grinding to the beat of the music and singing along with her.

Altogether, the show was high energy and a lot of fun. Tinashe has been doing this for ten years now, and her performance shows that she’s a seasoned vet who knows how to entertain. At the end of the night, I heard multiple people gushing about the show as they were leaving the venue, and I think the crowd would’ve stayed there all night to watch Tinashe perform if they could have.

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Music

Boyz II Men Bring Bangers to Boston’s MGM Music Hall [Photos]

On February 9th Boston, MA fans at MGM Music Hall were transported back to the ’90s/early 2000s with a nostalgic performance by Boyz II Men.

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Boyz II Men on Feb 9, 2024, photo by Kaitlin Prince
Boyz II Men on Feb 9, 2024, photo by Kaitlin Prince

On February 9th, a Friday night in Boston, MA, fans at MGM Music Hall were transported back to the ’90s and early 2000s with a nostalgic performance by Boyz II Men.

Boyz II Men, originally a quartet, now a trio, rose to fame in the early ’90s with their R&B style after being discovered by New Editions member Michael Bivens. They went on to earn recognition from Billboard Magazine as the “biggest boy band” during the period from 1990 to 2012. The crowd at MGM Music Hall definitely reflected this time period, with the average age of those in attendance seeming to be between 40 and 50 years old.

The three remaining members of Boyz II Men, Nathan Morris, Wanya Morris, and Shawn Stockman, might be in their 50s, but they did not act like it! Coming out to start the show in all-white outfits and impressive dance moves, they fittingly began with a performance of their very first song and single, “Motownphilly.” This was their first-ever song released in 1991, and it got every person in the crowd on their feet and dancing. Followed by their hit song, “On Bended Knee.” It was clear these three men were experienced pros and knew how to put on a show.

A favorite moment of the show was when the trio started singing their song “I’ll Make Love to You” from their sophomore album II. Nathan, Wanya and Shawn all came on stage holding bouquets of roses, which they passed out to adoring females in the crowd. Before this song, they had stopped singing to have a short dialogue with Shawn and Wanya about how much the fans meant to them. They discussed how honored they were that people were still showing up to see them perform over 30 years after their debut album dropped.

All three members of the group really put in effort to interact with the audience by doing things such as pointing and singling people out in the crowd and posing for pictures on stage after the show was over. It was very clear that Nathan, Wanya and Shawn loved and appreciated their fans and were grateful for all the continued support.

I was also impressed to see both Nathan Morris and Shawn Stockman playing guitars during the performance, with Nathan playing bass and Shawn playing lead guitar. Wanya Morris explained to the crowd that this was a skill the two had added to their repertoire back in the mid-2000s after Nathan had suggested they all buy guitars and learn how to play them.

My biggest critique of the show was that I thought the sound system and music overpowered the vocals a bit. At times, it was hard to hear the men singing with their talented voices over the instruments. Another piece to note would be that the trio mainly performed songs from their first four albums and did not really dive into their later albums and most recent songs. However, this was not a problem for me because I loved their old hits, and it seemed like most people in the crowd would have agreed.

To finish the show, Boyz II Men performed their most popular song, “End of the Road.” An emotional ballad about going through a breakup but not wanting to let that person go quite yet. This was a powerful moment, with every person on their feet, singing right along with them. At the finale, the men went totally acapella, and to hear just their voices singing with the crowd was a beautiful and fitting end to an amazing performance!

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Metal

Fit For a King and The Devil Wears Prada Crush Vancouver’s Commodore Ballroom [Photos]

The “Metalcore Dropout Tour” hit Vancouver’s Commodore Ballroom and Fit For a King, The Devil Wears Prada, Counterparts and Avoid brought the heat!

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Fit For a King on Feb 15, 2024, photo by Randy Romero
Fit For a King on Feb 15, 2024, photo by Randy Romero

The Commodore Ballroom became a Metalhead Institute the night of February 15th for the “Metalcore Dropout 2nd Semester” tour. The trek, headlined by Fit For a King and The Devil Wears Prada, included supporting acts Counterparts and added Avoid instead of Landmvrks, who were on the first leg of the tour.  

The Vancouverites were hungry for the lights, drums and growls from this lineup, something evident because a large majority of the crowd was at the venue to enjoy the opening act performed by Avoid. The Seattle natives delivered a substantial set that included some of their most popular songs like “Whatever,” “Cowabunga Can’t Take This Away,” and “Hostage at a Beach House Party.”

Counterparts opened their set with “Love Me,” the hit single from their 2019 Album Nothing Left to Love. Throughout the set, they played songs from all their albums, including A Eulogy for Those Still Here, the latest one, the one they played most songs from with a total of five, “07/26/2020,” “Bound to the Burn,” “Unwavering Vow,” “What Mirrors Might Reflect” and “Whispers of Your Death,” which they closed their performance with.

The crowd was euphoric, hands with the sign of the horns were all over the place, there was a huge mosh pit in the middle of the crowd and security had to help the crowd surfers to land safely in front of the stage.

When Fit For a King hit the stage the crowd went nuts, the band started their set with “End (The Other Side)” from their latest album The Hell We Create. The crowd was highly engaged with the band and sang each song word by word. In their set, they included their last single, released about a month ago, “Keeping Secrets,” and other fan favourites like “Breaking the Mirror,” “Vendetta,” “The End’s Beginning,and “When Everything Means Nothing.” They did a total of 14 songs, and if it weren’t for the time, the set would have been much longer.

What can be better than one headliner? Of course, 2. The Devil Wears Prada brought the perfect energy to the stage. Opening their set with “Exhibition” from their latest full-length project Color Decay Deluxe. Continuing with their set, the vocalist Mike Hranica encouraged the crowd surfers to be more active and sang a few of their big hits, including “Salt,” “Reasons,” “Dez Moines,” and “Broken,” closing with “Hey John, what’s your name again?” for a total of 13 songs.

We must highlight that both headliners praised the Vancouver crowd, calling them the best crowd of the entire tour yet and the best in Canada ever.

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