Anaal Nathrakh’s latest offering ‘Endarkenment’ is the perfect dark-souled, black-hearted soundtrack to modern life. Read our review.
Taking fans back to their grimy roots, death metal titans Venom Prison remaster their two early EPs for a trip down memory lane.
Marilyn Manson returns with the eleventh album of his rollercoaster career and his most emotional to date. Read our review here.
Napalm Death are back with ‘Throes of Joy in the Jaws of Defeatism’, their most terrifying, experimental and vital work yet. Read our review.
Arjun Gill from Calgary’s Wake discusses how channelling their personal trauma into music is a form of therapy. Read the interview here.
For their seventh album, ‘Revive The Throne,’ German surf/death metal stalwarts Stillbirth deliver more festering brutality.
END’s Brendan Murphy talked about the future of extreme music post-lockdown, new album ‘Splinters from an Ever-Changing Face’ and more.
UK grindcore pioneers Napalm Death are back with a new single “Backlash Just Because” from their upcoming sixteenth studio album.
Japanese trio, Boris continues to promote their just-released new album, NO, and now have also unveiled a dystopian music…
Sitting nicely on this side of chaos, END have delivered as punishing an album you could want in Splinters From An Ever-Changing Face”
An unreleting assault of blast-beats and breakneck death metal. Read our review of “The Dead Are Screaming” from Australian death metal band Werewolves.
Maybe it’s all the human shit on the streets of San Francisco. Maybe it’s the water. Maybe it’s the…
“Damn, dude, that’s Obsolete Man, man” is what you’ll be saying when this San Francisco quartet soon starts blowing…