Holding Absence and Void of Vision returned to grassroots venues. Check out Maryleen Photography's gallery from the Liverpool show here.
Clear-cut and down-to-earth, KILLCODE’s “Let’s Get Back to Rock n Roll” (Mother West) delivers powerful surfaces of raw, elementary rock and roll.
Overflowing with infectious rhythmic beats, polychromatic surfaces, and stylish pop savors, joan’s “nervous” evokes the sensation of a first crush.
Replete with unexpectedly superb vocal harmonies, as well as pungent pop-punk oomph, Get Out’s ‘The Violation of Terms and Conditions’ is splendid.
If you've yet to see a poor review for Mark Jenkin's Enys Men (British Film Institute), it's simply because it is a bloody brilliant film, no...
We Came As Romans hit Worcester Palladium with support from Erra and Brand of Sacrifice, and it was a an excellent show to kick off 2023!
Hilning's latest album ‘Råtijinn’ (Suicide Records), conjures up as much shamanistic fervour as it does berserker rage: all in all, an excellent offering and an artist...
Heaving with potent melodic magnetism and wicked sonic depth, The Hunger's “Tears To Cry” (Wake Up! Music Rocks) throbs with a sense of dark, weighty imminence.
Sleep Token delivers a sermon of almost God-like proportions at the Eventim Apollo, with superb support from Northlane. Check out Damien's thoughts on the experience here...
Completely alluring and vibrant, with “Fading Moon,” Alma Mater delivers tantalizing, gorgeously wrought music.
“Tiger Girl,” the new track from Montreal singer-songwriter TEROUZ, drips with voluptuous sonic leitmotifs, as well as sashaying gloss, inducing cool, feline opulence. Talking about the...
New York-based avant-garde electronic music artist Chris Ianuzzi recently released the music video for “Lonesome Highway Superstar,” a track from his latest album, Maze. The video,...
Imaginative and stylistically wide-ranging, ‘The Lyre’ (Mint 400 Records) reveals the emotional vulnerability and sprawling song structures of Dana Why.
PVRIS kick off their UK tour with an electrifiying set at Manchester Academy. Check out Frank Ralph's photos and review of the opening night.
Chronicling the humdrum landscape of working a monotonous job, Yawn Mower's “Elevation” (Mint 400 Records) hoists itself up on contagious layers of indie-rock.