Manchester duo Hot Milk put on a riotous homecoming at O2 Ritz Manchester, along with supporting acts As December Falls, Clarence and Jools.
What needs celebrating is how Striborg takes the same machine sounds any number of electronic and industrial producers have employed and makes them feel organic, cerebral...
Moby's documentary film Punk Rock Vegan Movie succeeds by showing that vegans are not all tree-hugging hippies, they can just as easily be the wildest punks...
Black Stone Cherry and The Darkness brought a proper rock show to Leeds on Friday night. Check out the review and photos here.
Enigmatic and at times darkly poignant, Lamedd's EP ‘Permit’ vibrates with complex, emerging sonic milieus, offering an alternative paradigm of reality.
Washington-based psychedelic prog-rock band What Strange Beasts releases their album, Starlight’s Castaways, a lengthy body of music encompassing 26 tracks. According to drummer/vocalist Jonathan Maxwell, “We...
L.S. Dunes continued their run of intimate UK shows in Manchester and you can check out Maryleen Photography's gallery from the show here.
“Kaos” (Top Notch Belgium/Universal Music) delivers susceptibility, fervour, and emotional urgency, all conveyed by the crème de la crème voice of Coely.
Riding a low-slung pushing beat, The Magician and The Aston Shuffle's single, “Differences” (Potion Records/Sony Music), blends modern dance savours with touches of yummy vintage aspects.
Holding Absence and Void of Vision returned to grassroots venues. Check out Maryleen Photography's gallery from the Liverpool show here.
Clear-cut and down-to-earth, KILLCODE’s “Let’s Get Back to Rock n Roll” (Mother West) delivers powerful surfaces of raw, elementary rock and roll.
Overflowing with infectious rhythmic beats, polychromatic surfaces, and stylish pop savors, joan’s “nervous” evokes the sensation of a first crush.
Replete with unexpectedly superb vocal harmonies, as well as pungent pop-punk oomph, Get Out’s ‘The Violation of Terms and Conditions’ is splendid.
If you've yet to see a poor review for Mark Jenkin's Enys Men (British Film Institute), it's simply because it is a bloody brilliant film, no...
We Came As Romans hit Worcester Palladium with support from Erra and Brand of Sacrifice, and it was a an excellent show to kick off 2023!