Australian deathcore pioneers Thy Art Is Murder tore through Louisville, KY's Mercury Ballroom with Kublai Khan, Undeath, I Am, and Justice For The Damned for one...
Brendon Urie brought down the curtain on Panic! At The Disco at an emotional Manchester AO Arena. Check out the photos here.
Highlighted by the irresistibly alluring, hypnotic voice of Josephine Olivia, VOSH's ‘Vessel’ (Trash Casual Records) is harmonically complex and oh-so-severely superior.
Social: There’s an inarticulate sadness hovering over Centershift's “Fade Away” (Auspicious Recordings), conveying a profound array of emotions, including regret and the ache of unease.
Bullet For My Valentine, with help from Jinjer and Atreyu, blow away the Monday blues at a sold-out Leeds O2 Academy. Photos and review here....
Too vibrant to be termed ambient music, ‘Always Becoming’ fuses hints of folk-pop and dream-pop elements into imaginative sonic creations.
Hundred Reasons, Hell Is For Heroes and My Vitriol put on one hell of a rockin’ and nostalgia-filled show at London’s Eventim Apollo.
It has been three years coming, but Lamb of God and Kreator, along with Municipal Waste, made sure the 'State Of Unrest' tour was worth the...
Simultaneously elegant and heavy with gloominess, with “Parasite,” Cosmopolis evokes an aching exegesis of brooding compulsion.
Singularly imaginative, 1st Base Runner’s (aka Tim Husmann) ‘Night Stalker’ hums with a sense of mounting unease on immersive synths, creating spectral, electro-organic soundscapes.
Drenched in lustrous guitars, Blueburst’s “Vanish” is at once dizzying and dynamic, with Craig Douglas Miller’s vocals adding stylish, euphoric touches.
With enchanting glassy synths over a driving breakbeat, “Swim Back” is potentially one of the more uplifting-sounding tracks in Daughter’s repertoire.
Those Damn Crows have made more than just a name for themselves since their inception; they have become a band of the people, ensuring they connect...
Manchester Orchestra’s newest single, “Capital Karma,” is a tender ballad which successfully displays many of the band’s strengths, using a minimal yet impactful arraignment.
The beauty and the pain that shares the space of aja monet’s new track, “The Devil You Know,” and its accompanying short film is nothing short...