At times laser-like, at other times sifting and sighing, Gelareh’s voice invests GelaX’s single "Loki" with prophetic-dyed glazes.
Drenched in unfathomable woe, Society of the Silver Cross’ “Wife of The Sea” evokes spine-chilling mythological darkness and hypnotic allure.
Probing into the misery of one-sided love, Rob Eberle’s “Half of You” evokes the inconsolable mood of a heart broken by neglect.
At once retro and avant-garde, Elaine Walker’s ‘No Terrestrial Road’ expands on the tenets of music theory, delivering an unparalleled auditory experience.
Impressive and emotionally generous, Naomi Jane’s “Pretty Boys” conveys listeners through exasperating relationships with good-looking boys.
Ministry, Gary Numan and Front Line Assembly rolled into History in Toronto on St. Patrick’s Day Eve for a Saturday night on overdrive.
Echo Collective explore contemporary, experimental classical music and ‘Mirror Image’ offers gorgeous, hypnotically enveloping soundscapes.
Like a time machine, with “You Can Rest Easy,” Corserine transports listeners back to the heyday of satisfying electronic music.
Grindcore genre-smashers Cattle Decapitation head-up a four-band bill of musical carnage at Leeds Stylus. Check out the review here...
Indie rock band The Snuts hit Vancouver’s Biltmore Cabaret on their “Millennials Tour” for a highly energetic night, with opening act Fake Shark.
Porno For Pyros hit Toronto for the first time since 1996 and brought their “Horns, Thorns en Halos Farewell Tour” to History.
Embracing contagious pop flavors, Olie Beckett fashions “Heartbeat” into a stylish, infectiously vibrant pop song.
Headlining their biggest London gig to date, Halflives are teetering on the precipice of something huge. Read our review of the gig here...
Skid Row and Buckcherry brought a serious party to The Commodore Ballroom in Vancouver, with Canadian opener Sierra Pilot.
Brooklyn Steel in NYC saw a night of fanfare to celebrate pop artist Dorian Electra’s album of the same name, ‘Fanfare,’ during the “Fanfare World Tour.”