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Stereo Six: Hungover Hash Out Some of Their All-Time Favourite Records

Orlando, Florida pop-punk crew Hungover join us today for a new edition of Stereo Six, with one very special curveball.

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Hungover
Hungover

As a band, Hungover’s steady commitment to their music and honing their craft has started to pay off. The Orlando, Florida, band has been on an upward trajectory since the self-release of their WILT EP in 2018. The members, Marc Cortes, Sean Connors, and Gabe Santiago, all previously played in other local area bands that eventually dissolved, which paved the way for the formation of Hungover. They worked hard to make a local name in Orlando, and their rising notoriety did not go unnoticed. Smartpunk Records got on board and released WILT on vinyl with three brand-new, previously unreleased songs. Acclaimed producer and engineer Alan Reitman helped Hungover with those three new tracks and helped them further develop the appeal of their guitar pop sound.

Hungover’s latest release is the EP, When It Touches the Heart, Everything Resolves. It takes that pop-rock sound that they honed on WILT and pushes it forward, exploring new sonic textures. They felt more freedom this time to do what felt right. It’s a more complete and dynamic release, representing how the band has grown since WILT came out.

To learn more about their influences, we are joined by Hungover for an edition of Stereo Six. They describe six of their all-time favourite albums, including one curveball that will surely catch you off-guard.

1. Fall Out Boy – Infinity on High (2007, Island)

“If there was a sourdough starter for the bread that is our new record, it would be IOH. From the range of sounds, down to the actual process of putting the record together — it’s a body of work that we have tried to mirror from day one. It’s no secret that Patrick Stump has directly informed the vocals on every Hungover track. But the desire to go where the creativity leads the group has always been our cardinal value. In the way that Fall Out Boy would seek out help for producers out of left field like Babyface, we always try to find the most inspiring names in our Rolodex to team up with.”

2. The Killers – Hot Fuss (2004, Island)

“One thing that we wanted on this record was to paint a picture sonically and put you in the heart of these songs. While the lyrics can take you there, the instrumental textures make it real. Hot Fuss feels like Las Vegas, and discovering yourself amongst the glow of the bright lights. While our record takes place somewhere a little less glamorous, it’s still lined with coming-of-age stories about figuring out who you plan on being for the rest of your life.”

Artwork for the albums Hungover lists in this Stereo Six

Artwork for the albums Hungover lists in this Stereo Six

3. Young the Giant – Self-Titled (2010, Roadrunner)

“This record feels personal. It’s almost like I’m getting to know the narrator exactly where they are. The record starts with ‘after leaving my apartment, I felt this cold inside me, it howls all the way through the market, it calls your name.’ We’re following the storyteller in their everyday life while big feelings are happening inside them. We drew a lot of influence from that idea, even down to the first lines of our record.”

4. Bayside – Self-Titled (2005, Victory)

“Simply put, this record ROCKS. The riffs and solos shine through; making for iconic moments that would be stuck in our heads for years to come. When we went into writing this record, we knew that we were going to experiment with new sounds. But we still wanted it to feel like the songs could be played by a standard five-piece rock band. Bayside’s self-titled record is the embodiment of that.”

5. The Band CAMINO – Tryhard (2019, Elektra)

“Upon hearing ‘Daphne Blue’ for the first time, the impression was ‘this sounds gigantic,’ and ever since then, I became enamored with the idea of making the biggest tracks possible. Every song on this album has a ‘massive’ quality akin to what an EDM producer would reference, but still feels like rock n’ roll (with a whole lot of pop glazed over the top). All the while being, in my opinion, the catchiest EP of the decade. I think a lot of folks on the genre can credit this EP for shifting the landscape of what rock music could be.”

6. Curveball: Destiny’s Child – The Writing’s On The Wall (1999, Columbia)

“The vocal layering and textures on this album are second to none. The harmony is utilized in such a way that what could have been deep R&B cuts that old heads try to put you on to have become undeniable anthems. Every hook is infectious. There isn’t a single vocal line that contradicts another. Everything is working together.

“When we were doing vocals for When It Touches the Heart, Everything Resolves, I would warm up to some of these tracks in hopes that maybe even one percent of the greatness would rub off on me. There’s something in it for every vocalist at every range to grab onto. We wanted to push my range to its absolute limit on this record. I think attempting to cover four voices was a great way to get me there.”

Hungover ‘When it Touches the Heart, Everything Resolves’ album artwork

Hungover ‘When it Touches the Heart, Everything Resolves’ album artwork

Born in 2003, V13 was a socio-political website that, in 2005, morphed into PureGrainAudio and spent 15 years developing into one of Canada's (and the world’s) leading music sites. On the eve of the site’s 15th anniversary, a full re-launch and rebrand takes us back to our roots and opens the door to a full suite of Music, Film, TV, and Cultural content.

Alternative/Rock

The V13 Fix #004 w/ Darkest Hour, Glitterer, LowLives and more

From pop to metalcore, experimental grindcore to indie, each week The V13 Fix will bring you a roundup of all the new music worth hearing…

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The V13 Fix

Welcome to the latest The V13 Fix our weekly round-up of some of the best albums, singles and EPs to drop in our laps/inboxes this week. From pop to black metal to experimental pop to punk rock, there is something for everyone in this mix of new music. Check out and support all the bands and labels if you like what you hear and if there is a particular album you like, make sure you head over to Spotify and check out one of our specially curated playlists where there is more great new music added daily.

Alternatively, if you’re in a band or want one of your bands considered for inclusion get in touch. While we can’t guarantee every album or EP we receive will be included, there are still plenty of other ways we can support you.

So, without further ado, sit back, plug in your headphones and get this week’s V13 Fix of new music…

Crossfaith
Zero’ [Single]

When Japanese genre-smashers Crossfaith exploded onto the scene with their brutal, electronic-laced metalcore, the world sat up and paid attention. Well, after twelve months regrouping, the band are back with this new single, a massive statement that they’re ready to pick up where they left off but with a new energy. This new slice of heaviness from the band is packed dangerously full of pulsating electronics and pummelling metalcore. Equally as explosive as it is anthemic, “Zero” heralds a new chapter from the band who, after hitting the reset button twelve months ago, have returned with a vengeance.

Pick up your copy of “Zero” from here.

Darkest Hour
Perpetual | Terminal
MNRK Heavy

It’s incredible when you realise that Perpetual | Termainal is the tenth album in the rollercoaster career of US metalcore/metallic hardcore mob Darkest Hour. Spirit and dogged determination has kept the band going to this point and it is a theme which provides the heartbeat of this savage collection. Guitarist Mike Schleibaum explains: “The record’s theme centers around the duality of survival while embracing rebirth,” and, hearing the band hurtle through each of the eleven tracks, Perpetual | Terminal certainly feels like the sound of a band who have been reborn. An uncompromising, unrelenting metal assault, Perpetual | Terminal highlights exactly why heavy music would be worse off without Darkest Hour in it.

Pick up your copy of Perpetual | Terminal from here.

Morta Skuld
Creation Undone
Peaceville Records

Now, even though the new wave of modern death metal bands is doing a sterling job in keeping the flag flying high for the genre, sometimes it’s nice just to take a trip back into some of the old-school bands. Having formed in Milwaukee in 1990, Morta Skuld are still battering away with their latest offering from the death metal stalwarts indicating no sign of slowing down. For fans of the likes of Obituary, Morbid Angel and Deicide, the band expertly combine groovy moshy sections, blastbeats with swamp born vocals. Creation Undone isn’t metalcore, it’s not deathcore, there are no symphonies, this is just straight between the eyes brutality.

Pick up your copy of Creation Undone from here.

M.U.T.T.
Dirty Deeds
Quiet Panic

M.U.T.T. are a trashy punk rock band straight from the gutters of the San Fransisco punk rock scene. There isn’t much you need to know about the kind of punk rock M.U.T.T. peddle except that it comes devoid of airs and graces. Taking a route one approach, M.U.T.T’s punk noise is covered in snot and packed with attitude. Formed from the ashes of Culture Abuse, the project has moved on from the more rock and roll stylings of their debut album, Bad To The Bone, into more trashy waters. Offerings like “Downtown Boy” come with a suitably unpleasant sneer plastered across their face and, while this EP might a fairly brief listen, M.U.T.T pack plenty of bite into those eighteen or so raucous minutes.

Pick up your copy of Dirty Deeds from here.

Gen & The Degenerates
ANTI-FUN Propaganda
Marshall Records

Alt-punk collective Gen & The Degenerates tattoo their principals proudly onto their debut album. Written to a backdrop of disaster, tragedy and misfortune, ANTI-FUN Propaganda comes from a world of late nights and early mornings, sexuality, gender politics and mortality. It’s a punk rock album at its beating heart but, as vocalist Gen puts it, comes with a humourous approach and a love of dirty disco pop. Lyrically, tracks like “Famous” may come from a dark, bleak place but, as the video for “Big Hit Single” highlights, there is a wry smile and a sense of sarcasm nipping away at the subject matter to make sure we don’t lose sight of the fact that, while a quick look outside your window will show a world imploding on itself, it’s important to enjoy what time we have while we’re here.

Pick up your copy of ANTI-FUN Propaganda from here.

Glitterer
Rationale
ANTI-

Following his previous band Title Fight ceased touring, lead singer and songwriter Ned Russin needed a creative outlet. The creative outlet soon manifested into what originally started out as solo project but, six years later, has blossomed into a fully-fledged band and the release of their fourth album, but debut as a full band, Rationale. An album with a sound deeply entrenched in the DC hardcore and indie rock scenes, Rationale is a rowdy listen packed with jarring indie guitars and slick pop melodies with the cohesiveness paying testament to the fact that Russin has found bandmates who share his creative vision.

Pick up your copy of Rationale from here.

Hands of Kalliach
Corryvreckan
Prosthetic Records

Spawned from the minds of Edinburgh, Scotland husband and wife duo have blended together melodic death metal melded with Scottish folk music to create an album that is a work of art. The title of the album is inspired by enormous whirlpool, Corryvreckan, which lies between some of the western isles of Scotland. As harsh yet as beautiful as the inspiration behind it, Corryvreckan is a jaw-dropping piece of work. Soaring passages of melancholic Scottish folk music crash into brutal death metal, like two perfectly matched components. Through the folk music, the pair capture a drama and the emotion that can only come from being truly living and breathing it. When matched up with the extremities of the death metal scene, the end result is utterly majestic.

Pick up your copy of Corryvreckan from here.

Job For A Cowboy
Moon Healer
Metal Blade

For fans of iconic progressive death metal outfit Job For A Cowboy, it’s been almost a decade since new music was last heard from the band. Having teased for a number of years, the band are now back with their follow-up to 2014’s Sun Eater pretty much picking up where the 2014 album dropped off. Unsurprisingly, Moon Healer is the kind of album you really need to invest your time and effort into to really appreciate. Skim over it and you’ll find another incredible album in the Glendale’s musical armoury. Dig under the surface and you’ll find yourself immersed in a world which thematically picks up the story from Sun Eater while musically delivers it in a tightly woven package of complex, experimental, progressive death metal.

Pick up your copy of Moon Healer from here.

Austrian Death Machine
Quad Brutal
Napalm Records

Ten years since their last outing, Austrian Death Machine are back with Quad Brutal, their first album for new home Napalm Records. Formed fifteen years ago by As I Lay Dying vocalist Tim Lambesis, the Arnie-inspired neck-wrecking death machine is back reinspired and reinvigorated. Joined by a bunch of friends from across the metalcore scene including members of Ov Sulfur and Wolves At The Gate, Lambesis is back with another full-throttle, adrenaline-fueled metal feast. With more muscle than your typical weights room, Quad Brutal is just pumped-to-fuck, beefed-up metal. There’s nothing fancy about this. No need to put your brain into gear, Quad Brutal is just here for when another couple of plates on the end of that bar just doesn’t seem enough.

Pick up your copy of Quad Brutal from here.

Royal Tusk
Altruistic
MNRK Heavy

To date, Alberta, Canada three-piece Royal Tusk have gigged with a veritable Who’s Who of Rock from Slash to Halestorm while, during the pandemic, frontman Daniel sang on viral at-home collabs with Stone Sour, In Flames, and Mastodon. Listening to the hard rockers third album and you can probably pinpoint all of those inspirations seeping through the thumping anthems. Full of hard rock bangers like “Fire In Your Veins” and “The Death of Common Sense” to “Hated”, Altruistic has the perfect blend of melody, singalong choruses and power. Of the album, bassist Sandy MacKinnon says “I really hope you want to blast it in your car and headbang” and we can’t think of a better way to enjoy Altruistic than that.

Pick up your copy of Altruistic from here.

Borkanagar
Fall
Century Media

Honouring commitments delayed by the pandemic means that it has been almost five years since we have heard a new full-length album from Norwegian progressive folk/black metal band Borknagar. Reading into the whole process the band go through to write an album though, you do get the feeling Fall would have taken as long pandemic or not. An unrushed, flawlessly-crafted peice of work, Fall sounds like Borknagar frontman Øystein G. Brun has worked tirelessly to ensure that every moment of this album plays out like a story. Blast of grim, violent black metal weave through epic passages of progressive rock and folk to tell a tale of survival. Heading towards their third decade, Fall feels like the Norwegians are still riding at the top of their game.

Pick up your copy of Fall from here.

Mother Mother
Grief Chapter
Warner Music / Parlophone

It’s fair to say that 2021’s album INSIDE catapulted Canadian indie rock troop Mother Mother to new heights. Piling up an incredible 300 million streams for said album Grief Chapter has some task ahead of it. The ninth album of their career finds the band at their most energized despite it focusing, lyrically at least, on themes of death and mourning. This is an album that transcends genres not only over the course of the twelve tracks but, as demonstrated on the brilliant opener “Nobody Escapes” or the stomping “Normalize”, many times within songs. An album which may come from a morbid place lyrically, by the end, will have you well and truly hooked.

Pick up your copy of Grief Chapter from here.

Lowlives
Loser’ [Single]
Spinefarm Records

It’s the year 2000 and Wheatus earworm “Teenage Dirtbag” is rapidly becoming one of the biggest hits of the year. An anthem for misfits, outcasts and losers, it’s a song we hold close to our hearts even 24 years later. Now, West Coast alt-rockers have gone and written their own version. A wonderfully hopeful slice of slacker rock, “Loser” has an almost pleading air to the chorus while the melody is lifted straight from the grunge/alt-rock 2000s. The track is taken from the band’s upcoming debut album, Freaking Out, so don’t worry if you’re going through that misfit phase because Lowlives have got your back.

Pick up your copy of Freaking Out from here.

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Track-by-Track: Beyond Unbroken Discuss Some of Their Greatest Hits

Hard rock/metal band Beyond Unbroken join us for a special track-by-track rundown of some of their most notable and significant songs.

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Beyond Unbroken
Beyond Unbroken

Beyond Unbroken has proudly unleashed “The Madness” via FiXT Music. It’s a fitting title for the metal quartet’s brand-new single, released with an accompanying music video earlier this month. The clip matches the song’s intensity, a deep dive into the small pockets of our minds where our demons lurk. “The Madness” depicts a psychological struggle where the mind succumbs to manic thoughts. The prison in the video is a metaphor for this struggle and the fact that one’s mind can become its prison. With “The Madness,” the message that the band is trying to convey is that you are not alone. Pain comes, and it’s often only temporary. Facing obstacles is a part of life, and we derive strength from these experiences. We’re all in this together, and Beyond Broken wants to emphasize that.

Beyond Unbroken celebrated their tenth year together last year, originally formed between Monte and Michael Money after leaving Escape the Fate. Although “The Madness” is a very aggressive metal song, the band is not defined by one genre. They enjoy trying new sounds, mixing genres, and, in doing so, defying expectations. The Money brothers and their bandmates derive inspiration from all of life’s experiences, culminating in a hard-hitting sound widely appealing to fans of both rock and metal.

With the recent release of “The Madness,” Beyond Unbroken joins us today for a special track-by-track feature in which they expand on the stories and meanings behind some of their most notable songs.

1. “The Madness”

“Lyrically, the song deals with the negative thought patterns we sometimes find ourselves in when facing struggles such as depression and anxiety, which can have negative impacts on our mental health. The song is about finally facing and breaking through those barriers. We wanted the music to greatly relate to the impact on the potential of the mind’s destruction, from heavy, ground-shattering guitar riffs and high-octane scream vocals from Michael Money, until you are met with the blissful vocals of Monte Money on the chorus to tie it all in. We literally couldn’t be happier with how this track turned out. It’s so great we had to do it justice by complementing it with an equally crazy music video.”

2. “Blood On My Hands”

“This was the first song to debut the dynamic we wanted for Beyond Unbroken and its future sound going forward in correlation with our label FiXT. The song truly resonates with a dark nuance of a tale of the aftermath of murder, demons, drowning, and blood, literally losing one’s mind and the regret of the aftermath of it all, begging for forgiveness only to be faced and judged as the criminal at hand hears the words ringing ‘Burn It, Burn It, Down, This Is Your Hell!’ as the embodiment of the victim finally gets payback. The song’s breakdown is truly unique and heavy and does the story justice in this dark, sinister world.”

3. “Running Out of Time” (Remaster)

“The official first single off the album debut. The song defines the band’s growth with modern originality, depicting as we age how little time we truly have and how we shape our destiny. We wanted to bring up the track with a slightly new touch to signify our signature sound as a remastered version with intense drums and big, booming guitars that complement the vocals. The song is a staple of our sound.”

4. Andromida – “Break the Cycle” (feat. Beyond Unbroken)

“With ‘Break the Cycle,’ we wanted to vocalize the effect the routine of everyday life has on us. Doing the same routine day after day becomes a monotony that you never even question, but are left just sitting in silence and suffering with all these thoughts in your head. The song is about finally breaking that vicious cycle of repetitiveness. The music defies all natural law and order of the world with big, chunky guitars, screaming verses and breakdowns, and a mind-bending chorus met with a screaming metal vocal choir to really kick you out of your seat and inspire you to take action.”

5. “With or Without Me”

“In ‘With or Without Me,’ we took you into a digital world influenced by big blockbuster movies like Blade Runner 2049 and TRON: Legacy, and games like Cyberpunk 2077. We wanted the touch of mechanical machines and digital sounds to meet heavy guitar-driven choruses to really bring a big impact to today’s music. We absolutely love the track and how it resonates with all our listeners.”

6. “Falling Down + Heathens”

“2020 was the year of lockdowns and COVID-19, with everyone staying inside. We noticed a significant increase in at-home quarantine-type cover songs that began to take social media by storm. With ‘Falling Down + Heathens,’ we wanted to do more than just a cover. We aimed to create a mashup consisting of two entirely different genres of music, putting them together to make something new. The result is this masterpiece, a song that truly unleashes Monte Money and Michael Money’s capabilities without any restrictions. The monstrous dueling guitar solos leave listeners hitting the repeat button. We never imagined that the song would end up being one of Beyond Unbroken’s greatest releases to date. We are truly thankful for every one of you who contributed to its success.”

Beyond Unbroken “The Madness” single artwork

Beyond Unbroken “The Madness” single artwork

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Culture

Salah Bachir Publishes Titillating Memoir ‘First To Leave The Party’

Salah Bachir recently released his titillating memoir, ‘First To Leave The Party,’ offering intimate details about the rich and famous and Bachir’s gusto and lust for life.

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Salah Bachir, photo by George Pimentel
Salah Bachir, photo by George Pimentel

Author, entrepreneur, art collector, movie industry insider, and philanthropist Salah Bachir recently released his memoir, First To Leave The Party: My Life with Ordinary People…Who Happen to be Famous, a collection of stories revealing his joie de vivre, his love of human interaction, and his altruism.

After immigrating to Canada from Lebanon in the 1960s, Bachir started Videomania, Canada’s first video magazine, followed by establishing Premiere, a trade publication for video distributors and retailers.

For more than a decade and a half, Bachir was the president of Cineplex Media and boss of Cineplex Magazine, Canada’s wildly popular and widely read magazine, serving more than four million readers per issue.

Salah Bachir, photo by George Pimentel

Salah Bachir, photo by George Pimentel

A fixture in the world of film for decades, Bachir naturally met Hollywood’s superstars. Yet what sets him apart is his charisma, compassion, his personal style – chic hats, diamonds, pearls, brooches, and elegant scarves – and his full-blown zest for life and people.

First To Leave The Party recounts his relationships with a literal who’s who of Hollywood: Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it’s true that Katharine Hepburn once turned him down, very nicely.

There are also stories about Marlon Brando, Princess Diana, Muhammad Ali, Princess Margaret, Sean Connery, Ella Fitzgerald, and Doris Day.

Co-written with film critic Jami Bernard of the New York Post and Daily News, a portion of the proceeds from the book will be donated to the LGBTQ+ rights program at Human Rights Watch.

Salah Bachir ‘First To Leave The Party’ book cover

Salah Bachir ‘First To Leave The Party’ book cover

Featured in numerous publications, including The Globe & Mail, Playback Magazine, Dolce, and Toronto Life, Bachir has received five honorary doctorate degrees from the University of Alberta, Ryerson University, York University, OCAD University, and Wilfrid Laurier University in recognition of his business expertise and philanthropic work.

Along with a long list of deserved awards, Bachir, because of his entrepreneurial spirit and advocacy of the arts and social justice, is a member of the Order of Ontario and the Order of Canada, as well as a proud member of the LGBTQ+ community and two-time Grand Marshal of the Toronto Pride Parade.

The stories related in First To Leave The Party not only provide a parade of intimate detail about the lives of the rich and famous, the entertainment industry’s elite, but also bare Salah Bachir’s gusto and lust for life.

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