Ti West’s prequel to last year’s ‘X,’ ‘Pearl’ (A24) is certainly a Marmite film, as US reviews have shown, but if you “get it,” you’ll not...
The revival of a more rock-oriented expression of goth is well overdue in a post-darkwave era; and Die Oberherren may just be an essential aspect of...
Akin to an emotive ballad, GNS & V-Sensei 's “LOVE A LIE” reveals a troubling sense of love’s impending futility, as well as its undeniable attraction.
Puscifer's 'Existential Reckoning: Re-Wired (Alchemy Recordings, BMG) is definitely one of the better remix albums of recent years. The additional effort pays off in a more...
Liverpool's beloved Shipbuilders host another Club Shipwrecked event in their home city, and Del Pike goes down to witness face-to-face a local band at the peak...
Australian deathcore pioneers Thy Art Is Murder tore through Louisville, KY's Mercury Ballroom with Kublai Khan, Undeath, I Am, and Justice For The Damned for one...
Brendon Urie brought down the curtain on Panic! At The Disco at an emotional Manchester AO Arena. Check out the photos here.
Highlighted by the irresistibly alluring, hypnotic voice of Josephine Olivia, VOSH's ‘Vessel’ (Trash Casual Records) is harmonically complex and oh-so-severely superior.
Social: There’s an inarticulate sadness hovering over Centershift's “Fade Away” (Auspicious Recordings), conveying a profound array of emotions, including regret and the ache of unease.
Bullet For My Valentine, with help from Jinjer and Atreyu, blow away the Monday blues at a sold-out Leeds O2 Academy. Photos and review here....
Too vibrant to be termed ambient music, ‘Always Becoming’ fuses hints of folk-pop and dream-pop elements into imaginative sonic creations.
Hundred Reasons, Hell Is For Heroes and My Vitriol put on one hell of a rockin’ and nostalgia-filled show at London’s Eventim Apollo.
It has been three years coming, but Lamb of God and Kreator, along with Municipal Waste, made sure the 'State Of Unrest' tour was worth the...
Simultaneously elegant and heavy with gloominess, with “Parasite,” Cosmopolis evokes an aching exegesis of brooding compulsion.
Singularly imaginative, 1st Base Runner’s (aka Tim Husmann) ‘Night Stalker’ hums with a sense of mounting unease on immersive synths, creating spectral, electro-organic soundscapes.