Lola Kristine’s new three-song EP ‘chapter two: when things fall apart’ solidifies her rising status in the industry and marks a significant milestone in her career.
Accentuated by the poignant and superb vocals of Nate Amor, “I Want You” releases the palpable, thirsting energy of love.
With its contagious rising and falling structure, Keyawna Nikole portrays the chilling feeling brought on by inner emotional demons on “Secrets” featuring Kellin Quinn of Sleeping...
Alive with thick, muscular blues-rock surfaces, Honey Pot’s “Saints and Sinners” succeeds because of Jessica Rendon’s bravura vocal performance.
Ranging from country to folk to Latin aromas to mysterious rock, Ajay Mathur’s ‘Blow My Cover’ reveals an unpretentious intimacy.
Enveloped in an eerie, dark aura, “Everything the Darkness Eats” is taut with ebbing and rising foreboding energy.
Passionate and haunting, as it progresses, “Hell” delivers the feeling of slowly descending into the black abyss of incipient irrationality.
Merging folk with tinctures of pop, “Let You Go” highlights the sensitive voice of Kelly-Ann as she reflects on the hurt of letting go.
Brimming with lyrics that hit like a sucker punch, “Scraps (Cleland)” showcases the impudent vocals of deegie and the oomph of pop-punk.
Bordering on the mystical, enveloped in intricate, plush layers of sound, Seth Glier's “Mammoth” ushers in the feeling of reaching for the stars.
A review of “Lonely,” the new Latin-funk Cumbia-style single from The Labra Brothers ahead of their upcoming record, ‘Home.’
A consummate album, Loryn Taggart’s 'The Lost Art of Pulling Through' draws on profound emotions as it explores the intricacies of life.
London-based heavy rock outfit Black Pines releases their new EP, ‘Bodies,’ which sees the band deviating from their previous indie sound to one of powerful alternative.
Wastelander, aka Cooper Formant, just released his debut album, What is Left of Me, a 12-track collection of songs merging elements of folk and indie rock....
Quixotic and yielding at the beginning, “Permanently” gives listeners a sense of building tension, going from gracious to plangent severity.