Rob Lundberg has reemerged with another one of his exceptional conversations. In the latest episode of Uncontaminated Sound, he speaks with musician and illustrator Jeffrey Lewis.
Bristish illustrator Mark Wilkinson’s work has been adorning the cover sleeves of Rock and Metal albums for decades. His work for bands like Judas Priest and Marillion, as well as for posters for the Monster of Rock Festival, Star Wars movies, and book covers is widely recognized. His refined technique and unique fantastic visions have made of the artist a legend within the world of commercial illustration. To celebrate his career of more than 30 years, Wilkinson recently published the book “Shadowplay”, a recount of most of his work to date. In this interview the artist talks extensively about the new book, his influences, and his ongoing collaboration with artists such as Judas Priest and Marillion.
German visual artist Andreas Marschall is widely known as one of Metal’s quintessential illustrators, his works having adorned album covers for decades. Bands like Blind Guardian, Kreator, Sodom, and In Flames, among many others, owe Marschall big time for helping them to establish crucial aspects of their visual imagery. Over the last few years the artist has also been exploring another passion: film making. In fact, he recently premiered his second feature film, a horror/fantasy tour de force titled “Masks”, which is expected to arrive on North American shores soon. While promoting the film worldwide, we had the opportunity to talk with Marschall about the origins of his career, his vast body of work, and movie making.
Despite the mainstream success and commercial appeal of Van Halen’s 1984, this mega-selling album was released with some accompanying controversial issues. For instance, though the album featured muscular Heavy Rock cuts such as “Panama” and “Hot For A Teacher”, it also proposed dramatic stylistic challenges in the keyboard-oriented hit singles “Jump” and “I‘ll Wait”. Additionally, the cover sleeve depicting a little angel smoking a cigarette while naughtily smiling was indeed, a polemical subject, even though it never caused major issues for the quartet’s successful career.
In 2005, legendary North American illustrator Joe Petagno published via Feral House the book “Orgasmatron: The Heavy Metal Art of Joe Petagno”. The impressively-illustrated volume compiled some of the most outstanding, eye-popping works the designer had produced for bands such as Vital Remains, Angelcorpse, and of course, Motorhead.