Sprawling and full of assorted sonic aspects, Idiot Grins’ Hounds of Mess Around offers listeners a delicious catalog of fusion music.
Without any sharp edges and effervescing with feel-good surfaces, ‘Noah’ showcases NoMBe’s effortless, ever-evolving sound.
‘Dark Matter’ stands tall as an exceptional introduction to the next edition of Pearl Jam’s already hit-laden back catalogue of tunes.
On ‘So Now What..,’ his second long player, Vi City investigates new electronic textures and demonstrates he’s on the right path.
Saturated in bleeding waves of sound akin to an underground mining process, ‘Amphibian’ exudes secret feelings of thrilling dread.
The dual personality of The Eyebrows’ ‘Double Take’ works: Side 1 delivers more traditional renditions, and Side 2 conveys a visceral core.
Blessed with an expressive, charismatic voice, Dean Harlem doesn’t hold back on ‘Red Oak Hill,’ an engaging collection of ballads and torch songs.
With ‘Ancient City,’ Paola Prestini & Nelson Patton portray the atmosphere, unseen ghosts, and scattered sounds of a hoary city.
Numinous and magically enchanting, ‘Crystal Calm, Vol. 2’ evokes the ineffable beauty of lucent, celestial dimensions.
Pulling freely from retro house, disco, and synthpop, with their compilation album, Peppermint Heaven rejoices in the power of dance music.
Transforming their live energy onto record, Scotland‘s Dead Pony have delivered an absolute banger of a debut in ‘Ignore This.’
Drenched in dangerous emotions and devastatingly viscous, Post Death Soundtrack’s ‘Veil Lifter’ is akin to a sonic journey through Dante’s Inferno.