The Rolling Stones have announced they are going back on the road with a brand-new tour performing in 16 cities across the U.S. and Canada. Fans can expect to experience Mick, Keith and Ronnie play their most popular hits, ranging from “Start Me Up,” “Gimme Shelter,” “Jumpin Jack Flash,” “Satisfaction,” and more, as well as fan favourite deep cuts and music from their new album Hackney Diamonds.
The legendary rockers will return to the road following the success of their history-making and chart-topping studio album Hackney Diamonds, which has just received a Grammy nomination for the project’s lead single, “Angry.” Showcasing a new stage and high energy that only the Stones can bring as one of the world’s most iconic artists ever, this tour will guarantee a show to remember. The United States last hosted the rock n roll giants during their critically acclaimed No Filter tour in 2021, which sold out stadiums nationwide while becoming one of the highest-grossing concert tours of all time.
The Rolling Stones Hackney Diamonds tour sponsored by AARP is set to kick off April 28, 2024, at NRG Stadium in Houston, Texas, with stops in Las Vegas, Glendale, East Rutherford, Seattle, Foxboro, Orlando, Atlanta, Philadelphia, Cleveland, Denver, Chicago, Vancouver, Los Angeles and Santa Clara. The Stones will also make a stop at this year’s New Orleans Jazz and Heritage Festival for a special performance on May 2.
This past October, The Rolling Stones took over a New York City club, Racket NYC, to celebrate Hackney Diamonds’s release and turn it into a rock show, garnering rave reviews and giving the lucky audience a taste of what’s to come. Tried and tested, these songs are ready to hit the stadiums following their incredible preview.
Hackney Diamonds Tour Dates:
April 28, 2024 – NRG Stadium – Houston, TX
May 2, 2024 – Jazz Fest – New Orleans, LA
May 7, 2024 – State Farm Stadium – Glendale, AZ
May 11, 2024 – Allegiant Stadium – Las Vegas, NV
May 15, 2024 – Lumen Field – Seattle, WA
May 23, 2024 – MetLife Stadium – East Rutherford, NJ
May 30, 2024 – Gillette Stadium – Foxboro, MA
June 3, 2024 – Camping World Stadium – Orlando, FL
June 7, 2024 – Mercedes-Benz Stadium – Atlanta, GA
June 11, 2024 – Lincoln Financial Field – Philadelphia, PA
June 15, 2024 – Cleveland Browns Stadium – Cleveland, OH
June 20, 2024 – Empower Field at Mile High – Denver, CO
June 27, 2024 – Soldier Field – Chicago, IL
July 5, 2024 – BC Place – Vancouver, BC
July 10, 2024 – SoFi Stadium – Los Angeles, CA
July 17, 2024 – Levi’s Stadium – Santa Clara, CA
Three Second Kiss Releasing First LP in Twelve Years via Overdrive Records
Three Second Kiss is back after 12 years, the band sets out to release their newest LP, From Fire I Save The Flame later this year.
This is not a self-celebratory message. This is not a reunion. This is not even a proper press kit. These lines are just to communicate details related to the production of a record. Because Three Second Kiss is back after 12 years with a new work. An infinite amount of time when compared to the times of the contemporary music market. A chasm. But what was up to Three Second Kiss?
“In fact, we never stopped.” comments the band, talking about what is about to become the new chapter in their career. Twelve years between their previous: “Nine tracks that do not pick up the band’s musical discourse where it was left off. At least to our ears it doesn’t sound the way we were.” stress the members of Three Second Kiss.
As active as the trio was initially, in 1993, Three Second Kiss is happy to share the details of their signing announcement:
“We are happy that this album is coming out on Overdrive Records. We believe that the people who work there are driven by a sincere passion for the most direct and incisive music. We got to know some members of this family and we think we share the same musical history; we grew up with the same sounds and a sincere and unmediated attitude towards the musical world.”
After all, the time issue has never been a concern for Three Second Kiss, who has always operated autonomously and independently. This time, however, time has run fast. And there is not much to say about that. The members stress:
“These are the pains (many) and joys of adult life. We stopped when life forced us to stop. We regained purpose and cohesion when environmental circumstances and harmony got flowing again. And from the chasm, we have risen again.”
Sean Lafontaine Releases Electrifying Single “Sliver”
Sean Lafontaine, continues to carve his path through the rock landscape with the release of his electrifying single “Sliver.”
Sean Lafontaine, the Detroit-born, Duluth-raised powerhouse musician, continues to carve his path through the rock landscape by releasing his electrifying single, “Sliver.” Serving as the second installment from his highly anticipated EP, Thorn, Sliver, Smolder, Lafontaine once again proves his prowess in delivering hard-hitting, adrenaline-pumping rock music that resonates with listeners across generations.
“Sliver” wastes no time in making its presence known, opening with the primal roar of a thunderstorm before erupting into a relentless torrent of driving hard rock. Seamlessly blending elements of classic rock with a contemporary edge, Lafontaine navigates through the song’s labyrinthine grooves, exuding a palpable sense of power and confidence with every chord struck and every beat hammered.
Following the success of his previous single “Thorn,” which made waves with its premiere on Canadian Beats, Lafontaine solidified his position as a force to be reckoned with in the rock scene. Drawing on his diverse musical influences and experiences, Lafontaine crafts a sonic journey that captivates the senses and leaves an indelible mark on the listener’s psyche.
“Sliver” is not merely a song; it’s a sonic tempest, a raw manifestation of Lafontaine’s unbridled passion and unwavering dedication to his craft. From its thunderous opening to its climactic conclusion, “Sliver” is a testament to Lafontaine’s ability to harness the raw energy of guitar-driven rock music and channel it into a transcendent auditory experience.
As Lafontaine teases audiences with glimpses of what’s to come from Thorn, Sliver, Smolder, anticipation reaches a fever pitch. With each release, Lafontaine proves himself to be a true rock maestro, forging ahead with an unyielding spirit and an insatiable hunger for musical innovation.
The V13 Fix #004 w/ Darkest Hour, Glitterer, LowLives and more
From pop to metalcore, experimental grindcore to indie, each week The V13 Fix will bring you a roundup of all the new music worth hearing…
Welcome to the latest The V13 Fix our weekly round-up of some of the best albums, singles and EPs to drop in our laps/inboxes this week. From pop to black metal to experimental pop to punk rock, there is something for everyone in this mix of new music. Check out and support all the bands and labels if you like what you hear and if there is a particular album you like, make sure you head over to Spotify and check out one of our specially curated playlists where there is more great new music added daily.
Alternatively, if you’re in a band or want one of your bands considered for inclusion get in touch. While we can’t guarantee every album or EP we receive will be included, there are still plenty of other ways we can support you.
So, without further ado, sit back, plug in your headphones and get this week’s V13 Fix of new music…
When Japanese genre-smashers Crossfaith exploded onto the scene with their brutal, electronic-laced metalcore, the world sat up and paid attention. Well, after twelve months regrouping, the band are back with this new single, a massive statement that they’re ready to pick up where they left off but with a new energy. This new slice of heaviness from the band is packed dangerously full of pulsating electronics and pummelling metalcore. Equally as explosive as it is anthemic, “Zero” heralds a new chapter from the band who, after hitting the reset button twelve months ago, have returned with a vengeance.
Pick up your copy of “Zero” from here.
‘Perpetual | Terminal’
It’s incredible when you realise that Perpetual | Termainal is the tenth album in the rollercoaster career of US metalcore/metallic hardcore mob Darkest Hour. Spirit and dogged determination has kept the band going to this point and it is a theme which provides the heartbeat of this savage collection. Guitarist Mike Schleibaum explains: “The record’s theme centers around the duality of survival while embracing rebirth,” and, hearing the band hurtle through each of the eleven tracks, Perpetual | Terminal certainly feels like the sound of a band who have been reborn. An uncompromising, unrelenting metal assault, Perpetual | Terminal highlights exactly why heavy music would be worse off without Darkest Hour in it.
Pick up your copy of Perpetual | Terminal from here.
Now, even though the new wave of modern death metal bands is doing a sterling job in keeping the flag flying high for the genre, sometimes it’s nice just to take a trip back into some of the old-school bands. Having formed in Milwaukee in 1990, Morta Skuld are still battering away with their latest offering from the death metal stalwarts indicating no sign of slowing down. For fans of the likes of Obituary, Morbid Angel and Deicide, the band expertly combine groovy moshy sections, blastbeats with swamp born vocals. Creation Undone isn’t metalcore, it’s not deathcore, there are no symphonies, this is just straight between the eyes brutality.
Pick up your copy of Creation Undone from here.
M.U.T.T. are a trashy punk rock band straight from the gutters of the San Fransisco punk rock scene. There isn’t much you need to know about the kind of punk rock M.U.T.T. peddle except that it comes devoid of airs and graces. Taking a route one approach, M.U.T.T’s punk noise is covered in snot and packed with attitude. Formed from the ashes of Culture Abuse, the project has moved on from the more rock and roll stylings of their debut album, Bad To The Bone, into more trashy waters. Offerings like “Downtown Boy” come with a suitably unpleasant sneer plastered across their face and, while this EP might a fairly brief listen, M.U.T.T pack plenty of bite into those eighteen or so raucous minutes.
Pick up your copy of Dirty Deeds from here.
Gen & The Degenerates
Alt-punk collective Gen & The Degenerates tattoo their principals proudly onto their debut album. Written to a backdrop of disaster, tragedy and misfortune, ANTI-FUN Propaganda comes from a world of late nights and early mornings, sexuality, gender politics and mortality. It’s a punk rock album at its beating heart but, as vocalist Gen puts it, comes with a humourous approach and a love of dirty disco pop. Lyrically, tracks like “Famous” may come from a dark, bleak place but, as the video for “Big Hit Single” highlights, there is a wry smile and a sense of sarcasm nipping away at the subject matter to make sure we don’t lose sight of the fact that, while a quick look outside your window will show a world imploding on itself, it’s important to enjoy what time we have while we’re here.
Pick up your copy of ANTI-FUN Propaganda from here.
Following his previous band Title Fight ceased touring, lead singer and songwriter Ned Russin needed a creative outlet. The creative outlet soon manifested into what originally started out as solo project but, six years later, has blossomed into a fully-fledged band and the release of their fourth album, but debut as a full band, Rationale. An album with a sound deeply entrenched in the DC hardcore and indie rock scenes, Rationale is a rowdy listen packed with jarring indie guitars and slick pop melodies with the cohesiveness paying testament to the fact that Russin has found bandmates who share his creative vision.
Pick up your copy of Rationale from here.
Hands of Kalliach
Spawned from the minds of Edinburgh, Scotland husband and wife duo have blended together melodic death metal melded with Scottish folk music to create an album that is a work of art. The title of the album is inspired by enormous whirlpool, Corryvreckan, which lies between some of the western isles of Scotland. As harsh yet as beautiful as the inspiration behind it, Corryvreckan is a jaw-dropping piece of work. Soaring passages of melancholic Scottish folk music crash into brutal death metal, like two perfectly matched components. Through the folk music, the pair capture a drama and the emotion that can only come from being truly living and breathing it. When matched up with the extremities of the death metal scene, the end result is utterly majestic.
Pick up your copy of Corryvreckan from here.
Job For A Cowboy
For fans of iconic progressive death metal outfit Job For A Cowboy, it’s been almost a decade since new music was last heard from the band. Having teased for a number of years, the band are now back with their follow-up to 2014’s Sun Eater pretty much picking up where the 2014 album dropped off. Unsurprisingly, Moon Healer is the kind of album you really need to invest your time and effort into to really appreciate. Skim over it and you’ll find another incredible album in the Glendale’s musical armoury. Dig under the surface and you’ll find yourself immersed in a world which thematically picks up the story from Sun Eater while musically delivers it in a tightly woven package of complex, experimental, progressive death metal.
Pick up your copy of Moon Healer from here.
Austrian Death Machine
Ten years since their last outing, Austrian Death Machine are back with Quad Brutal, their first album for new home Napalm Records. Formed fifteen years ago by As I Lay Dying vocalist Tim Lambesis, the Arnie-inspired neck-wrecking death machine is back reinspired and reinvigorated. Joined by a bunch of friends from across the metalcore scene including members of Ov Sulfur and Wolves At The Gate, Lambesis is back with another full-throttle, adrenaline-fueled metal feast. With more muscle than your typical weights room, Quad Brutal is just pumped-to-fuck, beefed-up metal. There’s nothing fancy about this. No need to put your brain into gear, Quad Brutal is just here for when another couple of plates on the end of that bar just doesn’t seem enough.
Pick up your copy of Quad Brutal from here.
To date, Alberta, Canada three-piece Royal Tusk have gigged with a veritable Who’s Who of Rock from Slash to Halestorm while, during the pandemic, frontman Daniel sang on viral at-home collabs with Stone Sour, In Flames, and Mastodon. Listening to the hard rockers third album and you can probably pinpoint all of those inspirations seeping through the thumping anthems. Full of hard rock bangers like “Fire In Your Veins” and “The Death of Common Sense” to “Hated”, Altruistic has the perfect blend of melody, singalong choruses and power. Of the album, bassist Sandy MacKinnon says “I really hope you want to blast it in your car and headbang” and we can’t think of a better way to enjoy Altruistic than that.
Pick up your copy of Altruistic from here.
Honouring commitments delayed by the pandemic means that it has been almost five years since we have heard a new full-length album from Norwegian progressive folk/black metal band Borknagar. Reading into the whole process the band go through to write an album though, you do get the feeling Fall would have taken as long pandemic or not. An unrushed, flawlessly-crafted peice of work, Fall sounds like Borknagar frontman Øystein G. Brun has worked tirelessly to ensure that every moment of this album plays out like a story. Blast of grim, violent black metal weave through epic passages of progressive rock and folk to tell a tale of survival. Heading towards their third decade, Fall feels like the Norwegians are still riding at the top of their game.
Pick up your copy of Fall from here.
Warner Music / Parlophone
It’s fair to say that 2021’s album INSIDE catapulted Canadian indie rock troop Mother Mother to new heights. Piling up an incredible 300 million streams for said album Grief Chapter has some task ahead of it. The ninth album of their career finds the band at their most energized despite it focusing, lyrically at least, on themes of death and mourning. This is an album that transcends genres not only over the course of the twelve tracks but, as demonstrated on the brilliant opener “Nobody Escapes” or the stomping “Normalize”, many times within songs. An album which may come from a morbid place lyrically, by the end, will have you well and truly hooked.
Pick up your copy of Grief Chapter from here.
It’s the year 2000 and Wheatus earworm “Teenage Dirtbag” is rapidly becoming one of the biggest hits of the year. An anthem for misfits, outcasts and losers, it’s a song we hold close to our hearts even 24 years later. Now, West Coast alt-rockers have gone and written their own version. A wonderfully hopeful slice of slacker rock, “Loser” has an almost pleading air to the chorus while the melody is lifted straight from the grunge/alt-rock 2000s. The track is taken from the band’s upcoming debut album, Freaking Out, so don’t worry if you’re going through that misfit phase because Lowlives have got your back.
Pick up your copy of Freaking Out from here.
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