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Premiere: Make Time to Check Out Biblioteka’s Energetic Single/Video “Tick Tock”

Biblioteka premieres their new single “Tick Tock,” an upbeat, hard rocking, classic punk-infused track that reflects on feelings of paranoia and unease.

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Biblioteka, photo by Rachel Bennett

Isolation has been on the minds of, well, practically everyone for a long time now, and everyone has dealt with it in their own way. One thing that can be widely agreed upon though is that all of this solitude and aloneness has been Pretty Ugly, the oh-so-appropriate title for garage rockers Biblioteka’s brand new record, due on June 24th via Freakout Records. Recorded with Garrett Reynolds at Electrokitty Studios in Seattle, the album will feature ten new tracks of reflection and soul-searching, as the quartet tried to navigate its way through a global pandemic.

Today, the band unveils the brand new single “Tick Tock,” a preview of what’s to come next month when Pretty Ugly is released. It’s an upbeat, hard rocking, classic punk-infused track that reflects on feelings of paranoia and unease that are the result of isolation and drug use. There’s a real urgency that is very apparent throughout the song’s three and a half minutes, illustrative of the restless and anxious state within which it was composed.

Discussing the song in greater depth, bassist and singer Mary Robins shares:

“We wrote ‘Tick Tock’ in the peak of our pandemic craziness from the isolation. I was going through a case of writer’s block, consuming too many mushrooms and edibles, then the words just came to me as we poured all of our frustrations into writing this song. It became a fun and cathartic experience.

“‘Tick Tock’ touches on feelings of paranoia due to isolation and drug use, and feeling like time is slipping through the cracks of your fingers.

“As we were recording it, I had an unholy amount of caffeine while tracking the vocals. I remember sort of jogging in place in between the lines, and I feel like it really matched the energy of the song.

“The song was a no-brainer to become a single. It was the first song we wrote after going through the lockdown, and really jump-started this whole album for us.”

Formed in the mid-2010s, Biblioteka also features the power and the savvy of guitarist, keyboardist and singer Hillary Tusick, guitarist Hexx Rodriguez, and drummer Sam Nowak. Their upbeat songwriting is reminiscent of the style of The B-52’s and Blondie, but it also allows room for more garage rock sounds and grunge influences. They are at their most blunt on Pretty Ugly, a collection of musings on current and serious issues. “Where Did We Go Wrong” was inspired by the terrifying experience of the band members being attacked in an alleyway by a man with a knife, while other songs such as “Corporate Whore” are vintage anti-capitalist punk anthems.

This is a band with their finger on the pulse of what’s happening right now, and it’s all competently backed up with impressive punk rock appeal.

Pretty Ugly Track Listing:

1. Tick Tock
2. Where Did We Go Wrong
3. Pretty Ugly
4. Mirror Mirror
5. Corporate Whore
6. Pathetic
7. Waiting for Nothing
8. TV In My Eye
9. Miss U
10. Unkind

Artwork for the album ‘Pretty Ugly’ by Biblioteka

Album News

Slightest Clue Release Their Rocking, Five-Track EP ‘Carousel’

Vancouver indie rockers Slightest Clue recently released their ‘Carousel’ EP, inspired by the beginning, middle, and end of a relationship.

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Slightest Clue
Slightest Clue

Vancouver’s Slightest Clue is like the secret after-school project of four kids who would have passed each other without a glance in the hallway at school, but once they’re plugged in and ready to play their distinct blend of post-punk, alternative rock, and dark pop, all bets are off.

Produced by Matt Di Pomponio, their new EP, Carousel, is inspired by the beginning, middle, and end of a formative romantic relationship, spanning the trajectory from love to this loss of connection. The closing track, “Carousel,” marks the ultimate bittersweet reflection with unique harmonic layers to portray those contrasting emotions, shifting between grand and quiet tones.

Commenting on the album, the band states:

“The main theme is love, loss of relationship, and connection. The arc of the story is our foreshadowing of the end in our first song ‘These Days’ speaking on the day to day fights and how neither person can seem to get back to a happy place in the relationship. ‘Why Can’t I Call You?’ is the initial spark of infatuation and obsession with someone before you know them. ‘When You Wake Up’ talks of the blissed out honeymoon stage where everything is working and nothing could go wrong. ‘Suit Uptight!’ represents the mounting frustrations and resentments building tension from unmet needs. And finally our closing track ‘Carousel’ is the end and the bittersweet reflection of a cherished relationship that can no longer return.”

Each member, Malcolm McLaren, Hannah Kruse, Sean Ries, and Nick Sciarretta, brings distinct influences and experiences: a stage actor whose playlists go from Talking Heads to Sonic Youth to Björk, a hook-obsessed recovering choir girl, an electrical engineer whose personal idol is John Bonham, and a guitarist who played for (and left) 10 other bands before deciding this was the one for him.

Slightest Clue ‘Carousel’ [EP] album artwork

Slightest Clue ‘Carousel’ [EP] album artwork

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Alternative/Rock

Track-by-Track: The Pineapple Thief’s Bruce Soord Cuts Through ‘It Leads To This’

The Pineapple Thief frontman Bruce Soord breaks down each track on the progressive rock band’s new record ‘It Leads To This.’

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The Pineapple Thief in 2023, photo by Tina Korhonen
The Pineapple Thief in 2023, photo by Tina Korhonen

It’s been a bit of a renaissance period for The Pineapple Thief over the last few years. This revitalization has resulted in the brand-new album It Leads To This. Released on February 9th via Kscope Records, the eight new songs comprise more of frontman Bruce Soord’s observations and deductions about life and the world around him. The initial concept for the record came together rather quickly, but the actual lyrical and musical components took time. Finalizing these songs required much work and collaboration between Soord and his three bandmates. Each member had a conception of what was satisfactory regarding the songs. Coming to that common ground took time, but in the end, each member was extremely pleased with the final product.

The release of It Leads To This coincides with the 25th anniversary since The Pineapple Thief formed. In that time, they have released over 20 full-length albums and EPs. It Leads To This proved to be one of the most intense writing periods ever for the band. They worked on these new tracks for almost three years. Each band member pushed each other to go above and beyond what they felt capable of. It was extremely fruitful from an artistic perspective, but personally, it did pose challenges for the band members.

Joining us today for an exclusive track-by-track rundown of It Leads To This is Bruce Soord himself. He takes us through each song on the record, their inspirations, motivations, and how they came together.

1. “Put It Right”

Bruce Soord: “This was the first song we wrote for the album, right in the depths of the pandemic. I remember standing outside my studio, which is in the garden of my home, when we were in full lockdown. I looked at the blue sky, not a vapour trail to be seen. Even the hum of my small town was gone. As a songwriter, you’re obviously going to take that in and use it. I started to ponder the fragile state of the world. I mean, how can the world be brought to its knees overnight? Which then led to thoughts about the past, essentially a re-evaluation. Are we all to blame? Was I to blame?”

2. “Rubicon”

“As soon as the lockdown was lifted, I remember talking to (drummer) Gavin (Harrison), and he had the idea to write some songs in the same room. I know, radical, right? So I got in the car and drove to his house. Honestly, in the history of The Pineapple Thief, I had never written in this way. Songs were built up in our various studios over weeks and months.. But we were up for trying something new. It could have been a very long disaster – a 6 day jam in E. But to my surprise, we wrote four songs in this way. The first one being Rubicon.

“The verses are in a ‘5/4 shuffle’ which is quite unique (see Gavin’s drum playthrough on the Vic Firth YouTube channel). The song is actually about Julius Caesar crossing the Rubicon, destroying the Roman republic for his own selfish ambitions. History repeating itself indeed…”

3. “It Leads To This”

“Following on from the theme of ‘Put It Right,’ this is essentially a positive song about focusing on the right things in life. What are going to be your biggest regrets on your deathbed? It’s obvious but also easy to miss. I wish I hadn’t worked so hard, I wish I had spent more time with my family and friends. It’s a love song really. ‘For all this time, I didn’t notice you…’”

4. “The Frost”

“I came up with the riff on my 6-string baritone guitar, so it has a low, edgy feel which I really love. This was a song that came together really quickly between the four of us (plus some great contributions from our touring guitarist Beren Matthews on guitars and backing vocals who played throughout the record). It’s about spending your life with a soulmate, through thick and thin, no matter how bad things get.”

5. “All That’s Left”

“Thematically, this continues the theme from ‘It Leads to This’ and, for me, is dominated by the riff and the middle section, which I love playing live. Again, it’s low in register, written using my baritone, massive drums.”

The Pineapple Thief ‘It Leads To This’ album artwork

The Pineapple Thief ‘It Leads To This’ album artwork

6. “Now It’s Yours”

“Written during the sessions with Gavin, this song goes on a bit of a journey. Soft, atmospheric, big riffs, a guitar solo… Lyrically, looking at the world as an older guy with a family about to be let loose into the world. What the hell are they going to inherit? Well, now it’s yours…”

7. “Every Trace Of Us”

“Again written during the Gavin sessions, I remember Gavin had the intro riff written on his Wurli keyboard he has in his studio. I took it, added some more chords in the progression and the song snowballed from there. Lyrically this is about the pressure of modern life, expectation, pressure, and the mental repercussions of it all. Modern life can tear every trace of us apart.”

8. “To Forget”

“I had this finger-picked acoustic guitar part, which the band liked, so I developed the first part of the song and came up with the words pretty quickly. Us humans, especially as we grow older, have to come to terms with loss and, in a lot of cases, tragedy. Touching on the debate as to whether life is a gift or a curse (I am firmly in the ‘gift’ camp). However, living with tragedy isn’t easy. Remembering isn’t easy, to forget is impossible.”

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Alternative/Rock

Lovin’ Life Music Fest Drops First Year Lineup

Lovin’ Life Music Fest dropped their official lineup this week, and it is exceptional. The festival’s will occur on May 3-5th, 2024, in North Carolina.

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Lovin’ Life Music Fest 2024
Lovin’ Life Music Fest 2024

Lovin’ Life Music Fest dropped their official lineup this week, and it is exceptional. The festival’s first-ever installment will occur on May 3-5th, 2024, in Uptown Charlotte, North Carolina. The star-studded lineup includes headline sets from Post Malone, Noah Kahan, and Stevie Nicks. From headliners alone, we can tell this festival has something for everyone.

The festival will showcase many popular acts spanning various genres and generations. Supporting acts include Maggie Rogers, Dominic Fike, The Fray, The Chainsmokers, Quinn XCII, Mt. Joy, Young the Giant, and NC’s DaBaby and The Avett Brothers. There will also be a local stage to highlight Charlotte’s own artists throughout the weekend. This is one of the most stacked lineups we’ve seen for the 2024 festival season.

Tickets to Lovin’ Life are on sale now! Grab them while you can; this is sure to be an epic weekend!

Lovin’ Life Music Fest 2024 poster

Lovin’ Life Music Fest 2024 poster

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