For their more astute followers, the musical evolution of Cinderella was wonderful to behold. Their hard-hitting 1986 debut, Night Songs, was a custom fit for the arena-crazed decade. Less glitzy and more organic, their 1988 sophomore set, Long Cold Winter, led the band in a decidedly bluesier direction. Given the impressive multi-platinum results of these first two LPs, the stage now was set for Cinderella to unleash their masterpiece. And 30 years ago this month (November 1990), the band’s highly-anticipated third record arrived worldwide.

Cinderella had risen to a place of prominence on the international rock scene by 1990. A collaborative production mission of John Jansen (Britny Fox, Faster Pussycat) and founding frontman, multi-instrumentalist and chief songwriter, Tom Keifer, Heartbreak Station clearly distinguished the Philly-birthed brigade from the day’s pack of less genuine LA-based sound-alike chart-busters.

Residing stylistically somewhere near the intersection of Janis Avenue and Jagger Street, Heartbreak Station oozed true blues rock and roll swagger and dripped with soulful authenticity — further revealing Cinderella’s undeniable DNA. Featuring an array of celebrated session cats, including acclaimed percussionist Bashiri Johnson and the famed Memphis Horns, the record’s cred was enhanced further by contributions from legendary Uriah Heep organist, Ken Hensley and string arrangements courtesy of Led Zeppelin bassist, John Paul Jones.

“There was a magic going on when
we recorded Heartbreak Station. It’s
my favorite of the ones we’ve made.”
Tom Keifer

Heartbreak Station hit the Billboard Top 20 in short order, and it soon became Cinderella’s third consecutive million-selling slab. But what made the record so successful, and what continues to endear the 11-track collection to so many, was (and still is) the honesty and purity of the songs. Tom Keifer was firing on all creative cylinders, and as a result, Heartbreak Station was a tour de force.

Cinderella circa 1990

Bursting with blues-inspired brashness, “The More Things Change” was a massive opener. A tag-team songwriting effort between Keifer and bassist, Eric Brittingham, the funk-fueled “Love’s Got Me Doin’ Time” stunk from the groove, while the gospel-tinged “Shelter Me” rode onto the Top 40 with a Buick-sized hook.

“We really had a good time making that record.”
Tom Keifer

A beautifully orchestrated acoustic “heartbreak” ballad, the soaring title track remains a career-defining epic. Drummer Fred Coury packs plenty of punch and BÖC-caliber cowbell on both “Sick for the Cure” and “Make Your Own Way” — guitar-driven bruisers, punished to perfection by Jeff LaBar. A countrified coming of age classic, “One for Rock and Roll” harvests layers of lap steel and mandolin — making for a bona fide “purple sage” moment.

Possessing “rock steady” guts, “Electric Love” ranks as another satisfying stand-out, while “Love Gone Bad” is a “long cold” keeper. Delicate and transparent, “Winds of Change” offers heartfelt introspection and burns as the record’s brightest white-hot sparkler — but, “that’s the way” Keifer rolls.

The Cinderella catalogue is rather concise. However, in the span of just four records, the band created an incredible body of work that showcases impeccable songwriting and musicianship far more reflective of their vinyl-era influences than the aerosol-sprayed decade in which they’re too often associated — “heartbreaking,”  indeed. Fortunately, Heartbreak Station serves as a timeless testament to their true integrity.

Heartbreak Station Track Listing:

Side One:
1. The More Things Change (4:17)
2. Love’s Got Me Doin’ Time (5:15)
3. Shelter Me (4:42)
4. Heartbreak Station (4:27)
5. Sick for the Cure (3:58)
6. One for Rock and Roll (4:26)

Side Two:
7. Dead Man’s Road (6:30)
8. Make Your Own Way (4:11)
9. Electric Love (5:16)
10. Love Gone Bad (4:14)
11. Winds of Change (5:26)

Run Time: 52:42
Release Date: November 20, 1990
Record Label: Mercury Records

Christopher Long is a celebrated author, entertainment writer, TV / radio contributor, award-winning musician and international missionary. Referred to once as "the rock and roll Erma Bombeck," Long is known for his conversational, common sense writing style and possessing a passion for sharing his unique pop culture perspectives. Raised in Missouri's rugged Ozark Mountains and on Florida's sunny Space Coast, Christopher Long currently lives near Cocoa Beach. (AuthorChristopherLong@yahoo.com)