Free from restraints and armed with a clear vision, ‘Cascades at Play’ (Mint 400 Records) from Bristler, is innovative, noteworthy, and fully developed.
Alesia Lani’s latest collection of songs plunges listeners headfirst into a magical envelope of laidback, sinuous R&B.
We review the musical journey of A.H. Pettus through hardship, grief, and redemption in his new album, 'How The West Was Once.'
The songs on ‘Mountainhead,’ the new drop from Everything Everything, will remind you not to take yourself so seriously, to appreciate things other than the material.
Overall, this album does exactly what it sets out to do in encapsulating a fictionalized version of a famous art heist. Well done, The Eighty Six...
While ‘Exit Emotions’ (Century Media Records) contains many of the tropes from the golden age of nu-metal, it still feels refreshing. Blind Channel continue to move...
The Western Civilization delivers expressive vocals and a wealth of stylistic aromas with an existential richness on ‘Fractions of a Whole.’
Two Faces West knows how to play blues rock. On ‘Postcards From Lonely Places’ they’re at their best when pumping out nasty, swaggering, trash-laced melodies.
Gianfranco Pescetti delivers a series of ambient/dance bangers, coalescing a nexus of complexity and intoxicating extracts on ‘DAYSTAR NOCTURNAL.’
‘The Love Insane’ displays the psychedelic jazz band persona of Wabi Sabi and their talent shifting from genre to genre with aplomb.
Seething with primal momentum and frenzied, punchy surfaces, Spike Polite & Sewage’s ‘Punk Not Dead’ projects an intensity of defiance and insurrection.
Progressive alt-rock artist Night Wilds, the musical brainchild of Seth Micarelli, will drop his debut album, All That Should Have Been, on April 1. A darkly...
‘Drifting,’ the debut album from Faire Osciller, is musically well-developed and full of undeniable emotions, a sonic venture of consequence.
Crossing multiple musical margins, ‘Psalms Symphony’ stands as a complex, exquisite testimony to the genius of Peter Jonatan.
The irresistible tonal quality of Morgan Mabry elevates the tracks on ‘Arrows Into Flowers: Part 1’ from prosaic to excellent.