“Side Quest Song” is a grand example of the colourful, cozy, and whimsical universe that Madilyn Mei shapes with her charismatic compositions.
At once avant-garde and déjà vu-like, The Earthly Frames’ “Cicatrise Dud” is sharp in the center with outer waves of phantasmagoric margins.
Despite the woeful subject matter, with “The Mill River Flood,” Dave Christman delivers an imaginative meditation on calamity.
Highlighted by a breakneck rhythm and lavish synths, Tigran Hamasyan’s “The Kingdom” is a prog-rock-like composition of surging energy.
The mood of ‘Afterall’ is deliciously mellow yet affecting, disclosing wafting washes of guitars and the lingering voice of Ezra Grey.
Sprawling and full of assorted sonic aspects, Idiot Grins’ Hounds of Mess Around offers listeners a delicious catalog of fusion music.
Gilded by Sumi X’s fluid, alluring voice, “Say You Love Me” reveals a craving for tangible human interaction.
In a world filled with noise and chaos, Green Arthur emerges once again, offering a respite with his latest single, "Rest in Reverse."
Saturated in bleeding waves of sound akin to an underground mining process, ‘Amphibian’ exudes secret feelings of thrilling dread.
The dual personality of The Eyebrows’ ‘Double Take’ works: Side 1 delivers more traditional renditions, and Side 2 conveys a visceral core.
Blessed with an expressive, charismatic voice, Dean Harlem doesn’t hold back on ‘Red Oak Hill,’ an engaging collection of ballads and torch songs.
With its stark ashen surfaces and reverie-like vocals, Houston in the Blind’s “Drifting” is simultaneously amazingly cathartic and mesmerizing.
Numinous and magically enchanting, ‘Crystal Calm, Vol. 2’ evokes the ineffable beauty of lucent, celestial dimensions.
The detailed and luxurious flow of “Heartpiece,” draped in sumptuous textures, sees helloworld wearing his heart on his sleeve.
Drenched in dangerous emotions and devastatingly viscous, Post Death Soundtrack’s ‘Veil Lifter’ is akin to a sonic journey through Dante’s Inferno.