From Academy Award nominee Taylor Sheridan, the espionage thriller features a star-studded cast, including series lead and executive producer Zoe Saldaña, Laysla De Oliveira, Emmy Award nominee Michael Kelly (whom we interview here), with Academy Award winner Morgan Freeman, and Academy Award winner and executive producer Nicole Kidman. Special Ops: Lioness, a series produced by MTV Entertainment Studios and 101 Studios, debuted on Paramount+ last summer as the streamer’s #1 most-watched global series premiere on launch day. Special Ops: Lioness is now available on Blu-ray™ and DVD from Paramount Home Entertainment as a 3-disc set that includes all eight episodes and over 90 minutes of bonus content, including two new featurettes and behind-the-scenes of every episode!
Lioness is a show based on a real-life CIA program. It follows Cruz Manuelos (De Oliveira), a rough-around-the-edges but passionate young Marine recruited to join the CIA’s Lioness Engagement Team to help bring down a terrorist organization from within. Zoe Saldaña plays Joe, the station chief of the Lioness program tasked with training, managing, and leading her female undercover operatives. The series is astounding and ranks amongst the best of the year. Lioness also features series regulars Dave Annable, Jill Wagner, LaMonica Garrett, James Jordan, Austin Hébert, Jonah Wharton, Stephanie Nur, and Hannah Love Lanier.
Top surgeon Neal McNamara has little information about his wife Joe’s government job. Suffice it to say she shows up at home exhibiting various states of PTSD and visits her family for small increments of time before deployment to parts unknown. Joe is a team lead for the Lioness special operatives program, managing deep undercover female operatives attempting to get close to high-level foreign government targets. The series starts with a bang and never lets up. Special Ops: Lioness is the newest addition to Taylor Sheridan’s growing oeuvre of captivating television. Sheridan’s work includes Yellowstone, 1923, 1883, Mayor Of Kingstown, Tulsa King, and the upcoming series Lawman: Bass Reeves and Land Man.
Special Ops: Season 1 Special Features:
Go undercover with the stars of Special Ops: Lioness with a behind-the-scenes look into the heart of The Lioness program, inspired by an actual U.S. Military program. Special Ops: Lioness includes behind-the-scenes episodes and two brand-new featurettes. Dive into interviews with the star-studded cast, get an immersive glimpse into the intricate world of the Lioness program, and explore the rigorous training required to make the series as authentic as possible.
- Embedded With Special Ops: Lioness
- Battle Forged Calm: Tactics & Training
We thank Dave Annable for taking the time last week to field a few questions for V13 Media. The audio (on SoundCloud) and video are available here if you’d prefer to hear Dave’s answers in real-time.
Can you talk a little bit about what working on a Taylor Sheridan project is like?
Dave Annable: “Working on a Taylor show is incredible. My bread and butter has been doing television my whole career. And this is just a whole other level. The budgets, cast, and writing are top-notch in their particular fields. And coming together, it feels like this incredible circus to be a part of.
“And this show specifically, you know, when you got Nicole Kidman and Morgan Freeman, Zoe Saldaña and Michael Kelly, the stars kept coming, and you just felt the gravity of the show – the immenseness of the show. It was just incredible to be a part of; I love it. And it was cool because I only saw the family stuff. But then, when I was watching the show as a viewer, I was like, ‘Man, this is awesome – they’re crushing it.’ Everybody just was really involved in the story and the spy aspect of it. And then, of course, the spy’s got to come home! It was just incredible to be a part of it.”
Neal was my favourite character on the show. You brought a brevity to the show that was very different from what it was about. You grounded everything, and I applaud you for that.
“Oh, thank you. I read the pilot many years ago, and Taylor came to me with it and it was an obvious yes, no matter what. But, you know, Neal was only in three scenes in the pilot (3-4 scenes), and, you know, that character and other shows can be very one-dimensional. He could be, you know, the sounding board when she comes home from work, and he offers advice, and then that’s it, you know? I was blown away when I opened the script for the second episode, where we see Neal at work in the hospital, what he has to do, and what he is like.
“Taylor is just so good; He’s carving out this character. He’s showing that he’s a human being, and he’s going to have his issues that he’s got to deal with. And then, having a wife who’s a spy, they can’t talk at night about their jobs. And then having to deal with kids, the everyday stuff that a normal father would have to deal with. I was very blown away by Taylor’s writing; he crushed it.”
Neal’s scenes with his daughter, especially, hit home with me. Some of those speeches were just on point – so well done.
“Well, what’s funny is that we had a rehearsal before we started shooting, right? We were at Taylor’s ranch and had the cast around with Taylor. And he was sort of hand-picking scenes for the characters to read. And he chose that scene, Neal talking to his daughter after the car accident. You know, I was reading it out loud, and I came in sort of hot, you know, and I was like kind of pissed. And at the end, he goes, ‘No, no, no, Dave. Neal’s already lost. You’ve lost, right? No yelling is going to help her.’ And he’s like, ‘This is the softest you can be.’ And, you know, he was right. He was right.
“And I think, you know, I was taking notes. It was like, shit if my daughter’s in there? I want to talk like Neal. I don’t want to talk like Dave because I would get that wrong, you know? So he just nailed it. I’ve gotten a lot of love (specifically from a lot of men) that needs to be directed towards Taylor for that scene because that’s a very challenging thing, I’d imagine, to talk to your daughter like that. And my instincts were dead wrong, so don’t thank me!”
Were you cast early on in Lioness? Did you watch the crew kind of build up?
“It’s an interesting story because I was doing a flashback season four Yellowstone episode. At the time he called me to come back to that, he’s like, ‘There’s also this other show I want to talk to you about, playing Neal, the husband of Zoe Saldaña in a show called Lioness.’ and I said ‘I’m in.’ Then I read it, and I was like ‘Oh my gosh I’m even MORE in!’ Then, it went away for almost three years with COVID, scheduling, etc. Then somebody else took over Lioness, I believe. It wasn’t Taylor, and you know, a friend of mine was like, ‘Oh, my friend just went in to audition for Neal for Lioness.’ And I was like, ‘Wait, what?!’ I was like, wait a second?
“So Taylor had just taken it back over, and we reconnected, and he’s like, ‘you’ve always been the guy for me – you’re the guy. Would you come do it?’ ‘In a heartbeat!’ It was a wild ride. But here we are, and I’m just so grateful to be a part of a show I genuinely loved. You know, that doesn’t always happen, so this is really very cool for me.”
Can you talk about what it’s like working on a show with so much talent in it? Is there added pressure? Or is it easier because everybody’s just so good?
“I think both. Both things can exist. You feel it for sure. You know, it’s Taylor. When Yellowstone came out, Taylor was big, but he wasn’t, you know, Taylor-Sheridan-eight-shows-on-Paramount-Plus Taylor Sheridan. Right? So then this comes, and it’s Zoe and Nicole. And so, yeah, you feel it. But then when I specifically got on set, and you act across from these folks, you realize, ‘Oh, this is easy because they’re so good,’ right? Like a good actor is a given.
“And to be able to sort of play tennis back and forth with these superstars, it makes you better. And, you know, I was fortunate enough to be on Brothers and Sisters. It was my first real big job, and acting across from, you know, Sally Field and Calista Flockhart and Matthew Reese made me much better. You learn a lot from those actors. So, you know, I feel the same now.”
What memories come to mind when you walk on set for your first day? What sticks out for you?
“Well, it’s a funny story, Mike. Because our first day of shooting was actually the bedroom scenes with Zoe and I. We had met once, briefly, before that. So it was really, it was terrible, you know? Thankfully, we were able to sort of make jokes about it because it’s so weird and awkward. We’ve got a weird job. But it was like, ‘Hey, I’m Dave,’ you know? ‘Let’s hop in bed with a bunch of people watching!’ But I think it really did bring us together. And it got a lot of the awkwardness out, and we were just able to really sort of dive in and get gritty and play this real couple.”
Do you have a process that you like to adhere to when you’re prepping for a role, and do you find it changes from part to part?
“Yeah, my imagination can only get me so far, right? So it was very cool, specifically on this show. I got to sit and study with Dr. Russell Ward, who’s a surgical oncologist here in Texas. And he was inviting me into a surgery he was doing on a 12-year-old who fell out of a tree and broke his knee. So I was able to be in the room, experience it, talk to him about having to deliver bad news to parents and find out what that’s like.
“And more importantly, what is that like when you go home? Is that something that you bring to your conversations with your wife or your kids? All that stuff. So that was very eye-opening for me. Already having so much respect for medical professionals, it’s exponentially more when you see the day-to-day and you get to grind with them. Because we’re in and out usually, we see the doctor, and they fix us. But spending a day with them and seeing the patients and learning what their day really is and how hard it is – is my favourite part of my job, for sure. Learning about whatever job or relationship that the character is in.”