An unreleting assault of blast-beats and breakneck death metal. Read our review of “The Dead Are Screaming” from Australian death metal band Werewolves.
Canadian doom metal quartet, Loviatar, explore our loss of control in their latest music video for “Horse In Thrall” taken from new album ‘Lifeless’.
With a furious brand of riff-heavy hardcore and powerviolence that could level buildings, Manchester trio Leeched return with their strongest and most harrowing release yet, To Dull the Blades of Your Abuse (Prosthetic Records).
Anti-fascist black metal is a growing genre, and Liverpool’s Dawn Ray’d are leading the charge. Their second album, Behold Sedition Plainsong (Prosthetic Records), is a fearsome call to arms we all should heed.
Chicago noise collective, meth. have returned with their new album Mother of Red Light (Prosthetic Records), and it is insane! If you don’t finish your first listen feeling like a crazy person, you’re doing it wrong.
We tracked down Seb Alvarez for a chat about his band meth., their background, the low-down on why seeing them live is a wholly different experience than listening on record and their new Prosthetic Records album Mother of Red Light.
Guitarist/vocalist/composer Fabio Brienza of atmospheric metal band Varaha spoke to us with the same expansive depth as he writes his music, elaborating on the band’s new record A Passage For Lost Years and working with Prosthetic Records.
If you’ve professed a love for heavy music while simultaneously worrying that it’s become a bit safe in recent years, Venom Prison’s latest, Samsara (Prosthetic Records), will knock the teeth off you.
With their debut album, Remains released via the loud-friendly folks at Prosthetic Records, Sweden’s newest sludgy, metallic hardcore act, Horndal is making one hell of a racket!
Out March 15th via Prosthetic Records, Vile Creature’s music and Preservation Rituals (2015-2018) is not for everyone. But, if you believe in the power of art to unite, to provide catharsis and understanding, in the power of metaphor and bold statement; and are willing to give these songs the time and patience they require, then this might be right for you.
The Tasmanian devils, Psycroptic, are back with a new molten slab of technical death metal – As the Kingdom Drowns, out November 9th on Prosthetic Records – that is guaranteed to melt your face, make your ears bleed, and have you begging for more.
Cerement is well-written, well-executed, and deservedly belongs in Infera Bruo’s stellar discography.
Voluptuous Worship of Rapture and Response is hugely enjoyable and addictive “heavy negative wizard metal” from Rebel Wizard, out now on Prosthetic Records.