FVRMN, A.K.A. Fever Moon, has just dropped their latest LP, ‘Back To The Whip,’ with a supporting music video for the single of the same name.
The dual personality of The Eyebrows’ ‘Double Take’ works: Side 1 delivers more traditional renditions, and Side 2 conveys a visceral core.
Ox frontman Mark Browning joins us today to field a bunch of random questions in our latest Quick & Dirty interview.
‘Drifting,’ the debut album from Faire Osciller, is musically well-developed and full of undeniable emotions, a sonic venture of consequence.
London’s Grazia has releaed the video for their new single “Cheap,” which is out now via Cincinnati label Feel It Records.
Mile-high rock n rollers Fast Eddy’s latest single, “In Too Deep,” comes from the upcoming album ‘To The Stars’ out 3/15.
Femme power-pop band The Dreaded Laramie have released their new single "Breakup Songs," their first release under Smartpunk Records.
Autogramm recently released their album ‘Music That Humans Can Play,’ and today, they join us to run down their top ten swimming holes.
Guelph, contemporary garage-power-pop trio Royal Castles have unveiled their new single/video, “Sweet.” Check it out today!
Elvis Costello & The Imposters - with their special guest Charlie Sexton - are proud to announce: “We’re All Going On A Summer Holiday,” – a...
New Jersey power trio Old Friends put some serious elbow grease into their self-titled début, spending over two years writing, recording, and perfecting it just to...
Check out our Behind The Video chat with SPiN bassist and keyboardist Jim Vacca on the band's new “Dreaming” video, favourite aspects of music videos, and...
Brock Pytel, perhaps best known for his work in Montreal pop-punk band The Doughboys, debuts his powerful single/video, “Anemic Heart.”
Matthew Lurie’s quasi-solo project Matthew and the Mainstream premieres the sophomore full-length ‘RomCore,’ combining piano pop, indie, alternative rock, baroque pop, and many other sounds.
Autogramm has released a new video for their latest single, “Too Loud,” taken from their sophomore album ‘No Rules.’
