On ‘World Turtles,’ Close to Monday delivers sleek synth-pop beats brimming with dreamy vibes and dynamic, retro panache.
Assembled with care and delicious quirkiness, Le Big Zero's ‘How to Use a Semicolon’ (Mint 400 Records) offers listeners music at once avantgarde, and splendid.
![BATTLEFLAGG ‘Solastalgia’ [EP] album artwork](https://v13.net/wp-content/uploads/battleflagg_-_solastalgia-1000x600.jpg)
![BATTLEFLAGG ‘Solastalgia’ [EP] album artwork](https://v13.net/wp-content/uploads/battleflagg_-_solastalgia-400x240.jpg)
![BATTLEFLAGG ‘Solastalgia’ [EP] album artwork](https://v13.net/wp-content/uploads/battleflagg_-_solastalgia-80x80.jpg)
BATTLEFLAGG’s ‘Solastalgia’ evokes the delicious sensation of feeling and seeing too much and yet having it unwrapped gloriously before your eyes.
The fourth-generation K-pop boy band Tomorrow X Together (TXT) marked their comeback on November 4th with their 7th mini album, ‘The Star Chapter: Sanctuary.’
![STARRY EYES ‘Ciao Bella II’ [EP] album artwork](https://v13.net/wp-content/uploads/starry_eyes_-_ciao_bella_ii-1000x600.jpg)
![STARRY EYES ‘Ciao Bella II’ [EP] album artwork](https://v13.net/wp-content/uploads/starry_eyes_-_ciao_bella_ii-400x240.jpg)
![STARRY EYES ‘Ciao Bella II’ [EP] album artwork](https://v13.net/wp-content/uploads/starry_eyes_-_ciao_bella_ii-80x80.jpg)
With an intoxicating mix of alt-rock elements, STARRY EYES channels both sorrow and expectation, purging an overwhelming array of feelings on ‘Ciao Bella II.’
![Michael Burke ‘A Strange Mistake to Make’ [EP] album artwork](https://v13.net/wp-content/uploads/michael_burke_-_a_strange_mistake_to_make-1000x600.jpg)
![Michael Burke ‘A Strange Mistake to Make’ [EP] album artwork](https://v13.net/wp-content/uploads/michael_burke_-_a_strange_mistake_to_make-400x240.jpg)
![Michael Burke ‘A Strange Mistake to Make’ [EP] album artwork](https://v13.net/wp-content/uploads/michael_burke_-_a_strange_mistake_to_make-80x80.jpg)
Surprisingly, heartfelt lyrics, complex indie melodies, and nuanced experimental touches make ‘A Strange Mistake to Make’ admirable.
With Light of Joy, Jim Sonefeld answers the question, ‘Do we need another Christmas album?’ with a resounding Yes, we do.
![Kei Meets World ‘The Last User’ [EP] album artwork](https://v13.net/wp-content/uploads/kei_meets_world_-_the_last_user-1000x600.jpg)
![Kei Meets World ‘The Last User’ [EP] album artwork](https://v13.net/wp-content/uploads/kei_meets_world_-_the_last_user-400x240.jpg)
![Kei Meets World ‘The Last User’ [EP] album artwork](https://v13.net/wp-content/uploads/kei_meets_world_-_the_last_user-80x80.jpg)
With ‘The Last User,’ Kei Meets World diffuses the essential differences between EDM and metalcore and imagines their meeting point.
On his latest EP, ‘The Rush,’ Sleepy Tom delivers a lean and sultry group of songs perfect for dance floors or driving down the highway.
Underlined by sensitive, articulate music, ‘Instar’ is rendered even more gorgeously appealing by the satiny voice of Lilly Golden.
Because of its effortless yet vibrant feel and Meli Levi’s telling voice, ‘All Things May Be’ is charming in its own right.
With its ambitiously glitchy mood, ‘SCHOENBERG: Drei Klavierstücke, Op. 11’ finds Aaron Wyanski plumbing atonal complexities in classical jazz.
Although based around pop-punk, ‘Holy Mother of God’ is one of Greg Hoy & the Boys’ best with its various stylistic facets.
Sølace delivers fast riffs, filthy gutturals, and blast beats on their EP ‘Echoes of The Lost,’ an album that stands out amongst the sea of music.
Without any sharp edges and effervescing with feel-good surfaces, ‘Noah’ showcases NoMBe’s effortless, ever-evolving sound.
