‘The Plague Inside Your Head’ successfully conjures up a cohesive offering of uplifting summer vibes. As far as the new generation of emo bands goes, Mighty...
Permeated with suffusions of pensive hues, yet never falling into the abyss of melancholy, K.ZIA’s 'Kintsugi Heart' offers lush, silky soundscapes.
The quality is high throughout Sleep Token's newest album ‘Take Me Back to Eden’ (Spinefarm Records), and, as it concludes, one is left contemplating everything and...
Taking herself out of her stylistic comfort zone with ‘Always You,’ Lyia Meta conveys the feeling and beguiling mystery of love.
Lacking contemporary equivalence and a most decorative bit of work, ‘Transformia’ offers a glimpse into the virtuosity of Raven Artson.
With ‘Disposable Everything’ (Hopeless Records), AJJ are arguably at the peak of their craft. The band successfully displays their full range while still remaining as quirky...
Skin On Flesh’s new EP ‘Terrible and Sad’ is monstrously good, surging with visceral energy, hammering percussion, and the compelling voice of Laura Jiménez Alvarez.
Every element of Petty Human Emotions' self-titled album radiates vapours of elegiac sentiment, giving the album an engrossing sorrow.
Characterized by Beatles-esque essence suffused with hints of sadness, In Your Head offers a delicious merger of ’60s alt-rock and pop.
Simultaneously contemporary and retro, with ‘Time Is Elastic’ (Little Planet Music), Middle Part expresses charming vulnerability and intimacy.
‘Ciao Bella’ discloses a dark catharsis, transported on heavy layers of ’90s grunge, accentuated by the stirring voice of Kyle Tekiela.
Equally balancing melancholy with brightness, the ‘Become’ EP (Sub Pop) remains aligned with the ethereal haziness listeners expect from Beach House.
Cossetted within ice-cold, sepulchral instrumentation, Outer Limit Lotus’ ‘Dazzling Darkness’ (Sheep Chase Records) projects tones of melancholic gravity taut with foreboding.
Full of complex colours and a scrummy variety of sonic styles, ‘That Is That’ is not only charismatic but also a most decorative album.
Imagine Slipknot or Korn attempting to cover Baby Ford or even Kylie Minogue and pulling it off, and you’ll get a feel for ‘The Fire Within.’