The Kills landed in Vancouver for the fourth date of their “Good Games Tour” at an almost at-capacity Commodore Ballroom with suport from The Paranoyds.
The irresistible tonal quality of Morgan Mabry elevates the tracks on ‘Arrows Into Flowers: Part 1’ from prosaic to excellent.
Marinaded in raw, primal sensations, Oscar and the Wolf presents “Angel Face,” a throbbing color palette of anguish and poignant feelings.
Rock legends Depeche Mode electrify the AO Arena in Manchester with a spectacular set from their 40-year career. Read our review here..
On the night of January 31st, the multi-platinum Danish star Christopher brought his “A Beautiful Life” world tour to the Hollywood Theater in Vancouver, BC.
Faintly melancholic but oh-so luxurious, Yorina sings as if a wraith hovering over the quick, her sublime vocals casting a bewitching spell.
Beartooth came and brought the “Sunshine” to a rainy, Sunday night at House of Blues in Boston, Ma on January 21, 2024.
Harry Schonberg lampoons pop culture with panache by blending old-school hip-hop and the energy of electro-funk with mirthful lyricism.
With its massive four-on-the-floor beat, “Power” reveals what DI SUN does better than anyone else – capture the sensation of rhythm.
Machine Head, with Fear Factory, Orbit Culture, and Gates of Hell, blasted The Midway Music Hall in Edmonton with a night of metal music.
Had a blast covering Oliver Tree, Fidlar, Josiah, and Super Computer at MGM Music Hall at Fenway in Boston on January 19, 2024!
Magnificently wrought musically and visually, “Ordinary Man” delivers a superb audio-visual experience, poignant and momentous.
Das Body is difficult to pigeonhole. Embracing everything from Scandi-pop to jazz to chic dance, it’s a sound innovative and diverse.
Bury Tomorrow performed at The Marble Factory in Bristol, along with We Came As Romans, and both showed why they are the kings of metalcore.
Vermont singer-songwriter Grace Potter hit a sold-out State Theatre in Portland, Maine, on a chilly January 19th, with Brittney Spencer.