Country, folk, bluegrass, rock, and many in-betweens; Palomino Festival 2022 was a very unifying experience which boasted a party atmosphere evoked by great music.
Lathe's ‘Tongue of Silver’ (Grimoire Records) is a welcome soundtrack to the increasingly sweltering summer and will keep the afterglow of its scorching sonic burn in...
Nathan Katsiaficas caught indie rock act The National at Portland, Maine’s seaside venue Thompson’s Point with opener NYC-based singer/songwriter Cassandra Jenkins.
An album written to fuck with every notion you have about heavy music, Ithaca's ‘They Fear Us’ (Hassle Records) is going to twist and stab at...
Simply, ‘Freedom’ (BMG) isn’t old Journey, and it’s not new Journey, and you can’t compare the two. It’s a new band with an old attitude that...
Rage Against The Machine hit Toronto’s Scotiabank Arena, and the sold-out show’s energy was something you’d have seen at a Lollapalooza gig in the early ’90s.
Wow! Kimberly Morgan York has it going on. ‘Keep on Goin’’ (Team Clermont) offers slow, meandering, melancholic songs, as well as buoyant, compelling songs.
Creator/director Jon Lambert delivers ‘Between Exultation and Aggression’ (Noise Dosage Media), a bare-bones extreme music documentary that tackles the subject matter with no bullshit and even...
Heather Krut stopped by The Fillmore in Silver Spring, MD, to witness Alexisonfire and The Fall of Troy do what they do best: perform to the...
Read our (positive) thoughts on WAKE's latest cinematic slab of gut-wrenching black metal/grindcore, ‘Thought Form Descent.’
Bananarama's ‘Masquerade’ is a fun record, brimming with energy and vitality. It’s a welcome album for the top-down road trips and beach parties in which we’ve...
At once profoundly personal and intimate, Late July’s new single “Sober” shivers with pathos, hints of nostalgia, keen hope, and unbridled desire.
Out supporting their new album ‘Lucifer on the Sofa,’ Spoon hit London Music Hall along with openers, New York five-piece Bodega. Mike Bax captured the gig.
Dead Tired's ‘Satan Will Follow You Home’ (New Damage Records) is a snarling, tightly coiled experiment that flaps from the rafters even while it hisses from...
After a 4-year hiatus from the road, Roger Waters’ “This Is Not A Drill” 2022 North American tour finally landed in Toronto at Scotiabank Arena on...