Raw and surging with delicious, ragged dynamics, Dog in a Man Suit’s EP ‘Trapped!’ vibrates on the palpable muck of gritty guitars, evocative lyricism, and passionate vocals.
London alt-rock duo Wax on Water combine their two EPs into one eclectic, ambitious package. Read our thoughts on ‘The Drip’ here.
Noel Gallagher brings a hit-packed set to an enthusiastic sold-out crowd at Piece Hall in Halifax. Check out the photos here.
The self-titled debut from Final Light should really be celebrated for reminding us all of the importance of music, art and creativity in addressing the many wrongs of the world.
Danny Boyle’s TV series ‘Pistol’ manages to exhibit the sort of ferociousness of the period, the band, and the kind of aesthetics that made punk such a staying force in culture.
Australian death metal trio Werewolves are back with ‘From the Cave to the Grave,’ thirty more minutes of unrelenting, bile-drenched hate.
Occasions for Self-Congratulations is the title of Sgt. Splendor’s debut album, which dropped just a few days ago. A…
Blooming Americana and folk artist Billy Woodward delivers his incredibly moving single, “Heavy Hours,” one of his proudest and most meaningful songs to date.
On Paul Winter Consort’s latest album, ‘Concert in the Barn,’ there is such clear jubilation and celebratory exuberance that it sparks and crackles, welcoming the approach of the sun and the promise of what the future holds.
Download Festival made its long-awaited return as over 70,000 fans rocked out to headliners Kiss, Iron Maiden and Biffy Clyro and many more.
Grey Daze will always be associated with Chester Bennington but new album ‘The Phoenix’ is the perfect way to keep his memory alive.
Although experimental, Blue Amber’s debut, ‘Rockland’s Workshop,’ comprehends an integral structure of careful arrangement and rhythmic pulsations, making it a rewarding listening experience.
With ‘Some Days’ (Young Poet Records), KHARTOUM parades their gift for modern-laced alt-rock spiced with retro tangs from the ’70s.