Maryland doom legends The Obsessed show with ease, why they are just as heavy today as ever, with their new one for Relapse Records in Sacred.
Touted as 'what if Sabbath played afrobeat?', the ultra-fuzzy and danceable Here Lies Man comes forth to bring the party and real rhythm back to rock.
The pummeling multi-instrumentalism of Death On Fire's craft comes for you by way of the 'LazerWulf Demos'.
The mighty Demon Head rears it's head after a long Winter 2016, and delivers a devilishly catchy follow-up to their debut in Thunder On The Fields.
One of the earliest of Canadian thrash pioneers, recalls some of their greatest earlier battles in Build Your Weapons: The Very Best of The Noise Years...
After 3 years and a quiet revamping of personnel, California dark rock charmers Ides Of Gemini flourish with their latest entitled opus (and homage to) in...
The inexplicable feeling of eternal sadness and the quest for meaning, the euphoria of existence: Ghost Bath gives up way more than just fanfare on their...
Want to know what the start to the career of the mighty Def Leppard looked like? From Record Store Day, The Def Leppard EP starts off...
Want to know if a band can pull off a classic feel and sound, while feeling totally current or new at the same time? Then let...
The lost sons of Classic British Heavy Metal royalty return to prowl, as Tygers of Pan Tang strike with their self-titled!
A quick check on the road with DevilDriver's Mike Spreitzer, to see where the band is at these days, in support of their latest Napalm Records...
Been about four years, but Isolator should give Hamden's hard rocking soulful crew Curse The Son all the juice they need to conquer the road.
We shudder from the mystique and powerful pieces on Zeal & Ardor's dark release Devil Is Fine, and attempt to describe it's brilliance.
The perpetual noise machine Mantar looks to keep you in sway and check, with their latest three-punch combo The Spell. Here's what we're feeling about it.
No doubt the one that they've been waiting for, Warbringer's fifth release (first for Napalm Records) is a blurring and progressively-frenetic masterpiece according to us here.