Nashville artist Andrew Adkins delivers his new solo recording, ‘Rattlesnake Motions,’ a riveting listen with a fresh take on a genre that’s seen far too little...
‘Get Fucked by Fabulous’ (Supermegabot Records) is a love letter to a band that itself wrote its entire, short discography as a love letter to an...
Danny Boyle's TV series ‘Pistol’ manages to exhibit the sort of ferociousness of the period, the band, and the kind of aesthetics that made punk such...
On Paul Winter Consort's latest album, ‘Concert in the Barn,’ there is such clear jubilation and celebratory exuberance that it sparks and crackles, welcoming the approach...
IANAI’s debut album, ‘Sunir’ (Svart Records), succeeds in all the ways that sonic contemporaries like Explosions In The Sky and Sigur Rós do in terms of...
Overall, ‘It Came from Aquarius Records’ (by Kenneth Thomas) successfully weaves its tale with enough charm to spill over into other documentaries one might wish would...
Sex Pistols' ‘The Original Recordings’ (UMC) is a convincing and compelling record of the band’s range, viciousness (excuse the phrase), and irreverence.
The Slime's ‘Living on Borrowed Slime’ (Cursed Blessings Records) is an amphetamine tempo with the nastiest riffs and snot-nosed vocals you can imagine.
All in all, ‘War On Everything’ (Glacier Recordings), the new release from Oregon’s FØES and California’s Heated, is a vicious little split, but with big moods,...
Black Void's take on the blackened crust meld of black metal and crust punk is a refined entry that earns their new album ‘Antithesis’ (Nuclear Blast)...
Armagideon Time members BlackLiq (vocals), Jesse Mowery (guitar), and Andy Kohler (drums) discuss their debut ‘Crime As Theatre’ (Anti-Corporate Music), politics, and inspirations,
For anyone who is a fan of all things metal and rock, Blue Heron's debut, ‘Ephemeral’ (Kozmik Artifactz (DE), Seeing Red Records (USA)) is a clear...
Opium Ink has been wowing audiences for the past four years with their crisp, ear-catching take on industrial-influenced alternative rock. It’s iconoclastic for anyone expecting anything...
‘Crime As Theatre’ is a crushing debut, wielding vitriol and outrage with expert care. Armagideon Time is the next torchbearer of hardcore punk.
The Insatiable Necrosexual comic is just as batshit as fans could hope for. It’s an appeal to a very specific crowd who are all already in...