Overall, ‘Regulate’ (Flatspot Records) is a landmark moment for Regulate. This is not an album to be missed, not unless you want to let inventive, riveting...
For those who long for snotty punk coupled with dissonant guitars and driving rhythm, the MVLL CRIMES EP ‘YOU EMBRVASS ME’ (Cursed Blessings Records) is your...
We asked Sam Sumpter to pick her brains about the process of writing her book “Bands do BK” (Lit Riot Press), what she’s wished she could...
In her new book, ‘Bands do BK’ (Lit Riot Press), author/journalist Sam Sumpter consults an impressive cross-section of Brooklyn’s music scene, asking them what their favourite...
Snow Coats is at their best when exhibiting melodrama with an adolescent level of vigour. They are positioned as the next new indie pop thing to...
Tzusan’s ‘WSPSNSYRP’ is sinister, subdued, blissed-out, hopeful, and in the Edinburgh-based producer and rapper’s capable hands, it’s executed with aplomb.
Seattle-based noise crew TURIAN reveals how The Twilight Zone, Philip K. Dick, video game music and more all contributed to their latest record, ‘No Longer Human’...
Beach Rats' ‘Rat Beat’ (Epitaph Records) is a riveting collection of well-conceived, expertly executed tracks of snotty hardcore punk by lifers who happen to be feeling...
‘No Longer Human,’ Seattle-based noise-driven hardcore outfit Turian’s fourth album offering, is a kaleidoscope of heavy musical influences.
Lathe's ‘Tongue of Silver’ (Grimoire Records) is a welcome soundtrack to the increasingly sweltering summer and will keep the afterglow of its scorching sonic burn in...
Bananarama's ‘Masquerade’ is a fun record, brimming with energy and vitality. It’s a welcome album for the top-down road trips and beach parties in which we’ve...
Dead Tired's ‘Satan Will Follow You Home’ (New Damage Records) is a snarling, tightly coiled experiment that flaps from the rafters even while it hisses from...
Greg Puciato's ‘Mirrorcell’ (Federal Prisoner) is liquid mercury, shifting and morphing to reflect the facets of an artist who has challenged themselves to achieve a singular...
Bottom line: the strength of Alexandra Spieth's new horror-comedy ‘STAG’ is its seamless ability to integrate the conversational, natural dialogue steeped in antagonism and unclear motives.
Nashville artist Andrew Adkins delivers his new solo recording, ‘Rattlesnake Motions,’ a riveting listen with a fresh take on a genre that’s seen far too little...