Album Review
Emitter – ‘Extra Pale’ [Album Review]
At once diverse yet focused, Emitter’s ‘Extra Pale’ reflects the contagious retro essence of the ’000s, vintage indie-rock that’s pleasing.
Chicago’s indie-rock outfit Emitter will release their album, Extra Pale, on April 17. Originally recorded at The Pop Machine in Indianapolis in 2005 and then shelved, the album is finally seeing the light of day.
According to the band, “‘Extra Pale’ is unfinished business for us. We made this record ourselves, just the three of us calling the shots, writing it, producing it, playing everything except the drums. It sat on a hard drive for almost 20 years, and we realized we owed it to each other to let it breathe. Working with Marc Daniel Nelson was the final piece. He gave these songs the sound they always deserved. At this point in our lives, it just felt right to finally let it out into the world.”
Made up of Jason Chappell (vocals, guitar), Steven Van Der Griend (guitar), David Schoon (bass), and Edd Merkel (drums), Emitter’s 2005 recording featured Kenny Aronoff on drums. The album was mixed by Marc Daniel Nelson (Fleetwood Mac, Jason Mraz, and Colbie Caillat).
After forming in 2000, Emitter broke through with the release of their single, “White Trash Town,” which received coast-to-coast airplay. Atlantic Records began pursuing the band, and the band’s single, “Love You More,” from their self-titled debut album, was featured in the movie Dog Gone Love.
They recorded Extra Pale with producers Eric Klee and Marc Johnson. Just prior to the album’s release, the entire music industry crumpled: budgets vanished, management vacillated, and the money behind the project melted away.
Two decades later, founding members David Schoon and Steven Dale purchased the unfinished masters. They finished the tracking, watched over the mix, and resuscitated the music.
Of the nine tracks on Extra Pale, highlights include the opening track, “Carried Away.” With tints of pop-punk blending with indie-rock flavors, the tune summons suggestions of the Goo Goo Dolls.

Emitter, photo courtesy of Emitter
A personal favorite because of its tight, snappy rhythm and locomotive guitars, “Take A Drive” travels on gleaming, melodic textures topped by bright vocals. On the chorus, layered harmonies give the lyrics a delightful buoyancy.
Echoing tiers of vocal harmonies infuse the slow, drifting melody of “Adelaide” with warm, wistful tones. Once again, allusions to the Goo Goo Dolls reveal themselves – in a good way.
A love song, “Maria,” rides gentle acoustic guitars backed by emotional strings and a soft, sparkling piano. The closing track, “Every Now And Then,” shifts the feel of the music a bit, offering blushes of alt-country and tangs of prog-rock together with a poignant mood. For some reason, this track conjures up memories of Grand Funk Railroad.
At once diverse yet focused, Extra Pale reflects the contagious retro essence of the ’000s, vintage indie-rock that’s pleasing.
Extra Pale Track Listing:
1. Carried Away
2. The Way It Is
3. Take A Drive
4. Adelaide
5. Through
6. Gone
7. Maria
8. Ghosts
9. Every Now And Then
Run Time: 34:02
Release Date: April 17, 2026
Record Label: Independent
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