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Matt Berninger – “Bonnet Of Pins” [Song Review]

Matt Berninger returns with “Bonnet Of Pins,” the lead single from his upcoming sophomore solo album ‘Get Sunk.’ The track showcases Berninger at his most radiant—shimmering guitars, lush orchestration, and that unmistakable baritone capturing a rare feeling of genuine hope amidst melancholy.

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Matt Berninger ‘Get Sunk’ album artwork
Matt Berninger ‘Get Sunk’ album artwork

For over two decades, The National has carved out a distinctive space in indie rock’s landscape with their brooding intensity, intricate arrangements, and Matt Berninger’s unmistakable baritone delivering literary, often devastating lyrics about modern anxieties. Since their emergence from Cincinnati-via-Brooklyn in the early 2000s, they’ve evolved from cult favourites to Grammy winners, with Berninger’s vulnerable, wine-soaked persona at the center of their appeal.

Now Berninger returns with “Bonnet Of Pins,” the lead single from his upcoming sophomore solo album Get Sunk (due May 30 on Book/Concord Records), and it’s anything but a retread of familiar territory.

From its opening moments, the track establishes itself with lush, orchestral strings and a tempo that commands attention—a musical invitation that says “strap in” without saying a word. What follows is Berninger at perhaps his most radiant, his baritone catching light like he’s perpetually backlit by a golden hour sun. There’s a warmth here that feels genuinely earned, a respite from the calculated vulnerability that saturates today’s indie landscape.

The production choices are impeccable. Female backing vocals weave throughout the composition, not merely complementing Berninger but embodying the very subject of his lyrics, providing counterpoint and conversation to his narrative. It’s a shrewd choice that adds dimension to what could have been a straightforward solo venture.

Guitarwork shimmers with oceanic luminescence, all glimmer and prismatic reflection. It’s reminiscent of those moments when sunlight fractures across water, creating patterns both ordered and chaotic. The instrumental arrangement functions less as backdrop and more as emotional geography, establishing terrain that Berninger’s vocals navigate with veteran precision.

Matt Berninger in 2025, photo by Chantal Anderson

Matt Berninger in 2025, photo by Chantal Anderson

What’s most striking is the track’s masterful command of bittersweetness. Even as the melody remains buoyant and accessible, there’s an undercurrent of melancholy that becomes impossible to ignore by the bridge. Here, the composition ascends to vertigo-inducing heights, a musical Icarus moment that feels simultaneously dangerous and exhilarating. But unlike the mythological reference, this flight doesn’t end in disaster; the solo that follows provides assurance, a hand extended to guide listeners through the free fall that comes after.

“Bonnet Of Pins” conjures something that’s been increasingly rare in today’s musical landscape: genuine hope. Not the sanitized, social-media-ready optimism that dominates playlists, but something exultant and unadulterated, tinged with enough sadness to make it believable in our post-pandemic, doom-scrolling reality. At a cultural moment when artists are racing to either capture micro-trends or create nostalgic comfort food, Berninger has crafted an emotional cocktail mixed with precision: equal parts elation and melancholy, shaken, not stirred, and served without the safety net of ironic distance that’s been indie rock’s default defence mechanism.

What “Bonnet of Pins” captures is that rare feeling when life seemed more possible. That flutter in your chest tells you you’re happy, and you’re going to be happy for quite some time. It’s music for when you’ve thrown caution to the wind, for wild abandon. Yet Berninger isn’t recycling emotional platitudes. Instead, he’s tapping into something genuine and increasingly rare in our fragmented listening landscape: an authentic emotional journey that doesn’t feel curated for algorithm discovery or TikTok virality. “Bonnet of Pins” represents a different facet of an established artist who’s confident enough to explore vulnerability in an era that often rewards cynicism.

This isn’t just another single by The National, this is something else entirely. A different facet to a well-established singer branching out on his own terms. “Bonnet of Pins” feels like electricity crackling through your veins – it has no fucking plans of taking it easy with your emotions. It’s a fully realized statement that makes you remember why you fell in love with Berninger’s voice in the first place, while showing you an entirely new reason to stay.

Run Time: 4:47
Release Date: March 11, 2025
Record Label: Concert Records

Lance Marwood is a writer, publisher, and artist-development operator based in Hamilton, Ontario. He is President and Co-Founder of V13 Press and V13 Promo, and Director of Communications at V13 Media. He has written for V13.net since 2015, with more than 300 published articles. His debut novella, The Cherale, was published by V13 Press in 2025.

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