Connect with us

Indie

Majorette Premieres Her Short But Sweet “One Glove” Music Video

Published

on

Majorette, photo by Michael Madrid

In an era where pop music has become quite bloated and even excessive, it’s nice to run into an artist like Majorette. Today, the singer-songwriter unveils her minimalist anthem “One Glove” and its accompanying music video. The song will be found on her new EP Forever Starts Tuesday, due out on January 23rd. Clocking in at slightly over a minute and a half, “One Glove” is what you would call short and sweet. It’s a bright, playful track, meant to sound like something for a K Records compilation. There’s a homemade element to the song, with just a single vocal track over a basic drum beat. The song tells the story of Majorette selling her clothing a season at a time in an effort to make enough to get by. It’s no doubt original, in its own distinctive way.

The video for “One Glove” is also meant to be vintage, shot entirely on 16 mm film. It features Majorette in a number of vintage period-piece costumes, which all happen to be hand-sewn by herself. There’s a 1960s pinup calendar girl theme to the clip, especially thanks to her many interesting and colourful outfits.

Discussing the song, Majorette states:

“I wrote ‘One Glove’ during perhaps the most financially turbulent year of my life. I kept selling my clothes from the prior season hoping that by the time the next season came around I would be in a more stable place. Then winter would arrive, and I would be without a coat! Writing the song actually brought me a lot of comfort, because I could laugh at myself a little bit and see the humor in the situation. The idea for the video was inspired by MGM musicals which are famously glamorous and fantastical. Much like the dream sequence in Singin’ in the Rain, I was living in delusion!”

Danielle Salomon, a Queens-based songwriter is the person behind the Majorette moniker. Her goal with this project is to compose indie pop reminiscent of the genre in its mid-2000s form. Salomon’s songs are typically short and melodic and certainly very much droll in the best way possible.

This started as a bedroom project and has mostly stayed that way. Originally, she began recording demos on an old 1980s Yamaha synthesizer, and that process has largely remained the same. Although now, Salomon has a few collaborators whom she feels comfortable working with. Music doesn’t always have to be super serious. Marojette employs a simple yet effective strategy to entertain and amuse you.

Forever Starts Tuesday EP Track Listing:

1. Tomorrow is Forever
2. One Glove
3. Calendar
4. Soon

Tour Dates:

11/30 – Sundown – Video Release Show – Queens, NY
12/16 – Our Wicked Lady – Brooklyn, NY
01/28 – Knitting Factory – EP Release Show – Manhattan, NY

Majorette “One Glove” single artwork, photo by Michael Madrid

Majorette “One Glove” single artwork, photo by Michael Madrid

Indie

George Alley Shares Single & Video for “Just Leave Me Dreaming”

George Alley shares his latest single, “Just Leave Me Dreaming,” and it is accompanied by a stunning music video to support.

Published

on

George Alley, photo by Adam Peditto
George Alley, photo by Adam Peditto

George Alley is a Philadelphia-based multi-media artist whose music has been the center of his work as a composer, performer, professor, journalist podcaster, choreographer and curator. He is sharing his latest drop single, “Just Leave Me Dreaming,” and it is accompanied by a stunning music video.

First forming a band in high school with Frank Musarra of Hearts of Darknesses, whom he continues to collaborate with on this upcoming album, Alley has been releasing singles, performing and using his original music for performance and dance pieces as part of his company Alley Ink. Performance has informed his work either in his music video collaborations with Adam Peditto or as a curator for 5 years of the Philadelphia Multimedia Arts Festival Collage.

He is a frequent music contributor for the UK-based LGBT pop culture Loverboy Magazine. Interviewing a variety of notable musicians. As well as a podcaster for the top-ten iTunes comedy podcast “I’m Going to Kill You!” And The pandemic cast “Queerona.”

As a professor, he teaches courses on punk and creativity. This work informs his music through an emphasis on the DIY ethos and the philosophies of chance, spontaneity and assemblage.

After the release of a digital-only remade version of his 2017 single, Just Leave Me Dreaming, this February. Alley will be releasing his self-titled debut album, George Alley, this spring. Produced by Ian Romer with additional production from Frank Musarra, it also features musical contributions from Norma Alley (vocals), Eric Coyne (cello), Sasha Ki (violin, viola), Russel Kotchner (violin), Jack Reilly (drums), Alec Spiegelman (saxophone), and Branson Yeast (cello).

To accompany this release, a 5-song concert has been filmed and will be released along with 3 promotional music videos. A collectible run of 500 albums will be available on “transparent root beer” vinyl pressed by Gottagroove Records. Find more information and performance dates on George’s official website.

Continue Reading

Alternative/Rock

The V13 Fix #004 w/ Darkest Hour, Glitterer, LowLives and more

From pop to metalcore, experimental grindcore to indie, each week The V13 Fix will bring you a roundup of all the new music worth hearing…

Published

on

The V13 Fix

Welcome to the latest The V13 Fix our weekly round-up of some of the best albums, singles and EPs to drop in our laps/inboxes this week. From pop to black metal to experimental pop to punk rock, there is something for everyone in this mix of new music. Check out and support all the bands and labels if you like what you hear and if there is a particular album you like, make sure you head over to Spotify and check out one of our specially curated playlists where there is more great new music added daily.

Alternatively, if you’re in a band or want one of your bands considered for inclusion get in touch. While we can’t guarantee every album or EP we receive will be included, there are still plenty of other ways we can support you.

So, without further ado, sit back, plug in your headphones and get this week’s V13 Fix of new music…

Crossfaith
Zero’ [Single]

When Japanese genre-smashers Crossfaith exploded onto the scene with their brutal, electronic-laced metalcore, the world sat up and paid attention. Well, after twelve months regrouping, the band are back with this new single, a massive statement that they’re ready to pick up where they left off but with a new energy. This new slice of heaviness from the band is packed dangerously full of pulsating electronics and pummelling metalcore. Equally as explosive as it is anthemic, “Zero” heralds a new chapter from the band who, after hitting the reset button twelve months ago, have returned with a vengeance.

Pick up your copy of “Zero” from here.

Darkest Hour
Perpetual | Terminal
MNRK Heavy

It’s incredible when you realise that Perpetual | Termainal is the tenth album in the rollercoaster career of US metalcore/metallic hardcore mob Darkest Hour. Spirit and dogged determination has kept the band going to this point and it is a theme which provides the heartbeat of this savage collection. Guitarist Mike Schleibaum explains: “The record’s theme centers around the duality of survival while embracing rebirth,” and, hearing the band hurtle through each of the eleven tracks, Perpetual | Terminal certainly feels like the sound of a band who have been reborn. An uncompromising, unrelenting metal assault, Perpetual | Terminal highlights exactly why heavy music would be worse off without Darkest Hour in it.

Pick up your copy of Perpetual | Terminal from here.

Morta Skuld
Creation Undone
Peaceville Records

Now, even though the new wave of modern death metal bands is doing a sterling job in keeping the flag flying high for the genre, sometimes it’s nice just to take a trip back into some of the old-school bands. Having formed in Milwaukee in 1990, Morta Skuld are still battering away with their latest offering from the death metal stalwarts indicating no sign of slowing down. For fans of the likes of Obituary, Morbid Angel and Deicide, the band expertly combine groovy moshy sections, blastbeats with swamp born vocals. Creation Undone isn’t metalcore, it’s not deathcore, there are no symphonies, this is just straight between the eyes brutality.

Pick up your copy of Creation Undone from here.

M.U.T.T.
Dirty Deeds
Quiet Panic

M.U.T.T. are a trashy punk rock band straight from the gutters of the San Fransisco punk rock scene. There isn’t much you need to know about the kind of punk rock M.U.T.T. peddle except that it comes devoid of airs and graces. Taking a route one approach, M.U.T.T’s punk noise is covered in snot and packed with attitude. Formed from the ashes of Culture Abuse, the project has moved on from the more rock and roll stylings of their debut album, Bad To The Bone, into more trashy waters. Offerings like “Downtown Boy” come with a suitably unpleasant sneer plastered across their face and, while this EP might a fairly brief listen, M.U.T.T pack plenty of bite into those eighteen or so raucous minutes.

Pick up your copy of Dirty Deeds from here.

Gen & The Degenerates
ANTI-FUN Propaganda
Marshall Records

Alt-punk collective Gen & The Degenerates tattoo their principals proudly onto their debut album. Written to a backdrop of disaster, tragedy and misfortune, ANTI-FUN Propaganda comes from a world of late nights and early mornings, sexuality, gender politics and mortality. It’s a punk rock album at its beating heart but, as vocalist Gen puts it, comes with a humourous approach and a love of dirty disco pop. Lyrically, tracks like “Famous” may come from a dark, bleak place but, as the video for “Big Hit Single” highlights, there is a wry smile and a sense of sarcasm nipping away at the subject matter to make sure we don’t lose sight of the fact that, while a quick look outside your window will show a world imploding on itself, it’s important to enjoy what time we have while we’re here.

Pick up your copy of ANTI-FUN Propaganda from here.

Glitterer
Rationale
ANTI-

Following his previous band Title Fight ceased touring, lead singer and songwriter Ned Russin needed a creative outlet. The creative outlet soon manifested into what originally started out as solo project but, six years later, has blossomed into a fully-fledged band and the release of their fourth album, but debut as a full band, Rationale. An album with a sound deeply entrenched in the DC hardcore and indie rock scenes, Rationale is a rowdy listen packed with jarring indie guitars and slick pop melodies with the cohesiveness paying testament to the fact that Russin has found bandmates who share his creative vision.

Pick up your copy of Rationale from here.

Hands of Kalliach
Corryvreckan
Prosthetic Records

Spawned from the minds of Edinburgh, Scotland husband and wife duo have blended together melodic death metal melded with Scottish folk music to create an album that is a work of art. The title of the album is inspired by enormous whirlpool, Corryvreckan, which lies between some of the western isles of Scotland. As harsh yet as beautiful as the inspiration behind it, Corryvreckan is a jaw-dropping piece of work. Soaring passages of melancholic Scottish folk music crash into brutal death metal, like two perfectly matched components. Through the folk music, the pair capture a drama and the emotion that can only come from being truly living and breathing it. When matched up with the extremities of the death metal scene, the end result is utterly majestic.

Pick up your copy of Corryvreckan from here.

Job For A Cowboy
Moon Healer
Metal Blade

For fans of iconic progressive death metal outfit Job For A Cowboy, it’s been almost a decade since new music was last heard from the band. Having teased for a number of years, the band are now back with their follow-up to 2014’s Sun Eater pretty much picking up where the 2014 album dropped off. Unsurprisingly, Moon Healer is the kind of album you really need to invest your time and effort into to really appreciate. Skim over it and you’ll find another incredible album in the Glendale’s musical armoury. Dig under the surface and you’ll find yourself immersed in a world which thematically picks up the story from Sun Eater while musically delivers it in a tightly woven package of complex, experimental, progressive death metal.

Pick up your copy of Moon Healer from here.

Austrian Death Machine
Quad Brutal
Napalm Records

Ten years since their last outing, Austrian Death Machine are back with Quad Brutal, their first album for new home Napalm Records. Formed fifteen years ago by As I Lay Dying vocalist Tim Lambesis, the Arnie-inspired neck-wrecking death machine is back reinspired and reinvigorated. Joined by a bunch of friends from across the metalcore scene including members of Ov Sulfur and Wolves At The Gate, Lambesis is back with another full-throttle, adrenaline-fueled metal feast. With more muscle than your typical weights room, Quad Brutal is just pumped-to-fuck, beefed-up metal. There’s nothing fancy about this. No need to put your brain into gear, Quad Brutal is just here for when another couple of plates on the end of that bar just doesn’t seem enough.

Pick up your copy of Quad Brutal from here.

Royal Tusk
Altruistic
MNRK Heavy

To date, Alberta, Canada three-piece Royal Tusk have gigged with a veritable Who’s Who of Rock from Slash to Halestorm while, during the pandemic, frontman Daniel sang on viral at-home collabs with Stone Sour, In Flames, and Mastodon. Listening to the hard rockers third album and you can probably pinpoint all of those inspirations seeping through the thumping anthems. Full of hard rock bangers like “Fire In Your Veins” and “The Death of Common Sense” to “Hated”, Altruistic has the perfect blend of melody, singalong choruses and power. Of the album, bassist Sandy MacKinnon says “I really hope you want to blast it in your car and headbang” and we can’t think of a better way to enjoy Altruistic than that.

Pick up your copy of Altruistic from here.

Borkanagar
Fall
Century Media

Honouring commitments delayed by the pandemic means that it has been almost five years since we have heard a new full-length album from Norwegian progressive folk/black metal band Borknagar. Reading into the whole process the band go through to write an album though, you do get the feeling Fall would have taken as long pandemic or not. An unrushed, flawlessly-crafted peice of work, Fall sounds like Borknagar frontman Øystein G. Brun has worked tirelessly to ensure that every moment of this album plays out like a story. Blast of grim, violent black metal weave through epic passages of progressive rock and folk to tell a tale of survival. Heading towards their third decade, Fall feels like the Norwegians are still riding at the top of their game.

Pick up your copy of Fall from here.

Mother Mother
Grief Chapter
Warner Music / Parlophone

It’s fair to say that 2021’s album INSIDE catapulted Canadian indie rock troop Mother Mother to new heights. Piling up an incredible 300 million streams for said album Grief Chapter has some task ahead of it. The ninth album of their career finds the band at their most energized despite it focusing, lyrically at least, on themes of death and mourning. This is an album that transcends genres not only over the course of the twelve tracks but, as demonstrated on the brilliant opener “Nobody Escapes” or the stomping “Normalize”, many times within songs. An album which may come from a morbid place lyrically, by the end, will have you well and truly hooked.

Pick up your copy of Grief Chapter from here.

Lowlives
Loser’ [Single]
Spinefarm Records

It’s the year 2000 and Wheatus earworm “Teenage Dirtbag” is rapidly becoming one of the biggest hits of the year. An anthem for misfits, outcasts and losers, it’s a song we hold close to our hearts even 24 years later. Now, West Coast alt-rockers have gone and written their own version. A wonderfully hopeful slice of slacker rock, “Loser” has an almost pleading air to the chorus while the melody is lifted straight from the grunge/alt-rock 2000s. The track is taken from the band’s upcoming debut album, Freaking Out, so don’t worry if you’re going through that misfit phase because Lowlives have got your back.

Pick up your copy of Freaking Out from here.

Continue Reading

Indie

A Short Walk to Pluto Releases “Everybody Wants to Rule the World” Music Video

Indie rockers A Short Walk to Pluto have released the music video for their cover of Tears for Fears’ “Everybody Wants to Rule the World.”

Published

on

A Short Walk to Pluto, photo by Ryan Brough
A Short Walk to Pluto, photo by Ryan Brough

Formed in 2018, A Short Walk to Pluto has developed a tremendous social media presence through TikTok and Instagram, where they regularly debut original music and covers of well-known classics. The band features Emma Armstrong (lead vocals), Max Kaiser (lead guitar, keys, synths), Danny Moriana (bass guitar, backing vocals, synths), and Jake Biggs (drums and percussion).

It was through that online presence that the band was discovered and recently endorsed by Howard Stern on his SiriusXM radio show. Though much of their success is owed to their social media engagement, it is their genre-defying original music and energetic live performances that have generated a loyal, consistent, and far-reaching following. This young and professional foursome is prepared to deliver a show that concertgoers will remember forever.

A Short Walk to Pluto have reimagined Tears For Fears’ classic “Everybody Wants to Rule the World” in their own style while highlighting the musical elements that make the sound special; powerful female pop vocals, rich guitars, dynamic bass, and driving drums. The original song continues to demand respect for its perennially relevant lyrics that encapsulate Gen Z’s attention-seeking mindset. A Short Walk to Pluto’s arrangement is inspired by the original’s ability to propel synth-pop to the forefront of pop culture in the mid-1980s, and they hope the same can be true of rock in the modern era.

Commenting on their remake, the band states:

“We wanted to reimagine this classic Tears For Fears song in our style while highlighting the musical elements that make our sound special: powerful female pop vocals, rich guitars, dynamic bass, and driving drums. The original song continues to demand respect for its perennially relevant lyrics that encapsulate our generation’s attention-seeking mindset. Our arrangement is inspired by the original’s ability to propel synth-pop to the forefront of pop culture in the mid-1980s, and we hope the same can be true of rock in the modern era.”

A Short Walk to Pluto “Everybody Wants to Rule the World” single artwork

A Short Walk to Pluto “Everybody Wants to Rule the World” single artwork

Continue Reading

Trending