As satisfying and giving as it is, heavy metal, just like any musical genre, can remain too constraining for some adventurous-minded musicians. Take the bright mind of Richard How, for instance, a South West England resident who has concocted a brand new metal project named Epoch of Chirality. Pushing the metal boundaries as far as they can go, How has come up with a sound conjoining both acoustic and synthesized instruments, working all beautifully in unison together.
Take the new single “Pyramid Cybergod,” for example, a song so much more than just loud guitars and pounding drums. Off the new album Nucleosynthesis, it has all of the traditional elements of a heavy song, but it is both experimental and very cinematic, with a sort of science fiction feel to it. Clearly, How left no options off the table when recording “Pyramid Cybergod” and he came through with flying colours, creating a track with tense, smouldering soundscapes that come together like a symphony.
In speaking on the new single, How said, “So pleased to finally release ‘Pyramid Cybergod!’ This is the second single to support the launch of my debut sci-fi metal album Nucleosynthesis, coming out July 23rd! As the title suggests, there’s a heavy eastern influence in this song, but with a blend of ‘80s movie synths and rich strings. It was a crazy experiment, but I absolutely love the direction it went in with some epic ethereal melodies in there and a little nod to synthwave! The single will be available on all the main streaming sites and also as a high-quality download on my website from June 25th.”
Nucleosynthesis follows the release of the Dawn of Chirality EP last year, which really began to put into perspective the enormity of what How was creating. This isn’t just some recent musical venture, however; it’s been a project in the works for nearly two decades. How began quietly developing Epoch of Chirality about 20 years ago, a metal-focused project that would be completely inclusive, and leave no musical style or instrument off-limits. Experimentation and unrestrained exploration would be encouraged to offer the most unique musical journey possible. This is so much more than just a metal project; it’s a unique experience meant to immerse you and take you along to musical destinations you never thought you’d ever visit.
Nucleosynthesis Track Listing:
1. Dawn Of Chirality
2. Undercity Rising
3. Caravan to the Midnight Mountain
5. Pyramid Cybergod
6. Maiden Voyage
7. The Abyssal Fleet
Blind Channel – ‘Exit Emotions’ [Album Review]
While ‘Exit Emotions’ (Century Media Records) contains many of the tropes from the golden age of nu-metal, it still feels refreshing. Blind Channel continue to move from strength to strength.
Cast your minds back to 2021; it was a dark time for humanity, with the entirety of the world still gripped by the COVID-19 pandemic, countries going in and out of lockdowns, and the entertainment industry being brought to its knees. Yet, in the midst of all of this, mankind fought on, with some events managing to take place. One of these was Eurovision, which has delivered, over the years, some incredible winners and given lesser-known artists global recognition. 2021 saw Måneskin take the crown, but on their heels was Finland’s own Blind Channel in sixth place with their song “Dark Side.”
The Finnish nu-metalers already had a handful of records to their name but it was Lifestyles of the Sick and Dangerous that contained their aforementioned Eurovision entry and made the world really sit up and take notice. With its mix of metal, hip-hop, synth and a touch of glam, it was a breath of fresh air from the European region better known for its output of, let’s say, the (much) heavier side of metal.
With Exit Emotions, Blind Channel now have their eyes focused on bigger things. Whilst they have broken through to the mainstream beyond their borders, it’s not enough for the six-piece, as they explore what it means to truly be on the global stage.
Exit Emotions kicks in hard with “Where’s the Exit,” with its distorted nu-metal beat laced with some techno elements followed swiftly by distorted vocals mixing rap and metal styles seamlessly. Dual vocalists Joel Hokka and Niko Moilanen bounce off each other in a symbiotic way, indicating how in tune with each other these guys can be. “Where’s the Exit” feels like it throws everything the band can portray at the wall from their varying influences, and while, on paper, a mix of metal, rock, hip hop, techno, and synth, if difficult to get right, Blind Channel nail it with absolute precision. Several songs on this record follow this formula, like “Deadzone,” “Wolves of California,” and “XOXO” (amongst others), and if the entirety of the record kept to this, whilst fun to listen to, it would run the risk of becoming samey. Thankfully, Blind Channel does mix things up throughout.
“Keeping it Surreal” maintains a relatively heavy approach but dials it back a tad to give the hip-hop elements more of a chance to shine and deliver a more emotional element with the band, highlighting the surrealness of their current position. This is followed by the extra-emotional “Die Another Day.” The tune opens with a piano melody and slows the entire pace of the record, and moves into ballad territory. Hokka and Moilanen are accompanied by RØRY, ensuring the sensitive lyrics portrayed are emphasized to the max. Despite the relative negativity of the lyrics, the trio somehow makes this extra melancholy tune drive forward positive feelings.
Exit Emotions is a great follow-up to Lifestyles of the Sick and Dangerous, and although it contains many of the tried and tested tropes of what was delivered in the golden age of nu-metal, it still feels refreshing. The band has gone from strength to strength since their respectable placement at 2021’s Eurovision, which demonstrates they have lots more to offer than just their hit song “Dark Side.”
Exit Emotions Track Listing:
1. Where’s the Exit
W3. olves of California
5. Keeping it Surreal
6. Die Another Day
8. Happy Doomsday
9. Red Tail Lights
10. Not You Bro
12. One Last Time… Again
Run Time: 35:15
Release Date: March 1, 2024
Record Label: Century Media Records
Silent Planet Bring Their “Superbloom Tour” to Worcester Palladium [Photos]
Silent Planet brought their “Superbloom Tour” to Worcester Palladium with support from Johnny Booth, Aviana, and Thornhill.
Silent Planet brought their “Superbloom Tour” to the Worcester Palladium on February 20, 2024. They had Johnny Booth, Aviana, and Thornhill join them on this fun adventure.
I had no idea what to expect during Johnny Booth and was happy with the outcome. Johnny Booth is a five-piece hardcore band from New York. They performed a seven-song setlist with a few cuts like “2040,” “Full Tilt,” “Asymmetrical,” and “Deep Fake.” Johnny Booth stands out with their crushing melodies and multi-genre influences.
Following Johnny Booth was the Swedish alt-metal band Aviana. I had heard a few songs off Spotify, but I’ve never seen them live, and I loved every second of their time! The band wore masks and cloaks, so you can’t see anything under it. When they opened with “Rage,” the crowd chanted “Rage” with frontman Joel Holmqvist. Other songs were “Illuminate,” “My Worst Enemy,” “Oblivion,” and “Obsession.” This is definitely a band worth checking out!
Next was the Aussie alt-metal band Thornhill. If you know Thornhill, then you know you’re going to have a good show! They played eight songs, consisting of “Arkangel,” “Viper Room,” “Coven,” and “Casanova,” and closed with “Where We Go When We Die.” During their set, you can see fans all over having fun and dancing to the music.
Lastly, Silent Planet! The band incorporates a screen in the back for stunning visuals to accompany the songs being played. They performed mostly new songs off their latest album, Superbloom, and other beloved songs like “Panic Room,” “Native Blood,” and closed with “Superbloom.” Towards the end of their set, they did a jam session, which was fun to watch! During their encore, they performed their popular song “Trilogy.”
The “Superbloom Tour” is coming to a close this week. If you got to see it, then you know you got to go to an awesome show. Here’s to the next one!
Seven Cities Dead Unleash Single “Take This To My Grave” feat. Josh Gilbert
Milwaukee outfit Seven Cities Dead released their latest single, “Take This To My Grave,” featuring As I Lay Dying’s Josh Gilbert.
Milwaukee outfit Seven Cities Dead released their latest single, “Take This To My Grave,” featuring As I Lay Dying’s Josh Gilbert. SCD’s new single embodies the best attributes of classic and modern metalcore, pulling influences from Trivium, Wage War, and Motionless in White.
The story of “Take This To My Grave” in the words of the band:
“All the way back in 2021, we had this new demo for a song that was a little different than anything we had written before. It felt heavier than anything else we made but also somehow the most accessible. It had blast beats and a nasty breakdown, but it was also still structured like a radio single with a really catchy chorus and epic singing outro. We were already excited about it, but this was also the time when Featured X first came out.”
The story continues… “This was a website where artists, including some big names, signed up to make themselves available for people to request as features. At first, when we saw Josh Gilbert there, we thought he was way out of our league. As I Lay Dying was one of our favorite bands as teenagers and even to this day they’re a huge influence on our style. But we fantasized about what it would be like to have him on our song, and it genuinely felt like he would be a really good fit. So we reached out.
“We weren’t sure if we’d get a response, or if he even checked his messages on the site. And if he did, what are the odds he would agree to feature on a song by a no name band like us? But… he did! A few days later we got an email that he really liked the song and he would do it. What’s more, we learned that he’s also a professional producer working with Joseph McQueen at Sparrow Studios in Los Angeles. This is where Shaped By Fire was recorded.
“They’ve also produced records by bands like Bad Wolves, Bullet For My Valentine, Jason Derulo. We knew it would be the best experience and also the best song possible if we could go down and record it with him in person. So that’s exactly what we did. It was an amazing experience! We had planned to release this song in 2022 with an epic animated video which we had a whole script drawn up for – but things fell through with the animator after several months and delayed deadlines. And then things fell through with the next animator. And the next one. Two and a half years later, we decided this song just HAS to see the light of day, one way or another. We still have dreams of bringing the full story to fruition, but for now – we just want to release the song!”
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