Swiss quartet The Erkonauts are back with their third album, I Want It To End, which continues to develop the strikingly original sound that garnered them international acclaim for their first two releases. The Erkonauts are fiendishly difficult to describe – with elements of prog, post-rock, alt-metal and hardcore, their sound manages to be both challenging and entertaining, dark yet humorous, frantic yet well-paced, constantly surprising but still consistent. Confused? You won’t be, because with typical Swiss modesty the immense technicality of The Erkonauts is masked by the sheer enjoyment-factor of this album.
It’s a sign of a band’s originality when you can’t think of a single other act to compare them to. Motorhead, perhaps, for the prominent basslines and rock factor; Mastodon-style prog, System Of A Down for the quirky metal riffs, and Gojira’s pitched vocal rasp and urgent rhythms; but really there is nothing else like The Erkonauts’ blend of sounds and ideas. The introductory slap-bass energy of first track “War Flamingoes” gives absolutely no hint as to where this album might be going. There’s an overriding atmosphere of agitation, with galloping rhythms, anthemic vocal passages, huge post-metal riffs and crazy guitar solos when you least expect them. It shouldn’t work but it does, spectacularly so.
It’s not often that the bass stands out as the most prominent instrument in a rock/metal album, but Ales Campanelli (formerly of Sybreed, now also bassist for Samael) has a technical prowess that is employed to jaw-dropping effect throughout. From the slap-bass craziness of “War Flamingoes” and “Losing Is The First Step” to the gorgeous doomy rhythm of “It Could Be Over Soon,” the bass is spectacular. Make sure you check out Ales’ play-through videos.
With their often-absurd song titles, quirky riffs and freneticism, The Erkonauts are a band that has always employed humour. But the silly song titles often belie a dark and brooding subject matter. Case in point – “The Great Ass Poopery,” a track on their first album, is actually filled with poetic lyrics. The new album is their darkest yet, however, the chaotic energy always underscored by a poignancy and subtle desperation. “Five Orange Seeds” tells a Sherlock Holmes story, and there’s an apocalypticism to many of the other songs such as “The Future Ends With You” and “The Cult Of The Burning Star.” There are also two beautiful doomy slow tracks. Dark western “It Could Be Over Soon” and gentle, unusual ballad “Caravaggio” are both heart-breaking, and appear just at the right moments to break up the frantic pace.
At less than forty minutes, I Want It To End is a cohesive explosion of musical ideas that reveals new strands on each listen and leaves you simultaneously entertained and unsettled. A perfect soundtrack to this troubled year.
I Want It To End Track Listing:
1. War Flamingoes
2. The Future Ends With You
3. Five Orange Seeds
4. The Cult Of The Burning Star
5. It Could Be Over Soon
6. Losing Is The First Step
7. The Sun
9. The Curse Of Scotland
Run Time: 38 minutes
Release Date: October 1, 2020
Record Label: Self-Release
Blind Channel – ‘Exit Emotions’ [Album Review]
While ‘Exit Emotions’ (Century Media Records) contains many of the tropes from the golden age of nu-metal, it still feels refreshing. Blind Channel continue to move from strength to strength.
Cast your minds back to 2021; it was a dark time for humanity, with the entirety of the world still gripped by the COVID-19 pandemic, countries going in and out of lockdowns, and the entertainment industry being brought to its knees. Yet, in the midst of all of this, mankind fought on, with some events managing to take place. One of these was Eurovision, which has delivered, over the years, some incredible winners and given lesser-known artists global recognition. 2021 saw Måneskin take the crown, but on their heels was Finland’s own Blind Channel in sixth place with their song “Dark Side.”
The Finnish nu-metalers already had a handful of records to their name but it was Lifestyles of the Sick and Dangerous that contained their aforementioned Eurovision entry and made the world really sit up and take notice. With its mix of metal, hip-hop, synth and a touch of glam, it was a breath of fresh air from the European region better known for its output of, let’s say, the (much) heavier side of metal.
With Exit Emotions, Blind Channel now have their eyes focused on bigger things. Whilst they have broken through to the mainstream beyond their borders, it’s not enough for the six-piece, as they explore what it means to truly be on the global stage.
Exit Emotions kicks in hard with “Where’s the Exit,” with its distorted nu-metal beat laced with some techno elements followed swiftly by distorted vocals mixing rap and metal styles seamlessly. Dual vocalists Joel Hokka and Niko Moilanen bounce off each other in a symbiotic way, indicating how in tune with each other these guys can be. “Where’s the Exit” feels like it throws everything the band can portray at the wall from their varying influences, and while, on paper, a mix of metal, rock, hip hop, techno, and synth, if difficult to get right, Blind Channel nail it with absolute precision. Several songs on this record follow this formula, like “Deadzone,” “Wolves of California,” and “XOXO” (amongst others), and if the entirety of the record kept to this, whilst fun to listen to, it would run the risk of becoming samey. Thankfully, Blind Channel does mix things up throughout.
“Keeping it Surreal” maintains a relatively heavy approach but dials it back a tad to give the hip-hop elements more of a chance to shine and deliver a more emotional element with the band, highlighting the surrealness of their current position. This is followed by the extra-emotional “Die Another Day.” The tune opens with a piano melody and slows the entire pace of the record, and moves into ballad territory. Hokka and Moilanen are accompanied by RØRY, ensuring the sensitive lyrics portrayed are emphasized to the max. Despite the relative negativity of the lyrics, the trio somehow makes this extra melancholy tune drive forward positive feelings.
Exit Emotions is a great follow-up to Lifestyles of the Sick and Dangerous, and although it contains many of the tried and tested tropes of what was delivered in the golden age of nu-metal, it still feels refreshing. The band has gone from strength to strength since their respectable placement at 2021’s Eurovision, which demonstrates they have lots more to offer than just their hit song “Dark Side.”
Exit Emotions Track Listing:
1. Where’s the Exit
W3. olves of California
5. Keeping it Surreal
6. Die Another Day
8. Happy Doomsday
9. Red Tail Lights
10. Not You Bro
12. One Last Time… Again
Run Time: 35:15
Release Date: March 1, 2024
Record Label: Century Media Records
The Western Civilization – ‘Fractions of a Whole’ [Album Review]
The Western Civilization delivers expressive vocals and a wealth of stylistic aromas with an existential richness on ‘Fractions of a Whole.’
It was the Greek philosopher Aristotle who said, “The whole is greater than the sum of its parts.” Applied to Texas-based indie-rock outfit The Western Civilization, the adage refers to the chemistry between Rachel Hansbro and Reggie O’Farrell, a chemistry on display in their recently released album, Fractions of a Whole.
Speaking about the album, Hansbro says, “The new songs were inspired by the amazing people who are part of my chosen family. Reggie has always been good at reminding me of the positive things. (He is) another voice saying, ‘Hey, it’s going to be okay.’”
Reggie O’Farrell and Rachel Hansbro first met while playing in separate bands. A friendship developed, resulting in two albums and performances at the Vans Warped Tour, SXSW, Halifax Pop Explosion, and, most importantly, an artistic alliance that survived a variety of obstacles.
Revolving around Hansbro and O’Farrell, The Western Civilization is a collaborative project with a rotating cast of musicians and collaborators who expose the actuality of Aristotle’s dictum.
The album opens with “Noctambulism,” a floating, folk-rock song with hints of Americana flowing through it. Driven by a sparkling piano topped by the voices of Hansbro and O’Farrell merging, the melody wafts and undulates like drifting clouds across the sky.
High points embrace “Bible Verses for Kids,” which reveals elusive Celtic flavors, a bit like The Cranberries. A rolling snare gives the rhythm a galloping motion as layered harmonies infuse the lyrics with choir-like textures verging on grandness.
A personal favorite because of Hansbro’s deliciously casual vocals, “Fool” resembles a child’s nursery rhyme reimagined as indie-rock – dreamy, drawling, almost discordant vocals riding over loose, garage rock harmonics. The imperfect, raggedy feel of the tune makes it wondrously genuine and gratifying.
“Proselytism,” the closing track, travels on light, migrant surfaces as Hansbro’s soft, breathy vocals imbue the lyrics with subtle, eccentric whimsy, a kind of didactic reflection.
Expressive vocals, along with a wealth of stylistic aromas, invest Fractions of a Whole with an existential richness.
Fractions of a Whole Track Listing:
2. Stitches (read our song review)
3. Bible Verses for Kids
4. She’s by the Sea
5. If You’re Lucky
7. My Mess
8. The Snake and The Saint
9. The Ocean’s on the Rise
Run Time: 42:18
Release Date: February 16, 2024
Record Label: Independent
Two Faces West – ‘Postcards From Lonely Places’ [Album Review]
Two Faces West knows how to play blues rock. On ‘Postcards From Lonely Places’ they’re at their best when pumping out nasty, swaggering, trash-laced melodies.
Denver, Colorado-based blues rock trio Two Faces West released their debut album, Postcards From Lonely Places, in the middle of last year. The album’s title discloses a singular theme: stories of American lives and the daily grind of life experienced, in all its glories and defeats, tragedies and triumphs.
Produced by Glenn Sawyer and Rich Veltrop, the album was initially intended to be an EP but grew into an album after a change in personnel.
The band explains, “If Postcards From Lonely Places seems like a stylistic mess, it probably is just that. This album was originally conceived as a 5 song EP and slated for release in early 2020. Vince Carmellini joined Two Faces West in 2019, and the new line-up decided to write five additional songs. The result is a group of songs with essentially a very dynamic group of songwriters and players, with different flavors and moods.”
Made up of Kurt Ashmore (vocals, guitar, sax, banjo), Mick Knudsen (drums, vocals), and Vince Carmellini (bass, organ, vocals), Two Faces West’s sound merges rootsy blues rock, rock, and hints of funk into what the band calls ‘crankin’ rock and blues.’
Of the 12 tracks on the album, entry points include opener “Ain’t Got a Clue,” riding a funked-out rhythm topped by skiffing guitars and dramatic flourishes of braying brass. Because of its familiar, irresistible funk flavors, the song grabs listeners’ attention.
Rolling out on a cool drum shuffle, “Vegas at 3AM” features dark, dirty guitars giving off grimy tones as Ashmore vocals imbue the lyrics with cautionary timbres. The mood of the song conjures up suggestions of ZZ Top, especially in the solo section, highlighted by sleazy, virtuoso licks.
“Hot Tamale Baby” ramps things up with its scorching textures of galloping blues-rock, radiating retro-infused energy. A personal favorite because of its muddy, growling guitars and Elvis-like vocals, reminiscent of “Jailhouse Rock,” “Brand New Suit” struts the pure essence of down-and-dirty blues rock.
Another grinder, “Moonshiners,” travels on a deep, gritty bassline and Mitch Mitchell-like percussion as Ashmore’s raspy vocals give the lyrics the dangerous savors of whiskey bootleggers. Whereas “Dirty Ol’ Man” snarls and grimaces on murky, sliding guitars that ride an austere, pummeling rhythm.
“Freedom,” a live track recorded at The Bluebird in January 2020, recalls the grand live performances of Humble Pie, oozing low-slung, smoldering, bluesy surfaces and a jam band atmosphere.
Two Faces West knows how to play blues rock: they’re at their best when pumping out nasty, swaggering, trash-laced melodies.
Postcards From Lonely Places Track Listing:
1. Ain’t Got a Clue
2. Vegas at 3AM
3. Hot Tamale Baby
4. The Ballad of Jerry Davis
5. Rocks Like a Country Song
6. Mountain Sunrise
7. Brand New Suit
9. Late Night
10. Spinnin’ Circles
11. Dirty Ol’ Man
12. Freedom (Live at the Bluebird 01/02/2020)
Run Time: 56:33
Release Date: June 16, 2023
Record Label: Independent
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