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Indie Fans at Leeds O2 Academy Celebrate the Return of Brit Faves Supergrass [Photos & Show Review]

Indie favourites Supergrass treated a packed-out Leeds O2 Academy to a night of top 90s indie and you can check out the photos and review here.

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“Hello, Leeds… it’s been a while… unless you were here last night” states Gaz Coombes as the band take to the O2 Academy stage for their second sold-out show of the weekend.

‘The Strange Ones’ Oxford’s Supergrass are back – and for a band that hasn’t played together for 10 years – sound incredible.

Of their time, the heady days of the ‘90s, they were always the quirky, cheeky scamps who had tonnes of energy, massive personalities and bagfuls of riff-laden tunes. More than you remember them having for sure. One look at the set-list for tonight will bring back so many memories for so many people.

Supergrass @ O2 Academy (Leeds, UK) on February 29, 2020

The bulk of the set comes from the I Should Coco-era which has so many highlights in its own right. The likes of “Mansize Rooster,” “Sitting Up Straight,” and “Lose It” are amongst the best songs from that time, with their luscious grooves, riffs and harmonies sounding as fresh as they did 25 years ago. It’s always easy to forget how heavy Supergrass actually sounds in a live setting with the chugging riff to “Lenny” being a prime example.

The biggest singalongs of the night come during “Moving,” a stunning “Sun Hits the Sky,” and “Grace” and the crowd even rescue Gaz as he fumbled the lyrics to their most recognizable song “Alright.” To be fair, he probably needn’t have sung any of it as the crowd would have made it all the way through without a problem.

The band themselves are as they always were incredible musicians. Danny Goffey on drums, sat high above the stage, is their Keith Moon. With his wild arms and facial expressions, he drives the groove of the music along with Mick Quinn’s unmistakable bass underlying everything. Gaz is pretty much a guitar hero and shines when they extend certain songs with solos and short jams.

The screen behind the stage switches between their iconic disco ball logo and old footage from the heyday of the band and adds to the fun of the show which ends with a trio of bangers in the shape of “Caught By The Fuzz,” “Strange Ones,” and a gloriously glam-tinged “Pumping On The Stereo.”

With no current news of any new material but more dates planned throughout the year, this is one of those ‘reunions’ that can be enjoyed simply for what it is – a celebration of one of the most important bands from the ‘90s enjoying playing some of the most important songs of the ‘90s together again.

Welcome back, Supergrass.

Album Review

The Western Civilization – ‘Fractions of a Whole’ [Album Review]

The Western Civilization delivers expressive vocals and a wealth of stylistic aromas with an existential richness on ‘Fractions of a Whole.’

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The Western Civilization ‘Fractions of a Whole’ album artwork
The Western Civilization ‘Fractions of a Whole’ album artwork

It was the Greek philosopher Aristotle who said, “The whole is greater than the sum of its parts.” Applied to Texas-based indie-rock outfit The Western Civilization, the adage refers to the chemistry between Rachel Hansbro and Reggie O’Farrell, a chemistry on display in their recently released album, Fractions of a Whole.

Speaking about the album, Hansbro says, “The new songs were inspired by the amazing people who are part of my chosen family. Reggie has always been good at reminding me of the positive things. (He is) another voice saying, ‘Hey, it’s going to be okay.’”

Reggie O’Farrell and Rachel Hansbro first met while playing in separate bands. A friendship developed, resulting in two albums and performances at the Vans Warped Tour, SXSW, Halifax Pop Explosion, and, most importantly, an artistic alliance that survived a variety of obstacles.

Revolving around Hansbro and O’Farrell, The Western Civilization is a collaborative project with a rotating cast of musicians and collaborators who expose the actuality of Aristotle’s dictum.

The album opens with “Noctambulism,” a floating, folk-rock song with hints of Americana flowing through it. Driven by a sparkling piano topped by the voices of Hansbro and O’Farrell merging, the melody wafts and undulates like drifting clouds across the sky.

High points embrace “Bible Verses for Kids,” which reveals elusive Celtic flavors, a bit like The Cranberries. A rolling snare gives the rhythm a galloping motion as layered harmonies infuse the lyrics with choir-like textures verging on grandness.

A personal favorite because of Hansbro’s deliciously casual vocals, “Fool” resembles a child’s nursery rhyme reimagined as indie-rock – dreamy, drawling, almost discordant vocals riding over loose, garage rock harmonics. The imperfect, raggedy feel of the tune makes it wondrously genuine and gratifying.

Proselytism,” the closing track, travels on light, migrant surfaces as Hansbro’s soft, breathy vocals imbue the lyrics with subtle, eccentric whimsy, a kind of didactic reflection.

Expressive vocals, along with a wealth of stylistic aromas, invest Fractions of a Whole with an existential richness.

The Western Civilization in 2022, photo by Jack Potts

The Western Civilization in 2022, photo by Jack Potts

Fractions of a Whole Track Listing:

1. Noctambulism
2. Stitches (read our song review)
3. Bible Verses for Kids
4. She’s by the Sea
5. If You’re Lucky
6. Fool
7. My Mess
8. The Snake and The Saint
9. The Ocean’s on the Rise
10. Proselytism

Run Time: 42:18
Release Date: February 16, 2024
Record Label: Independent

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Alternative/Rock

Lovin’ Life Music Fest Drops First Year Lineup

Lovin’ Life Music Fest dropped their official lineup this week, and it is exceptional. The festival’s will occur on May 3-5th, 2024, in North Carolina.

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Lovin’ Life Music Fest 2024
Lovin’ Life Music Fest 2024

Lovin’ Life Music Fest dropped their official lineup this week, and it is exceptional. The festival’s first-ever installment will occur on May 3-5th, 2024, in Uptown Charlotte, North Carolina. The star-studded lineup includes headline sets from Post Malone, Noah Kahan, and Stevie Nicks. From headliners alone, we can tell this festival has something for everyone.

The festival will showcase many popular acts spanning various genres and generations. Supporting acts include Maggie Rogers, Dominic Fike, The Fray, The Chainsmokers, Quinn XCII, Mt. Joy, Young the Giant, and NC’s DaBaby and The Avett Brothers. There will also be a local stage to highlight Charlotte’s own artists throughout the weekend. This is one of the most stacked lineups we’ve seen for the 2024 festival season.

Tickets to Lovin’ Life are on sale now! Grab them while you can; this is sure to be an epic weekend!

Lovin’ Life Music Fest 2024 poster

Lovin’ Life Music Fest 2024 poster

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Indie

George Alley Shares Single & Video for “Just Leave Me Dreaming”

George Alley shares his latest single, “Just Leave Me Dreaming,” and it is accompanied by a stunning music video to support.

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George Alley, photo by Adam Peditto
George Alley, photo by Adam Peditto

George Alley is a Philadelphia-based multi-media artist whose music has been the center of his work as a composer, performer, professor, journalist podcaster, choreographer and curator. He is sharing his latest drop single, “Just Leave Me Dreaming,” and it is accompanied by a stunning music video.

First forming a band in high school with Frank Musarra of Hearts of Darknesses, whom he continues to collaborate with on this upcoming album, Alley has been releasing singles, performing and using his original music for performance and dance pieces as part of his company Alley Ink. Performance has informed his work either in his music video collaborations with Adam Peditto or as a curator for 5 years of the Philadelphia Multimedia Arts Festival Collage.

He is a frequent music contributor for the UK-based LGBT pop culture Loverboy Magazine. Interviewing a variety of notable musicians. As well as a podcaster for the top-ten iTunes comedy podcast “I’m Going to Kill You!” And The pandemic cast “Queerona.”

As a professor, he teaches courses on punk and creativity. This work informs his music through an emphasis on the DIY ethos and the philosophies of chance, spontaneity and assemblage.

After the release of a digital-only remade version of his 2017 single, Just Leave Me Dreaming, this February. Alley will be releasing his self-titled debut album, George Alley, this spring. Produced by Ian Romer with additional production from Frank Musarra, it also features musical contributions from Norma Alley (vocals), Eric Coyne (cello), Sasha Ki (violin, viola), Russel Kotchner (violin), Jack Reilly (drums), Alec Spiegelman (saxophone), and Branson Yeast (cello).

To accompany this release, a 5-song concert has been filmed and will be released along with 3 promotional music videos. A collectible run of 500 albums will be available on “transparent root beer” vinyl pressed by Gottagroove Records. Find more information and performance dates on George’s official website.

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